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Thoongaavanam

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Thoongaavanam

An undercover cop finds himself in a Catch-22 situation where he has to return the drugs he had stolen from a kingpin in exchange for his son. The bag containing the drug goes missing, and with both gangsters and cops on his tail, can he get out of this mess?

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Release : 2015
Rating : 6.9
Studio : Raajkamal Films International,  Wide Angle Creations,  Sree Gokulam Movies, 
Crew : Art Direction,  Director of Photography, 
Cast : Kamal Haasan Trisha Krishnan Prakash Raj Kishore Asha Sarath
Genre : Action Thriller Crime

Cast List

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Reviews

Intcatinfo
2018/08/30

A Masterpiece!

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Nessieldwi
2018/08/30

Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.

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Juana
2018/08/30

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

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Isbel
2018/08/30

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

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sony-16719
2018/08/12

It is very good movie that is really 2 hours story the director was take it in 2 hours very good directing

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vijay kumar
2015/12/29

Boring,no plot, good only for the first 15 minutes.This movie has no plot , the movie is about cocaine ,bad cops,drug mafia etc. But none of this is covered here. It is strictly for kamal fans.I cant even think of anything to write about this movie, that is the level of boring this movie can be.Also the last scene encourages underage driving, which is a problem in our country.The movie is like kids playing ' cops and bandit' in a marriage party.I wont recommend watching this movie even once.

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sara filmi
2015/11/13

Thoongaavanam.... What to say about this film.. This is not just a film.. It is a course for young directors how Indian films should be.. No actor dares to act in Indian film without songs.. Ulaga Nayagan already acted thrice in films which doesn't contain songs are Pesum padam, Kuruthipunal, a man like you and now for the fourth time in Thoongaa vanam. Mass actor with class skills will be always one and only kamal hassan. And once again it is proved in this film. A strong crew consisting Prakash Raj, Kishore, Sampath, Trisha Krishnan, Aasha Sharath enough to make audience to go to this film.. But the bgm score which is the vital role of this film made it to the core.. Action sequences doesn't look like Indian way in which a hero will fought with 100 fighters, flying scenes, etc etc. Excellent stunt choreography made this film an action pack thriller.. An authentic story, screenplay, acting from the team. But Kamal Hasaan the man who stole the show with his marana mass acting.. Trisha, Prakash Raj, Kishore did enough what the film wants. The credits song after the film got over was the real suspense to the audience, unexpected. Very well planned screenplay made it like a kuruthipunal, vikram, vetri vizha which even after 20 years will be fresh for the cinema lovers... Everyone must go and watch in the theaters.. Thoongaavanam- a new path for Indian film makers.

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Afsal Hussain (afsalthodupuzha)
2015/11/10

Seems Kamal Hassan's Raaj Kamal International is back into low-budget films made on tight schedules ! Jointly produced by RKF & Sree Gokulam Films on a shoe-string budget and almost shot entirely inside a dance pub,Thoongavanam is a realistic thriller sans any over the top action,unwanted songs,heroic dialogs and other gimmicks that we usually associate with an action thriller from Kollywood Industry.The movie started slow but reached top gear within few minutes with Ulaga Naayagan giving out a top-notch performance alongside Prakash Raj who stole the show at times with his funny counters and one-liners.Neatly packed and utmost realistic,the racy first half went pretty well and ended on an impressive note giving still higher expectations about the second half in store.Unfortunately,the second half in contrary couldn't match the brilliance of the first and was rather snail-paced and over-drawn without much to cheer of,the major reason why the movie doesn't classify for repeated viewing unlike many Kamal films in the past.The climax too was pretty ordinary and easily predictable for one who is into the genre for sometime.The sensible but gripping action choreography by French stunt-men Gilles Conseil, Sylvain Gabet and Virgine Arnaud deserves a special mention in an otherwise lackluster second half without much to rave about.An official remake of critically acclaimed french thriller Nuit Blanche A.K.A Sleepless Night,Rajesh.M.Selva's directorial debut manages to keep entertained with its Hollywood-style narration,technical perfection and a brilliant performance from Kamal Hassan but still gives that feeling of 'something missing' once we are out of the cinemas,which could have been avoided had the second hour been presented better.I haven't watched the French counterpart based on which the movie is made,so at present a comparison is impossible.If there is one simple reason why I would recommend this movie that will be Ulaga Nayakan Kamal Hassan who once again mesmerizes with a brilliant performance as Narcotics Control Officer Diwakar who's desperately on for saving his son from the hands of the drug mafia.Prakash Raj was another pick from the cast and gave an impressive act as Vital Rao,the menacy yet funny drug mafia leader.Trisha Krishnan made her presence in a role unlike that of a usual Tamil heroine.Kishore,Sampath and Yugi Sethu etc too did their part well.The association between Ghibran and Kamal seems here to stay and the young musician manages to give full justice to the narration with a powerful background score that ranges from almost-silent hummings to loud techno beats.The title song towards the end credits came as a big surprise.Overall, Thoongavanam is a sensible one-night thriller that classifies for a strictly average one-time watch.

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