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Better Late Then Never

Best movie ever!

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

Classic French art-house mystery thriller for the wine n cheese crowd. Young trophy bride (Huppert) flirts and attracts numerous young swains. Husband warns each of possible consequences. Those who heed, flee. Those who abide, however ... Challenging in that the viewer never knows the relationship between husband and wife, or how much friends and neighbors (island of Jersey) turn a blind eye to Measured pace (for modern viewers, read slow) that delivers unexpected jolts. Warning, there is violence in this film, and it bursts seemingly out of nowhere. Jean-Louis Trintignant unforgettable as the multi-layered husband. