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King Lear

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King Lear

A descendant of Shakespeare tries to restore his plays in a world rebuilding itself after the Chernobyl catastrophe obliterates most of human civilization.

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Release : 1987
Rating : 5.4
Studio : Cannon Group,  Golan-Globus Productions, 
Crew : Director of Photography,  Director, 
Cast : Woody Allen Leos Carax Julie Delpy Jean-Luc Godard Suzanne Lanza
Genre : Drama Comedy

Cast List

Reviews

Redwarmin
2018/08/30

This movie is the proof that the world is becoming a sick and dumb place

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Odelecol
2018/08/30

Pretty good movie overall. First half was nothing special but it got better as it went along.

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Rio Hayward
2018/08/30

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

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Taha Avalos
2018/08/30

The best films of this genre always show a path and provide a takeaway for being a better person.

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guedesnino
2017/06/11

For Godard nothing seems to be as complicated as the simpler things. Therefore, to expect that his film "King Lear" was a passable film adaptation typical of Shakespeare's tragedy, it is at least the public's total lack of knowledge about the director or incoherence on the part of critics.Although some lines of Shakespeare's play are used in the film, only three characters (Lear, Cordelia, and Edgar) are, so to speak, "presented." King Lear is, without any confessionals, a difficult film, and so it is, if we consider Godard an insane director (in the positive sense), we have in this his visual experiment, the apex of human insanity when questioning art in a new world Of a major nuclear disaster (in reference to the Chernobyl episode).I view Godard's films as a laudable experimentation, which makes it unmistakably unique to each film. Godard is one of the rare, almost sole director who succeeds in affirming cinema through denial, thus more than presenting or affirming what cinema is, Godard discusses the various possibilities of being and making movies. And it does this by laughing and mocking the audience, but not in a gratuitous and unnecessary mockery instead, laughter is in front of our lack of care in assimilating the narratives of a film, seeking understanding and logic for everything, including in art, that historically sought Always breaking with the conventional, taking into account the very incoherence that is humanity and its disastrous way of living.

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jyrgen755
2008/08/30

This film is absolutely brilliant. Weird characters and the fact that there's NO-THING really going on made this film interesting for me. Other people might find this film pointless and totally boring, but for me it's a treasure. I don't know anything about Shakespeare's 'King Lear' so I can't say if this film has anything to do with the actual play at all. This is exactly the kind of film that makes you think. After seeing this film you wonder what did the director want to tell me? Because clearly this film is made to communicate with the audience, it's an expression of the film maker's ideas, views and emotions. Or in other words... IT'S ART! The same goes to another Godard film 'Numero Deux'.

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lemmy caution
2000/09/18

Godard's listless crapfest is a big waste of time. I mean- it's fine if you want to pick one scene from a play and analyse it for an hour and a half; it's fine if you want to do this in an obscure semi-story way that only become the tiniest bit clear after having watched the whole thing.But when it's constructed as an endurance test, with the director holding the audience in contempt- I mean, why waste your time? (To the end of making your experience as unpleasant as possible, Godard shows up as a "professor", mumbling unintelligible profundities. And then throws piles of squealing seagulls and vari-speeded music onto the soundtrack. Thanks for reminding us that film is a constructed medium, professor!)There were a couple effective scenes, but they were immediately undermined by what followed. I did think a little about Lear, but more to keep myself occupied than from any theses the film presented.And a caveat to anyone considering seeing this because the IMDB credits list Woody Allen: don't bother; he's only in the flick for a few minutes at the end and barely says anything.To review: avoid.Rating: 3 out of 10 (very poor)

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sgtslut
2000/02/29

The first time I saw this, I really disliked it. Even compared to Godard's other ramblings of the 70's, it was still a little too disparate. But the second time gelled this movie for me and now I truly love this film. It's a wonderful brainstorm about the nature of film and the inherent capacity of art to reform itself. In other words, everything that's being said or will be said has already been said; sounds bleak at first, but it's actually comforting, because then art becomes truly universal and languageless.

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