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Very disappointing...

Just perfect...

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

The film's masterful storytelling did its job. The message was clear. No need to overdo.

Joining in the Canadian challenge on ICM,the first thing I went in search for was Film Noir from Canada. Finding a very limited number,I was intrigued to find one that crossed Noir and the juvenile delinquent (jd) genres,which led to me looking at the Ivy League tables.The plot:Whilst they annoy the cops by hanging round, Don and his fellow members of biker gang Black Diamonds do little more than drive on the empty roads and hang out. Bumping into the bikers with their cars,rival gang leader Andy starts revving up a rivalry. Aware of the cops keeping an eye on Don,Andy decides to do a heist dressed as Don's gang,with a goal to push the Black Diamonds off the track. View on the film:Rolling in on a swift 69 minutes,director William Davidson & cinematographer William H. Gimmi give the flick a very scrappy Drive-In appearance,via the Noir hangouts and bike chases taking place in dingy locations with rough camera moves. Backed by a stirring Noir score from John Bath,Davidson shifts the jd awkwardness into gear,with shots following each gang member carrying a feeling of no one really knowing their place. Done to give exhibitor Nat Taylor a quick box office hit,the screenplay by Norman Klenman follows the mood Davidson sets,via the sweet lovers on the lam romance between Don and Susan being hit by the Noir biker chains of Andy's thugs. Done decades before he set hearts bleeding in the folk Slasher movie My Bloody Valentine, Don Francks gives a brooding,slime ball performance as Andy,who runs down the Ivy League.

One day while hanging out in a remote location "Don" (Don Borisenko) and the rest of the Black Diamonds motorcycle gang are interrupted when two sports cars drive up to them. When Don asks the apparent leader of the intruders what they're doing there "Andy" (Don Franks) responds in an arrogant and insulting manner. Don is somewhat amused because it is clear that his gang outnumbers the four people in their sports cars and it doesn't take much for the motorcyclists to begin having fun at Andy's expense. Incredulous that he has been mocked Andy drives off in a fit of rage. This prompts the Black Diamonds to pursue and they end up driving both sports cars off the road in a ditch. Once again Andy is furious but his female companion "Susan Grey" (Barbara Bricker) becomes intrigued with Don and decides to visit him at the local motorcycle club's hangout. Unfortunately, her visit isn't a total success when Don's girlfriend "Nancy" (Jean Templeton) begins to suspect that Don is equally attracted to Susan. As a result she becomes extremely jealous and decides to team up with Don's rival in the gang named "Bruno" (George Carron). Meanwhile, nobody realizes just how angry and malicious Andy can be and the fact that Susan and Don are seeing one another is something he simply cannot tolerate. Now rather than reveal any more of this movie and risk spoiling it for those who haven't seen it I will just say that this rather low-budget and relatively obscure biker film turned out to be surprisingly good. I especially liked the performance of Don Borisenko who managed to fit the role quite nicely. Accordingly, I rate this movie as slightly above average.

