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And Now My Love

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And Now My Love

The movie follows the lives of a woman and a man starting from several generations earlier. The story spans a whole century and several continents.

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Release : 1974
Rating : 7.1
Studio : Rizzoli Film,  Les Films 13, 
Crew : Production Design,  Set Decoration, 
Cast : Marthe Keller André Dussollier Charles Denner Carla Gravina Charles Gérard
Genre : Drama Romance

Cast List

Reviews

Steineded
2018/08/30

How sad is this?

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Chirphymium
2018/08/30

It's entirely possible that sending the audience out feeling lousy was intentional

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Murphy Howard
2018/08/30

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

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Roman Sampson
2018/08/30

One of the most extraordinary films you will see this year. Take that as you want.

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onegirlrev
2011/06/05

"And Now my Love" directed by Claude Lelouch is a philosophical and socio political film which follows 3 generations leading to two adults who will someday meet each other when they become mature enough to deal with love. The director sends many social and political messages throughout this love story and one must pay close attention to gather all information. The film begins at the turn of the century. The director uses camera techniques to illustrate each period. It changes to conform to the movie-making industry. During the early 1900s, the film is a black and white silent film. First, we are shown a photographer and woman falling in love. Second, a lady giving birth. Third, a letter arriving during combat. The letter is by the cameraman and when he shouts, "it's a boy!" a bomb falls on him. A very nice montage of a human's life: Fall in love, produce children, and then we die. Repeat cycle. Then the story begins with a dancer who is having an affair with an officer. She marries his superior. It is unclear whom the child belongs to. The husband soon discovers who the girl's father really is and kills the dancer. Suddenly we are thrown into a new period. We move into an era of color and sound. A train appears of men and woman returning from the concentration camps. A man locks eyes with a woman. No words are spoken but we know they are about to fall in love. From this scene we know all the characters shown are Jewish and related to one another. Finally, we are introduced to the new generation. Sarah who was born with a silver spoon in her mouth as her father (the man on the train) has become very successful with his shoe making business.There is a parallel storyline of a young woman who was born with everything and a young man who had nothing. On Sarah's 16th birthday, it is clear her father spoils her rotten. A famous French singer Gilbert Becaud sings at her birthday party. He seduces her, takes her virginity, she falls in love, he leaves her, and she is left with a broken heart and tries to commit suicide. She survives and her father takes her on a trip to many exotic cities while teaching her about life experiences and the world. The filmmaker expresses monotonous philosophy. The filmmaker's personal views on religion, culture, history, etc. Sarah is a spoiled, ungrateful, and care free young woman so she sees no value in what her father says. She doesn't really appreciate it until after her father is gone. She didn't fight for what she has like her ancestors and when she inherits it all she has no idea what to do. Sarah has many love affairs but she is not content. She wants to have a child but doesn't really get along with men. She gets bored easily and moves on to the next thing that sparks her interest without a care. She starts out immature and turns into a social conscious writer often gaining insight from her father's words and her experiences. On the other end, there is Simon who is the complete opposite of Sarah. Apparently he is just her type. We are given clues to this. For instance, Sarah mentions in a restaurant with her father, she wants "a man who is part rascal and part gentlemen." This describes Simon well. During the parallel stories we see him steal Becaud records after we are shown Sarah's party. He is a juvenile delinquent. We know Simon is mischievous but he is also a romantic. He struggles to survive but seeks a girl who sweetens her coffee with three teaspoons of sugar (as his jail mate said he must). When he is interested in a girl, he always asks her. We see Simon get his heart broken. He goes from thief to porn filmmaker to successful commercial director. Throughout the film, there are updates on the time period with historical figures, events or cultural icons (WWI, Hitler, Marilyn Monroe, Berlin Wall, Nixon administration). Our two protagonists cross paths many times but do not meet until the end when on a plane and Sarah asks for three teaspoons of sugar. This is definitely a romantic film about destiny but at its core it is a political film addressing how society is rapidly changed throughout the century. The filmmaker was obviously influenced by both French and American culture and uses his own philosophy of life to move the film along. The film draws attention to politics such as wars, emptiness of western world, unionizing of workers, class, a bored generation who has everything, and degradation of society. However, in the end, the new generation is still shown to be capable as our two protagonists find each other.

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cesar-52
2006/05/07

Loved it when it came in 1974, at 15 the fateful romance theme was intoxicating. Seeing it for the second time a few decades later, there was a slow stirring of emotions until the last 20 embarrassing minutes of which i had no recollection. Was relieved to read other user's reviews on this site, which explained the CD showed the unedited version. Now i know that i don't have Alzheimmer's. Heavy on the Schmaltz and platitudes, this time around i enjoyed rediscovering the songs of Gilbert Becaud. The lyrics of "Et maintenant" somehow sum up the movie and my relationship to it: the cherish memory of it has departed. At one point Sarah, (the main character) observes that one should not see again the people we have loved , and the same might apply to this movie.

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hightop-1
2004/08/12

I've loved this movie since I first saw it in 1974. I've been waiting to show it to my wife for years and was delighted to find it had been put on DVD. It went along wonderfully until what I had known as to be the end suddenly jumped into an additional 20 minutes containing a futuristic (for 1974) pessimistic segment of the story. Although it tied into an earlier scene in the film (also left out of the original release), it was easy to see why this had been left out (in the US at least)...IT WAS STUPID. Furthermore, it changed the entire context of the film. What had been a wonderfully romantic story showing how two people destined to find each other after the events of their lives have shaped them had now become some bizarre cut rate version of Soylent Green. Such a shame. At least when a movie like this is released on DVD they could have made the "unedited version" optional, as was done on the My Darling Clementine DVD. All it shows me is that the editor is usually right from the start and giving the director's a chance to re-cut their film does not always result in an improvement.

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aromatic-2
2000/05/27

Lelouch, the master of finding the humour and tragic desperation within human relationships has crafted a signature piece of romance for all us romantics. One annoying flaw is repetitiveness that could have been better edited, but the grand perspective is well worth the extra half hour. The film misses greatness but is well worth watching.

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