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Head
"The most elaborate of his 'anti-cartoons,' as he calls them, is HEAD (1975), an ingenious, witty essay on making filmed, photographed, drawn, painted, and Xeroxed images move. Reverberating between multi-media versions of the same events, playing with disjunctions between figure and ground, HEAD is a 'trickfilm' meditation on portraiture; the animator, as actor, lives through his drawings, which in turn become actors who influence his own self-image. An insider's diary on the process of creation, HEAD is a brilliant encyclopedic exploration of the circular relationship between the animator and his creation, of the nature of animated illusion itself." -Thelma Schenkel, Millimeter
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It is a performances centric movie
While it doesn't offer any answers, it both thrills and makes you think.
The film's masterful storytelling did its job. The message was clear. No need to overdo.
The film never slows down or bores, plunging from one harrowing sequence to the next.