William Davidson & Norman Klenman collaborated on film project in response to a plea from exhibitor Nat Taylor. They'd previously done a literary adaptation, "Now That April's Here", which won critical acclaim but drew little box office. Taylor suggested the duo try to make a more deliberately marketable venture, something that would appeal to the youth market. At the time American International was one of the key producers of such fare, filling drive-in screens with juvenile delinquent melodramas & rock musicals. The producers wanted to help establish a viable film industry in Toronto, and so their next project would be "Ivy League Killers".Don Borisenko stars as Don, brooding leader of a motorcycle gang called the Black Diamonds (a real gang whose members are seen on screen) that remains a source of irritation for local authorities but commits no real harm. They are just guys n' dolls feeling free and having kicks, causing the occasional misdemeanor disturbance.Don has the biggest hair of all the males, sort of James Dean by way of Fabian, and this could be one of the key reasons why he gets to call the shots for the gang. When the film opens the gang runs into another gang of sorts - only these are the sons of privilege. Educated, wealthy, society privileged. They rip around in their sports cars, basically following the will of Andy.Andy is played by Don Francks, a veteran character actor, musician, and activist whose many credits include "Finian's Rainbow", "My Bloody Valentine", and the series "Nikita". This is one of his first roles, and it is amusing to see him cast as a snob with the makings of being a first class sociopath.Andy's girl is Susan (Barbara Bricker). One look at Don's smoldering good looks and she's hooked. Her interest in the young hood leads to a meeting, and before long she's riding the back of his hog. Naturally this browns off Andy and begins an escalating series of confrontations that will affect both sides. Don's more passive leadership tactics of the gang, and his relationship with Susan puts him at odds with Bruno (George Carron), his rival for Alpha Male. Soon enough Don begins to find his command evaporating.Andy is a thrill seeker whose yearning for kicks is becoming increasingly more malicious; his buddies go along because their characters are weak and easily bowled over by Andy. The fact he has everything must bore him, necessitating a desire to cause damage. Once Andy realizes that Susan is lost to him - his persuasive argument includes telling her Don is all wrong because "he's uneducated and probably very dirty!" - he wants revenge by sinking the bike gang with the authorities.Doing this involves stealing their colors, getting some motorcycles of their own, and indulging in some impersonation. This will culminate in a robbery of the local dance hall, a stunt that spins out of control when Andy shoots one man in the face and smashes down another with his motorcycle while fleeing. His plan works: the bikers are blamed and Don becomes a wanted man, ostracized by his gang and pursued by the police.Despite how bad things may look, Susan has not given up on Don. She gets to play Nancy Drew and try to crack who is really responsible for this violent crime. With the police closing in on Don, the young lovers must race to clear his name and bring the real culprits to justice.One of the things that sets "Ivy League Killers" apart from many of the other juvenile delinquent melodramas of its era is the fact that Davidson & Klenman take a more serious approach to the material versus simply presenting their protagonists as glorified cartoon characters. It is also unique that the villains of the piece aren't the traditional leather jacket rebels - it is the privileged members of society, the supposedly law abiding. I loved the opening shot - twin sports cars slowly rolling into a desolate arena, approaching the parked motorcycles while the opening titles roll & John Bath's somber score plays out. It almost looks post-apocalyptic, and before any characters have been introduced this simple but effective visual orchestration symbolizes a violation; we merely don't know at this point who will represent good, and who will represent evil. The director and cinematographer shoot extensively outdoors, frequently freeing the movie from the confines of stage bound sets and offering more interesting visual possibilities. Their backgrounds in documentaries for the National Film Board of Canada may have helped contribute a rawer, more naturalistic presentation to "Ivy League Killers" that some of their Hollywood counterparts lacked. That said, they don't sacrifice their more commercial elements: there's rock music (including a ballad called "Easy Rider", sung at a beach bonfire by Igors Gavon), dancing, a juke joint, motorcycles n' sports cars, young love, rebellion, fisticuffs, anti-authoritative tones, and some violent action. The movie doesn't run that long, but it builds its drama nicely to a fast-paced climax that wouldn't have felt out of place in a Republic movie serial."Ivy League Killers", also known as "The Fast Ones", didn't get a mainstream North American release until the early Sixties. At that time it would find itself on a double bill with the British horror film "Devil Doll", directed by Lindsay Shonteff - who worked on "Ivy League Killers" as production assistant. Of the cast members Don Francks is the best known today, but star Don Borisenko did several more films in Europe. Supporting cast member Martin Lager (playing one of Don's gang) became a prolific writer of episodic television and feature films in Canada, and would collaborate with William Davidson on a variety of projects in the years to come. This movie didn't have the anticipated effect of launching a commercial film industry in Toronto by the start of the 1960s, but it is an entertaining picture and something of a rarity today.