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To me, this movie is perfection.

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

The movie really just wants to entertain people.

It's Blaxploitation, but that's not the problem. You either like that genre or you don't. Essentially, every comedy with black people in it is Blaxploitation to some degree. See, for example, anything Tyler Perry has ever made. The problem is the movie is formulaic as hell. Richard Pryer gets Fred Williamson into trouble, then the song "Adios Amigo" starts playing, and Pryer escapes, leaving Williamson to fend for himself. They reunite later, and the formula repeats over again. That's the movie. Is it funny? Depends on if you like the comedic chemistry between Pryer's high jinks and Williamson's straight man.

i found this movie for a very cheap price and thought,how bad could it be.right off,i could tell the budget was next to nothing.at least it felt that way.it is supposed to be comedy,but from what i watched,it was not funny at all.i also noticed that the same manufacturer and distributer were also behind "Dan Candy's Law".i think the production values are better on this film.at least the movement of the lips and the words matched,unlike "Dan Candy's Law"but i also thought the acting wasn't very good.Richard Pryor and Fred Williamson are the main characters,co the movie should have been funny,but to me it was not.i might try and watch it some other time,and maybe i will have a different opinion.but for right now,i didn't like it.

The ever-solid and charming Fred "the Hammer" Williamson stars as a rugged itinerant gunslinger who becomes the reluctant constant patsy for slick'n'shrewd con man Richard Pryor. The crafty duo experience a series of goofy misadventures in the Old West in this amiably inane and inconsequential piece of low-budget blaxploitation sagebrush fluff. Competently directed by Williamson (who also wrote the slight, but witty script), the rambling narrative saunters along at a pleasingly relaxed rate, the tone remains pleasant and playful throughout, and there's a winningly breezy'n'easy chemistry between the two leads, with Williamson engagingly playing the long-suffering straight man to Pryor's smartaleck joker. Moreover, Williamson stages the expected rough'n'tumble fisticuffs, heated shoot-outs, a daring jailbreak and frantic horseback chase sequences with a reasonable amount of skill and brio. Popping up in nifty supporting parts are Thalmus ("Blacula," "Cool Breeze") Rasulala as a rascally old coot with two hot daughters and former Tarzan Mike Henry as a dumb, ornery cuss. Both Luchi ("Friday Foster") De Jesus' cool soulful score and especially the funky R&B theme song really hit the groovy spot. Granted, "Blazing Saddles" this picture sure ain't, but it's a satisfyingly lightweight and good-natured diversion just the same.

This was HORRIBLE! You may be tempted to watch it for a chance to see Richard Pryor in his prime, but don't. Pryor isn't funny, and the film is a complete mess. It was obviously made very cheaply, but Fred ¨the Hammer¨ seems to have trying to make a bad film here. Everything appears to have been shot in one take, and I'm guessing they didn't even have a screenplay written up for this one. It's just Fred getting into about fifty brawls, and Pryor doing his con man shtick. Don't get me wrong, I like both these guys, but this was a truly terrible filmThe movie does have a cool theme song, but you'll get tired of it after about the 40th time!