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Waste of Money.

Captivating movie !

A waste of 90 minutes of my life

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

For Gods sake, The priest is not a child molester! Why does everyone keep saying that? When two people have consensual sex, morality does not come into it. I don't get this whole new hatred and paranoia if two inter-generational lover decide to express their desires sexually? All love is the same, emotional blackmail, games and little tiffs are always involved, whether one partner is 13 or 33, does not in the end matter so much. Upon seeing this film I felt that the priest had some admirable traits and was basically a good Samaritan caught up in a web of politics and mafia. When his enemies chance upon his sexual preference (and the fact that he as a catholic priest had sex)they use it as a tool to sideline and destroy his reputation. I felt that the film, far from being some moral conundrum is actually a good attempt at showing the hypocrisy of the times we live in. One thing though, the acting (having been done by obvious non-pros) is about average.

Father Lorenzo Borrelli's church is located in the Sanita quarter of Naples, one of the worst neighborhood in the city. Father Borrelli has seen enough death among the young people that are recruited by the Camorra, the local mafia, that is behind most of the crimes committed in Naples. This righteous man's voice speaks against all the injustices he sees stemming from the evil doings of the Camorra, yet Father Lorenzo is a man that hides a dark secret in his heart: he is gay and a pedophile.Into this milieu arrives Nunzio Pianese, a young boy in Father Lorenzo's confirmation class. Nunzio, himself, is a young man that is different from the other hoodlums running around in this dangerous part of Naples. Nunzio, who has a beautiful voice, is seen as he sings for one of the local stations; he loves interpreting those romantic ballads that are so Neapolitan.Perhaps it's inevitable that Lorenzo and Nunzio will become lovers. After all, Lorenzo has had another long term affair with the handsome Gigi, who is older now. Gigi must see in Nunzio what he went through during the times he had sex with the priest. At the same time, Father Lorenzo is never seen threatening Nunzio, as it appears their relationship is mutual.The Camorra wants to get to Father Lorenzo in any way it can. They choose to work through Nunzio because the young man is vulnerable where the priest is resolute. The priest has two strikes against him, he is opposing the local mafia, plus his homosexuality, if known, will certainly destroy his reputation, and it will mean the bad guys have won the struggle while they sideline their opponent.Antonio Capuano directed and wrote the screen play of this film. He uses a ploy to have the different characters in the movie introduce themselves giving us, the viewers, a bit of information as to where, and when they were born. This aspect doesn't do much to advance the story, something we found a bit distracting.The acting in general, by non professional actors, fits the movie well. Mr. Capuando sets the action for his film in the streets of the Sanita district. Fabrizio Bentivoglio, is basically the only known face in the large cast. Mr. Bentivoglio shows a great range, as he becomes furious against the Camorra, to a tender side one sees when he is in the company of Nunzio, who he evidently adores passionately. His scenes with Nunzio show a restraint that speaks volumes about the director of the film, Antonio Capuano, who decided not to go for cheap shots. Emanuele Gargiulo is seen as the sweet Nunzio.Antonio Capuano directed the film with an eye for detail, something that his cinematographer, Antonio Baldoni, captured Naples seamy side in all its splendor. Mr. Capuano makes us think about the role of this priest and his church in our society and how a gay man has to live in order to conform to its unspoken rules that discriminate men like Lorenzo to hide behind his role as a priest.

While most of the above comments pretty much describe the film, I saw one thing though, that I don't agree with. I didn't see the priest as molesting the very handsome Nunzio. They seemed to have a mutually consensual relationship. The boy went to the priests room, and is seen "flirting" with the priest at dinner. While Nunzio had a young girl friend, and spoke with friends about girls, he also seemed to care for the priest, and never tried to turn down the advances. The fact that he was not ready to cooperate with the investigation on the priest also shows me his concern for their relationship. The city street scenes and music I thought all lent to the validity of the time and place in the film. Even if the subject matter is not to ones liking, it is still an interesting film for the scenes, music, and other personalities in the film.

Sacret Silence is shoot in an unique way as many of the characters talk directly to the viewer. It almost seems that as if nothing else is happening around them – and it is only you they want to share their troughs with. This method adds a documentary atmosphere to the movie, which I believe will be appreciated by everyone who likes the serious European cinema.Sacret Silence is a movie about society and the way it can be blinded by its own perceptions or by people who want the others to see the world through their eyes and refuse to accept that there are other ways to think about an issue than their own.. That is why the priest is fighting with Camorra (the mafia ) – it is just that sometimes in life there is more to loose than to win.Traditional Italian songs are used for the soundtrack of Sacret Silence; most of them are performed by the 13-year-old Nunzio. I come to appreciate this music as it is evident that he feels the music – just look at his facial expression while he is singing.The movie focuses on a whole range of moral issues. The relationship between the priest and Nunzio is only one of them – at first I thought that I can understand the priest – his love for Nunzio, but at the same time his past is flashing through the eyes of the other boy who comes to visit him – and this past seems to be disturbing.Yet another issue is to be able to decide for yourself who is committing the biggest crime in this movie – it is the priest , or the mafia or may be as often happens these days the crime committer is the police itself ?