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Brown's Requiem
Fritz Brown is an ex-LAPD, recovering alcoholic who now splits his time repossessing cars for a used car lot and staffing his one-man private detective agency. When a filthy caddie named Freddy "Fat Dog" Baker wanders into Fritz's office one day, flashing a wad of cash, Fritz is hired to follow Fat Dog's kid sister Jane, who is holed up with a Beverly Hills sugar daddy named Sol Kupferman. Kupferman is a 70 year-old bag man for the mob, and Fat Dog claims that "Solly K" is up to something evil that may harm Jane. The trail leads Fritz to an encounter with his dark past in the person of Haywood Cathcart, current head of LAPD internal affairs and the person who kicked Fritz off the police force.
| Release : | 1998 |
| Rating : | 5.7 |
| Studio : | J & T Productions, Savvy Lad, Inc, |
| Crew : | Additional Set Dresser, Art Direction, |
| Cast : | Michael Rooker Tobin Bell Selma Blair Jack Conley Kevin Corrigan |
| Genre : | Drama Action Thriller Mystery |
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Reviews
I don't have all the words right now but this film is a work of art.
hyped garbage
Good movie but grossly overrated
Crappy film
I watched this film on DVD and it was just a chance to catch Michael Rooker in the lead role of Fritz Brown, an ex-cop, repo man, and part time detective. Michael plays him with streetwise honesty and toughness but makes it believable and yet shows the weaknesses, and vulnerabilities and flaws of the character. I really enjoyed watching him play these kinds of characters and it's a nice change from seeing him not play a villain or a psychopath. This is an excellent film noir and the best I've ever seen James Freeland has done a brilliant job with this film. The beautiful music score in the opening and closing for the film just fits together with the sad tone of the character. Michael Rooker is one of my favourite actors and I think he did an amazing job in this role he is one of the most underrated actors in Hollywood I hope to see him in more future films.
Beats me how people can describe this adolescent exercise as film noir. True there's a gun & a bottle & a dame & the lead is a private eye, but that ain't what makes the genre, folks. This thing plays like reheated TV cop show stuff - lots of bloody beating & lousy continuity - with a dash of Chinatown memories thrown in. Pretty hard to watch beyond the first 10 minutes. You want contemporary feel, watch anything by John Dahl.
I recently saw Brown's Requiem at a film festival and was completely impressed. Being a fan of film noir, I really believe that director Jason Freeland knows his material well. He was able to use the classic narrative style of the detective movie in a modern way. I was also happy to see Michael Rooker in a leading role again. He is an important actor that I would like to see more of. If you see this movie playing in the theatre near you, go see it!
First I want to say that I love James Ellroy. You will certainly find L.A. Confidential in my top 10 for best movies of the 90's.So I really looked forward to this movie, but it really disappointed me. The story concentrates the most on the main character, here played by a decent B-movie actor: Michael Rooker. Unfortunately, he just can't handle with his personage. The film could have greater, with a lesser depressing tone, a bit more tempo and a better written adaptation. The actual crime story is hard to follow and is told here on a very uninteresting way.I saw this in the movie theatre, but I think this should have been going directly on video. I can almost certainly say that almost every Ellroy fan will be disappointed. A shame, a pity, just forget about it...hopefully the next Ellroy film will be better. The first thing I wanted to do after seeing this film, was watching L.A. Confidential again...
