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War Hunt
Dispatched to the front lines during the Korean War, an idealistic American soldier discovers the horrors of combat and comes at odds with a psychopathic member of his platoon.
Release : | 1962 |
Rating : | 6.2 |
Studio : | United Artists, T-D Enterprises, |
Crew : | Art Direction, Property Master, |
Cast : | John Saxon Charles Aidman Sydney Pollack Gavin MacLeod Anthony Ray |
Genre : | Drama War |
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Fresh and Exciting
It's entirely possible that sending the audience out feeling lousy was intentional
One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
An old-fashioned movie made with new-fashioned finesse.
I just finished watching this and couldn't help but notice all the small bits that must have influenced Lucus and Spielberg. This is a bit out there, but I'd recommend the film to Star Wars fans and you be the judge. (The film is great on its own merit,so you won't suffer watching it.) The following are a few Star Wars connections I noticed, did anyone see more? Let me know, I think I'm on to something... 1. Basic plot - 2 men, one a killer and one an idealist wrestle for control of the boy ("Short Round",) kinda sounds like Vader and OB1 fighting for Luke right? 2. The killer is also controlled by the commander, who uses him to do his evil bidding, i.e. the Emperor? 3. And oh, ya, "the killer," his name is Endore. I'm just saying...This is a great film, Redford fans will especially love it (he plays catch...and is named Roy...oh The Natural). Check it out, you won't be disappointed!
In Korea, in May 1953, the rookie G.I. Roy Loomis (Robert Redford) joins the Jaguars in the front. He befriends the soldiers and discovers that the psychotic Private Raymond Endore (John Saxon) sneaks out of the base every night to slice the throats of their enemies with his dagger. Further, the Korean orphan Charlie (Tommy Matsuda) idolizes Endore. When the governments sign the cease-fire, Endore once again leaves the base bringing the boy with him.The dramatic "War Hunt" is a film with a wonderful cinematography in black and white, excellent acting but the story is only reasonable. The characters are not well-developed specially the psychotic Raymond Endore that is a rich character but the motives for his death wish and his affection for Charlie are poorly explained along the screenplay. My vote is six.Title (Brazil): "Obsessão de Matar" ("Obsession of Killing")
Other comments made here about the film are accurate enough. A few words about John Saxon's character though......The question was asked how he ever made it through boot camp... being unable to "comprehend authority, let alone obey it..." The answer is that most serial killers do not spring forth fully developed. ...Whatever his background, (almost certainly a loner) he was an easy target for the draft if he had not enlisted. Most discipline problems show up as individual ones, and not with someone in ranks... Not all nut jobs are weeded out in boot camp (I have served in the Marine Corps and elsewhere and have seen such... though certainly not on his scale) He probably completed his training with all of the inspiration of a man on an escalator......Whatever his demons... they could suddenly spring out on his first solo patrols... like an airbag in an accident, and just as impossible to put back... ...He was permitted to set up not only his own rules, but his own world... The military establishment existed in his mind only to support that world... His sole loyalty to command was to the company commander who both supported him and gave him fatherly approval... ...He chose not to take R&R. His company commander could not afford to be without his services... and if not fearing mayhem during such a leave, at a minimum feared that his most valuable man would get into enough trouble to vanish into the military justice system... ...Historian T.R. Fehrenbach in his work THIS KIND OF WAR: Korea-A study in unpreparedness, tells the story of "Gypsy" Martin... While not a serial killer, he submerged his whole identity into the war... headscarf and all. Martin was different from most soldiers... utterly useless for anything but combat. He had the good fortune to be killed in action before the fighting ended... F.J.
Director Denis Sanders isn't a very well-known or acknowledged filmmaker. After seeing "War Hunt", I looked up his filmography, hoping to credit him to another, more mainstream film one does not exist. Fortunately, a man does not have to be well known or have a huge fan base to be a good director. "War Hunt" is one of the best low-budget sleepers in the video store, now available on DVD from MGM.Running less than 90 minutes, "War Hunt" tells a powerful story about the toll of warfare on those who fight it. Idealism, patriotism and notions of heroism are forgotten in the midst of battle. Instead of making men into saints, war usually turns them into demons. Pvt. Loomis (an impossibly young Robert Redford) arrives in Korea during the last few weeks of the war. He meets Raymond Endore (John Saxon, "The Cavern"), an unhinged draftee who thrives on night patrols, during which he kills North Korean soldiers in their sleep. Endore has taken Charlie (Tommy Matsuda), a Korean orphan, into his care and Loomis also befriends the boy, hoping to wrest him away from Endore's dangerous influence.Much like "Hell is for Heroes" which premiered the same year, "War Hunt" was shot on a shoestring budget in the Midwestern United States. From start to finish, it's obvious that the military did not back the production. After all, this is a very anti-military movie. There are only a few extras on-hand and we only see a few trucks. The lack of financing really shows through in the climactic scene in which hordes of Chinese troops attack the entrenched Americans; most of the explosions and reactions to them look utterly false and stagy.Thankfully, this is not a picture about action and the glory of war it's about the aftermath of such scenes. The fighting serves to push the conflict forward in the quiet moments of rest and recuperation when the bullets are done flying. In fact, in the film's third act, set during the cease-fire with the Chinese, the most devastating violence occurs. Endore sets off with Charlie to live in the mountains after the war's end, refusing to admit that he is part of the Army and must return home. The final conclusion between Endore and Captain Pratt (Charles Aidman) is quick, gritty and comes to an unexpected, powerful conclusion.Sanders' ensemble cast is superb in every way. Redford, in his film debut, is actually quite memorable as Loomis. The first time we meet Loomis, we already know what to expect: we've seen this type of clean-cut, fair-haired boy before. He'll go on to undergo a baptism of fire and become the hero of the piece. Not so, here. Loomis arrives in Korea with ideals and patriotism; much like Charlie Sheen's Chris Taylor in "Platoon", he comes to realize that there are only two kinds of men in warfare: those who crack under its pressures, like Endore, and those who just want to survive, like his new found friends Crotty (Gavin MacLeod) and Showalter (Tom Skerritt). His scenes between Charlie are tender, poignant and moving. His encounters with Endore are chilling and unconventionally solved. As Endore, John Saxon brings a new meaning to the word psychopath. We've never met a wacko like him before. His mannerisms, dialog, expressions, are all played with utter randomness. It's as if he was handed the role and told "do what you want with it". There are times when Endore is almost completely human, but something in his eyes tells us that perhaps there is something slightly wrong with this guy. As the nature of his character is gradually revealed, we can't help but become shocked, almost frightened."War Hunt" is a cliché-free, freshly original and involving drama. It makes a strong statement about war's general destructive nature. This is a movie about survival and flawed idealism, not heroism and courage. Kudos to the director for choosing to pick such a controversial subject. The film is almost prophetic in that it approaches the Korean War with an attitude that would come across with force and power in Vietnam films 25 years later, like "Hamburger Hill" and "Platoon".