Watch The McKenzie Break For Free

Powerful

Better than most people think

Exactly the movie you think it is, but not the movie you want it to be.

The film never slows down or bores, plunging from one harrowing sequence to the next.

The setting is a prisoner of war camp for German soldiers, located in Scotland. A tough, cynical, hard drinking Irishman named Jack Connor (Brian Keith) is called in to help out camp officials, since there is now much unrest among the Nazis. Connor and the others realize that their prisoners are planning an elaborate escape, and Connor has an idea that could either lead to glory for him, or be a bad, bad mistake.There are no true "heroes" and "villains" in this interesting, unusual, even-handed narrative, scripted by William W. Norton from the book by Sir Sidney Shelley. Rather, our protagonists and antagonists are equally wily opponents, trying to out-think each other. While ordinarily one wouldn't be rooting for the Nazis, you can't help but admire these characters' determination and ingenuity. As the story plays out, it becomes more and more a matter of a race against time, and it keeps the viewer riveted.The characters are colourful and compelling. Both Keith, and Helmut Griem, as his primary foe, are flawed, but charismatic. They're both excellent, and receive very strong support from a cast including Ian Hendry (as the major in charge of the camp), Jack Watson, Patrick O'Connell, Horst Janson, Gregg Palmer, and Michael Sheard. The relationship between Keith and Hendry is kind of a thorny one, as they differ over methodology, but it's just as fascinating to watch them butt heads as it is to see Keith and Griem engage in their little chess game.Granted, the camp personnel end up not looking very good since the Germans are able to pull off so much. But, overall, this is an over looked, and sometimes exciting, wartime film from a capable journeyman director, Lamont Johnson ("The Last American Hero", "One on One").Eight out of 10.

Held in a Scottish POW camp, a group of German soldiers plot an escape while the Scots bring in an unorthodox Irish officer to work out what the Germans are plotting in this unconventional World War II movie. This is an unusual movie on a number of fronts. First off, the Germans are given more screen time and juicier characters than the Allies. Secondly, the Germans actually converse in German (with subtitles) rather than awkwardly speaking English (more common in war movies back then). Thirdly, the film attempts to show both sides of the incident, taking on the perspectives of both the German and Allied soldiers. For all its daringness to be different though, the film is not necessarily a success. It is hard to become emotionally involved in the story and find someone to root for due to the decision to show both sides in near equal depth. Also, try as Brian Keith does to make his Irishman interesting, Helmet Griem outclasses him every step of the way as the charismatic German Kapitän, which in turns makes the Germans' side of the tale more fascinating to view. Whatever the case, the film is very ably directed by Lamont Johnson, who would later go on to direct the classy likes of 'A Gunfight' and 'The Groundstar Conspiracy' and a solid supporting cast helps. Still, it is sometimes hard not to see 'The McKenzie Break' as more of a curio than anything else.

When a sub-genre is established in the wonderfully diverse cosmology of film, you can bet that someone in this post-modern, media savvy world will add to it. Only they'll have knowing winks to the audience when the usual hoops are jumped through or they'll play with those expectations and pull the rug out from under you by subverting them and twisting the plot. We all know the score, they know we know, we know they know we know ad infinitum, or more often, nauseam. It comes as a surprise to me that someone was at this in 1970 with a humble POW movie.The inmates are tunnelling out. Dummies in for escapees at roll call, check. Uniforms manufactured in camp, check. Tunnel cave-in during the escape, check. It's not all by the numbers though. We have a vaulting horse. No tunnel mouth there though as you can see right under it. Good topsoil on the turnip patch, but that's not where they're hiding the spoil. That this is a British POW camp the those escaping are German prisoners is unusual and welcome. Maybe the biggest twist of all is that the whole escape has been rumbled by the authorities, but they let them escape in order to net a bigger prize.OK, it's not as knowing as anything since 1994, but it does play with the genre well, albeit a little ham-fistedly at time. Underneath the genre trappings there's a good little drama with a central duel between an Irish Captain in British Intelligence and the U-Boat Commander commanding officer in camp. Both are willing to bend and break the rules in pursuit of their aims. One of them will even kill to achieve his aims. Both are highly flawed individuals. Both are self-centred and neither of them succeed. From a simple set up at the start, the film reaches a fresh and unexpected conclusion to give a true stand-out film.There are some clumsy cuts and overlays to demonstrate simultaneous actions in various locations as the escape progresses that really don't work and the drive of the second half of the film falls flat. The feuds within the camp, both that between captors and captives and between the Luftwaffe and the Submariners, are edgy. The tension created evaporates as soon as the escapees are out of the camp. It all gets a little clunky. However, overall this is a good film and definitely one to watch if you like your post-modernism freshly minted from the 70s.

a movie i would highly recommend. is ¨the mckenzie break¨ starring brian keith. and helmut griem. its about german pow's held in scotland in ww2. the german pow's dont want to do as they are told so they rebel. the pow's are plotting to escape to get back to the u-boats to help the war effort. helmut griem gives a great performance as the ringleader and as a loyal nazi. theres a rousing song by the germans that has everyone foot stomping with jackboots everywhere.