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Silver Spurs
Jerry Johnson inherits a 50,000 acre ranch. Lucky Miller wants to take over the ranch. Roy is trying to get a railroad spur right of way. Lucky has a woman come west to marry Jerry to get control of the ranch. After the wedding, Lucky has the owner killed. Roy’s gun is substituted for the murder weapon, so Roy is put in jail.
Release : | 1943 |
Rating : | 6.1 |
Studio : | Republic Pictures, |
Crew : | Art Direction, Set Decoration, |
Cast : | Roy Rogers Smiley Burnette John Carradine Phyllis Brooks Jerome Cowan |
Genre : | Western |
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Reviews
the audience applauded
i must have seen a different film!!
Good story, Not enough for a whole film
I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
Silver Spurs (1943) ** 1/2 (out of 4) This "B" Western from Republic probably won't appeal to too many people today but it's your typical Roy Rogers vehicle, which gets some added spice with one of the bad guys being played by John Carradine. In the film Roy is accused of killing his boss but of course he's innocent so he must break free from the Sheriff and try to clear his name. Along the way a female reporter is on the case and discovers that the murder might have something to do with a valuable piece of property. Apparently there are quite a few different versions of this film available from countless public domain companies. I had this film on three different sets and the running time varied on each of them. I went ahead and watched the longest (just at 60-minutes) but from the reviews I've read it appears the shorter versions are missing some of the music from Roy Rogers and the Son of the Pioneers. Overall this is a fairly entertaining Western as long as you don't go into it expecting something like John Ford would give you. At this point I really haven't seen too many films from Rogers but I certainly enjoyed his performance here and look forward to other movies. I thought the story was your typical stuff that had been going around Hollywood since the silent era and we even had some 30s stuff thrown in like the subplot with the reporter. For the most part the story is decent enough to keep you entertained but I'm sure a lot of this has to do with the short running time. Rogers was pretty charming in his role as he has to flirt with the ladies while trying to track down the bad guys. I guess it goes without saying but Rogers was at ease in the role and was quite believable during the action pieces. I'm sure the events going on in Carradine's personal life caused him to take this part and to be honest there's not too much he or anyone else could have done with it. It's clear the studio didn't take advantage of having him in the picture by making the part bigger because it really doesn't stand out and in fact any actor could have done it. Carradine is decent in the part but it's just strange seeing even him in something like this. Trigger, the horse, appears and gets to do a couple stunts as well. The action in the film is pretty good including one scene where a car goes off a cliff and Roy has to use his rope to get to the bottom.
This Roy Rogers film sure seemed to have less singing than usual. When I checked IMDb it said the film had been trimmed (probably for TV) and I assume that one way they shortened it was by removing some of the songs. Well, I do like Rogers' pleasant voice, but less songs means more story and more action--something that seemed to make this film flow better than other Rogers film I have seen.Roy works for a drunkard who is also a full-time idiot and jerk (wow--the trifecta!). His willingness to put up with this guy is apparently out of some misguided loyalty to the guy's dead father as well as his trying to arrange for some right of way for the railroad. Regardless, an evil baddie (John Carradine) is out to kill the drunk, steal his land and frame Roy! So Roy does what any handsome western hero would do when his boss is killed--run away from the law and solve the murder himself.Instead of Gabby Hays (my favorite Rogers sidekick), this one has the generally ineffectual and rather addle-brained Smiley Burnett. Despite Burnett's 'help', Roy is able to eventually solve the crime and clear his good name.Due to good pacing, a reasonably original story (minus the cliché of running off to solve the crime himself) and plenty of nice action (along with one or two insane stunts) make this worth seeing--particularly if you like series westerns.
Excellent Roy Rogers vehicle with a great, wily performance by John Carradine as an added bonus.Good pacing and good direction (and yes, a few very good stunts) place this way above similar movies. Even the usually annoying side-kick role (with this one, it's Smiley Burnette as "Frog") isn't that bad at all.Also, far less corny than some would first expect if you've seen others with similar plots from this time period.There are a few very good action sequences, and some very funny lines if you're in the right mood.The story mostly involves a "mail-order bride"; Mary the reporter going in to get a story about the "playboy" rancher and what is obviously a "phoney deal". Rogers is only trying to help his boss. However, the rancher is shot (admittedly, it was one unbelievably good shot through a car window from a fair distance) and Roy is conveniently framed when he shows up at the accident scene to check things out. Of course, you know that everything is bound to turn out for the best. There is also time for a couple good old songs.10/10.
"Silver Spurs" is an enjoyable Roy Rogers vehicle which moves along at a brisk pace. I like the fact that it never settles on one genre -- is it a musical Western, or a suspenseful comedy? -- and that it boasts a cast that's a notch better than what you would expect from a low budget B picture. Roy gets to sing a few short-but-sweet numbers with The Sons of The Pioneers and the supporting players are a joy: Phyllis Brooks, John Carradine, Jerome Cowan, Joyce Compton (not playing a dumb blonde for once), and Western regular Smiley Burnette. I was also amazed at the stunts Trigger could do; he truly was "The Smartest Horse in the Movies"!