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It's fun, it's light, [but] it has a hard time when its tries to get heavy.

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

it is a form of parable. piece of long exorcism of Spain against its past shadows. a film like a puzzle of references. art resistance, moral choices, adventure, burlesque, compromises and truth, love and life and dream. all under the precise art of Carlos Saura tools. part of a chain, it is different. not only for extraordinary performance of Carmen Maura but for courage to not be only a Spanish story. the three flags, the prisoners, the school, theater, maybe the map are clues for define a deep European crisis and confrontation with the past. and that is the essence of this splendid movie - to open doors, to transform a past story in present reflection, to be a testimony and, in same measure, an invitation to discover the best choice in dark periods.

I think "Ay, Carmela" has a lot to offer in the way of understanding better the history of Spain and more specifically the Spanish Civil War. True, the characters are a bit underdeveloped, but not so much that one doesn't "care what happens:" The tension of the situation in Spain is clearly felt in the theater as Paulino and Carmela perform, and although we don't really get to know any of the characters very deeply, you can't help but feel the power of the tragedy as Carmela lies on the stage dying amidst the chaos. Furthermore, there is a lot of symbolism that a viewer would not get without having some knowledge of the Civil War and Franco's dictatorship, such as Carmela being buried -*outside*- of the cemetery in the middle of nowhere.

OK, first of all, whoever said that "The Pianist" was a precursor to this movie must not have noticed that "Ay Carmela" was released 8 or so years before it. Also, you probably need to come into this one understanding some of the complicated precepts involved in the Spanish Civil War and how it was more complicated than just one enemy, and that the Republican army was not unified either. This film does a decent job of communicating that complexity and speaking to the ambivalence that the Spanish nation felt (and still feels) about this terrible period in their history. Lastly, as the protagonists are artists, it is important to remember that under Franco many of Spain's leading artistic figures were forced into exile and or shot (as in the case of Garcia Lorca). Expecting to get a history lesson from a movie seems like the wrong motivation altogether for me, I mean these are characters placed into a historical context. So therefore if you know absolutely nothing about this period it may be smart to learn a little first and then appreciate the film through the lens of that knowledge.

Ay! Carmela is another one of a seemingly endless amount of films about the Entertainer From The Home Country Who is Forced To Perform For The Enemy. I mean, how many do we have now? (Mephisto, The Pianist, Life Is Beautiful, The Acoomapanist, etc etc etc). In this case, we have a traveling troupe of 3 performers, a spitfire dancer, a tenor, and of course, a mute instrumentalist. They make a living performing for the government rebels of the Spanish civil war. One night, they are captured, and, in a decision between life and death, agree to a show for the government troops and some 'special guests', some Polish prisoners that probably will die the day after. Needless to say, Carmela, the dancer in the troupe, wonders if this is all too much, and needs to make some personal decisions.This is a pretty good story, the historical aspect of it is interesting, thereby making it a pleasant sit through. It's not excellent though, the reason for that is the somewhat lack of originality of the concept (at least the Pianist had some heart to get away with it!!) and the somewhat lack of character development, thereby making us care less of what happens.Still, it's not a bad movie. Just don't go in thinking you'll really learn anything though.