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Mondo Cane

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Mondo Cane

A documentary consisting of a series of travelogue vignettes providing glimpses into cultural practices throughout the world intended to shock or surprise, including an insect banquet and a memorable look at a practicing South Pacific cargo cult.

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Release : 1962
Rating : 6.2
Studio : Cineriz, 
Crew : Cinematography,  Cinematography, 
Cast : Rossano Brazzi Stefano Sibaldi
Genre : Horror Documentary

Cast List

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Reviews

VividSimon
2018/08/30

Simply Perfect

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Hayden Kane
2018/08/30

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

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Casey Duggan
2018/08/30

It’s sentimental, ridiculously long and only occasionally funny

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Gary
2018/08/30

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

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thinker1691
2009/01/30

This planet which many humans believe is theirs, has so many mysterious aspects that when a cinematic camera and light are turned on it, are interestingly illuminated like the elusive creatures of the night. A world traveler may go seeking the strange, the unusual, the bizarre and occasionally the forbidden and often find much more than he bargained for. That is what the film "Mondo Cane" is all about. It is a black collection of the many unusual parts of our strange world. The film travels around the globe seeking out the odd customs of various people and offers them up as interesting fare to the ambivalent traveler, the timidly interested and the curiously morbid. In each country visited, we find that what one nation finds disgusting, another finds tolerable. One nation offers up unusual human sexual practices, which another country often finds offensive, tasteless and guttural. Animals in one country are revered, honored and treated as royalty. Yet in a neighboring nation, these same beasts are prepared as special delicacies fit for consumption. Women, boys and pain seeking parishioners are accepted as sacrificial fodder. Viewers are treated to the world's most primitive customs and often as not we see ourselves at the very depth of depravity and learn it is not polite to stare, which we do anyway. A frightening movie, but one which reveals more about us than we care to know. Still, one cannot turn away without wanting to see 'MORE' which happens to be the Theme Song of this same picture. ****

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Witchfinder General 666
2009/01/29

"Mondo Cane" of 1962 is the first of a bunch of Italian 'Mondo' Shockumentaries and, without any doubt, an immensely influential piece of Exploitation cinema. Gualtiero Jacopetti and Paolo Carva came up with an entirely new style of film-making with this, and back in 1962 it must have made even greater an impact on audiences, and also been more shocking than it is now. While some folks might point out that "Mondo Cane" may seem slightly dated, one must not forget that this was revolutionary and ground-breaking for its time and highly influential for many films to come. "Mondo Cane" has spawned quite a bunch of other 'Mondo' films including the sequel "Mondo Cane 2" as well as the notorious "Addio Zio Tom" (1971), and furthermore served as an influence to countless exploitation classics including masterpieces such as Ruggero Deodato's "Cannibal Holocaust" (1980). But it is not merely the film's classic status and influence that make this worth watching. "Mondo Cane" is a highly interesting, and often bizarrely ironical film as such, and everybody interested in Exploitation cinema should see it at least once."Mondo Cane" shows more or less unrelated scenes from around the world, some of which are shocking, others comical. To label the film as sensationalist may be justified to a certain point, but people who are bothered by this are probably not best advised to watch Exploitation cinema anyway. The scenes include such different things as drunk people behaving like drunk people do, or scenes in a massage parlor, the slaughtering of animals (these are real documentary shots, so Peta and pals are probably best advised not to see them), or bizarre religious rituals. While the film is a documentary it is not to 100 per cent. Inbetween real scenes there are some which are obviously fake, and several with which neither is obvious and which cold be either staged or real. Some might label the premise of "Mondo Cane" voyeuristic or sensationalist, but the film never looks down upon the depicted people, especially not tribesmen of so-called primitive cultures. Some of the scenes are actually quite funny, and make it harder to take the whole thing seriously, but then, some of them are highly interesting, some of them shocking (in a comparatively un-explicit manner), and in some parts, especially in the second half, the film becomes downright fascinating. The brilliant score by maestro Riz Ortolani adds a lot to the atmosphere and overall value of the film. "Mondo Cane" is narrated, and the voice-overs are actually quite interesting without seeming too serious for the films own good. One may look at this film in one way or another, but the least one can say is that Giacopetti and Cavara deserve great respect as pioneers. Not to be missed by fans of Exploitation/Cult cinema!

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trotter-gc
2007/02/17

This movie was occasionally shown on television late at night in the mid 60s. My friends and I would stay up late at night on weekends and once in a while catch this and similar movies. It was very intriguing...my first exposure to the strangeness outside my small world.I recall a few specific scenes, including one from France that involved the ritualistic slicing of young men's faces by a barber with a straight-edged razor, as a mark of membership in some club. Most scenes, however, were from the farthest reaches of the planet, which made them seem altogether foreign and mysterious. Another scene I just recalled involved an African man being chased into the sea by some angry countrymen, and his eventual drowning. (Today, that would seem quite tame.) The film was mainly the chronicling of truly bizarre customs encountered in nooks and crannies around the world.The primary impetus of the production may have been to sensationalize, but it was also quite fascinating. I haven't seen it in decades, but I would like to.

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Vasilii Naidionoff
2006/06/02

Etapic documentary.Necropsy of modern world.First shoot of shokumentary we can see at Dziga Vertov's "Chelovek s kino-apparatom"(1929).This film was manifesto for Truth in cinema(see outspoken frame of delivery in that movie).After more then thirteen years lessons of( ") truth (for 24frames in second" )not forgotten.Italian filmmakers made great invention to add horror to documentary .It was not only commercial movement for fashion but widening of expression's resources .On screen:mad from fat rich men eating the insects.Another madmen organized cemetery with crypts for there pets.Awful drunkards , crazy modern art , fanatics,death...And wild tribe, which bow to airplane - curved smile in the end of the film.

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