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Baoh: The Visitor
Doress, a Japanese "black projects" organization, has been gathering psionics and making biological weapons to "make Japan superior". When one of the biological experiments, BAOH, escapes with a young girl, Doress will do anything to get the boy and girl back. For BAOH is a parasite living in its host's brain, altering the host into a living death machine in order to keep it alive. When Doress sends assassins after the boy and girl, BAOH "awakens" to its "Armed Defense Phenomenons", giving the boy acid-tipped claws, bio-regeneration, and super-strength. But Doress takes the girl, and BAOH must fight an army of commandos and a psionic to get her back
| Release : | 1989 |
| Rating : | 6.3 |
| Studio : | TOHO, Pierrot, |
| Crew : | Storyboard Artist, Director, |
| Cast : | Noriko Hidaka Yusaku Yara Michitaka Kobayashi Tomoko Maruo Ikuya Sawaki |
| Genre : | Animation Horror Action Science Fiction |
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Reviews
Excellent, Without a doubt!!
As Good As It Gets
The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
Although I seem to have had higher expectations than I thought, the movie is super entertaining.
BAOH (1989) is a 46-minute anime adaptation of a manga miniseries that has been published in English in two volumes. It's a fast-paced science fiction thriller marked by a genuinely exciting and suspenseful storyline, interesting characters and lots of well-staged, spectacularly gory action. It's also distinguished by great artwork and detailed design. My only complaint is that it's all too short and would have benefited from expansion to two parts or full-scale feature-length theatrical treatment. Even so, it's an entertaining ride for fans of hard-edged anime action.The plot involves an experiment by Doress, a secret corporate group--with government ties, of course--which results in a 17-year-old boy being given superhuman powers that continue to evolve and get more powerful each time he is attacked. The boy, Ikuro Hashizawa, escapes custody from a moving train and eludes military pursuers thereafter with the help of a nine-year-old psychic girl, Sumire, who is also sought after by Doress. Each time the pursuers catch up to them, Ikuro, under the growing power of Baoh--the name given the lab-created entity implanted in the boy--transforms into an increasingly sophisticated monstrous killing machine and plows through the bad guys with lethal precision, slicing, dicing and decapitating--in bright primary colors--as he goes. Eventually, the girl is abducted, forcing Ikuro to seek her out in the organization's underground headquarters and storm his way through their defenses, including a giant American Indian warrior named Walken who puts up the most brutal fight Baoh has ever faced.The animation follows the lead of the manga pretty closely, not only in the actual events of the story, but the design of the characters and the style of the action and violence. The only major difference is the cutting of some of the incidents that happen during the two lead characters' flight to freedom. Made in 1989, BAOH relies on the strong suits of the animation of that period--bright colors, bold, strong lines and clear, straightforward, detailed design.
A boy is experimented upon by the government after an accident that leaves his family dead. Only in anime is this a recurring theme (government using children or adults) for their own purposes. I wonder why this is? Of coarse he escapes and uses these "experiments" to his advantage. There isn't much more to the story except some brutal sci-fi carnage, but in my opinion if you mix sci-fi and violence it should be brutal. There are other characters of coarse but not worth of mention. The diolage is laughable and pure cheese but adds unintentionable comedy to this violent tale. If you like anime and your sci-fi bloody check it out!
