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Such a frustrating disappointment

Slow pace in the most part of the movie.

Good concept, poorly executed.

One of the worst ways to make a cult movie is to set out to make a cult movie.

Hollywood Cop is the first of five American movies made by Iranian director Amir Shervan in the late 1980s and early 1990s. All of them are very cheap and unconvincing action thrillers that have gained something of a cult reputation thanks to their wooden acting, famous appearances, and general air of cheesiness that makes them entertaining viewing.This film is slightly underwhelming but contains elements of Shervan's later cult hits like SAMURAI COP. It's a bit tame and low rent compared to the director's other "hits". A renegade cop under the unlikely name of Turkey goes after a gang of kidnappers who have taken a little blond haired boy. The kidnappers are led by Jim Mitchum, who is really slumming it by appearing in this.Cameron Mitchell plays in support as a hard-nosed cop superior. The movie features episodic action scenes and Shervan's favoured shoot-outs in which the pistols sound like hand cannons. There's a rape scene in a hotel room and a lot of chasing around. The acting is as wooden as you'd expect and David Goss's lead character is a hoot. Aldo Ray and Troy Donahue also have small cameos. One sex scene utilises a wall mirror in the bedroom so you get double the amount of screen nudity - it's that type of exploitative approach.

Is it just me, or is this heap of s..t so favorably reviewed, it isn't funny. One thing this (movie-very sarcastic) truly is. This (film) sorry, s..t is so bad, it makes Kill point look good. Kill Point did have class, but I don't know what this film has. This is another write the script as you go movie, honestly. This film features, over washing a dog, a stable of classy broads, plus Cameron Mitchell, a lieutenant, going off at our Mcgyver looking type hero cop, Turk, who earns the title. Great frizzy hairdo by the way. And for script continuity, what we've got are prolonged scenes, some almost unnecessary, cutting away from the meat of the story, that will provide some lengthy snores. Here's as example of write as you go. A woman who's little boy, had been kidnapped, and held for ransom, is walking this L.A street, forlorn, explains her situation to a stranger who points to the Hollywood cop, who's happening by. Dialogue not exact but words to this effect:FRANTIC WOMANSomeone's taken my boy, I don't knowwhat to do.WOMAN STRANGERMay'be he can help. That's Joe Turk. He's a cop.FRANTIC WOMAN(relieved)Really.Yeah, really. That's what to expect from this. Some hot looking classy gals, and ones shirtless in panties is the upside of this trash, if written at a minutes notice. Jim Mitchum who plays a bad guy/uptown pimp, what have you, actually does a fine job here, where I had previously seen him in Trackdown, his character in that, playing at the good end of the scale. Some scenes are so embarrassingly funny, especially in an action sequence, where we cut back and forth a few times to a bedroom scene, of drunken angry sex- our henchman wanted to do it on the floor. So, if you're the undemanding viewer, it's pretty much it's your call. If you're the one with regrets, like me, surely, you know what the hell I'm talking about. This is a film so pathetic, I'd feel solely embarrassed watching it, or moronic. Why not just leaves the broads in, and do away with this rest.

John "Turky" Turquoise III (Goss) is the titular Hollywood cop, and you better believe that a. He's on the edge and b. he plays by his own rules. When Rebecca (Julie Schoenhofer), a woman from a rural area of California, finds out her son Stevie (Brandon Angle) has been kidnapped by gangsters because her former husband Joe Fresno has made off with six million dollars and the baddies want to exchange the kid for the loot, she comes to "the big city", Hollywood, California, to right the situation. She quickly runs into Turky (why wouldn't he be named "Turky"?) and he agrees to help her. Teaming up with his partner Jaguar (Kilpatrick), the duo not only have to face angry chief Bonano (Mitchell) and the questionable fellow cop Lt. Maxwell (Donahue), but they also must do battle with crime lord Feliciano (Mitchum) and his army of goons. Will Turky save the boy and woo his comely mother...all in time for Thanksgiving? Find out today! God bless Amir Shervan. We should all pause just one minute in our busy lives to honor this great man. He's an unheralded cinematic genius that has enriched all our lives with awesome entertainment. Both this and Samurai Cop are must-see, one-of-a-kind films. There are many similarities plotwise between his two "Cop" movies...so many that it would be pointless to run them all down, but Samurai Cop (1989) is kind of a remake/re-imagining of Hollywood Cop, and we should all be glad Shervan took this route. If he felt this formula had some more juice, we applaud him for trying it again. We're just happy he continued/was allowed to make more movies after Hollywood Cop.Shervan assembled a killer cast this time around to help execute his singular filmmaking vision. David Goss, who has a criminally small filmography, but also appeared in Armed Response (1986), plays the main hero we all want on our side. If only his Samurai Cop counterpart Matt Hannon would team up with Goss in a movie, we'd all be the better for it. Hopefully they're not rivals. Fan favorite Cam Mitchell appears as the forever-disgruntled police Captain. He puts in an appropriately irritated performance. Remember, he has no patience for Turky's rogue ways. Troy Donahue is on board as well and it's nice to see him, and Aldo Ray has one scene as a man inexplicably named "Fong". He doesn't seem to be channeling Leo J. James Mitchum plays the gang boss role, and he does a good job, but the kid, Brandon Angle, who plays Stevie, practically steals the movie. He's a talented child actor that sadly didn't seem to pursue a career in acting after this. Maybe he figured he couldn't possibly top Hollywood Cop. He reached the pinnacle of his profession as a tot.Special mention should also go to Lincoln Kilpatrick as Jaguar, a man with a long and distinguished career that goes back to the 50's. When he wasn't starring opposite Charlton Heston in The Omega Man (1971) and Soylent Green (1973), he was playing some of the best BYC's on film in such classics as the Gary Busey Bulletproof (1988) and the Wings vehicle Deadly Force (1983). The plot of Hollywood Cop basically stops at one point so he can hot-oil wrestle with some bikini'd babes. His name should be more well known.It's slightly more coherent than Samurai Cop, but Hollywood Cop truly has it all from an entertainment perspective: the B-list stars you know and love, a killer score (by Elton Ahi), tons of laugh-out-loud moments, sleaze, violence, and top-flight ridiculousness. It's all pretty inexplicable. The main song, "Restless" by Andy Madadian, is a catchy winner that puts the icing on an already heavily-frosted cake.When you pop the Celebrity Video VHS in your VCR, there Goss the neighborhood. Don't be a turkey and check out the awesomeness of Turky tonight!For more action insanity, please visit: comeuppancereviews.com

There is no doubt that Amir watched Lethal Weapon and it spawned genius. Hollywood Cop has it's great moments. The scene where the "Arab Man" somehow SLITS the dude's head off made me choke with delight. Especially the comment he makes about "His Laws". There are some decent TnA shots, which is always a plus. The speech that the dead beat dad gives his son is pretty good too. Sadly the gang members are not that ruthless, the kid talks too much, and lets face it: The acting is just TOO GOOD. If you really want a great laugh, watch Samurai Cop (The funniest of Amir's Holy Trinity). It has just about everything better than Hollywood Cop.Also, the car chase scene at the end is almost worthy of being in a good B movie. Almost.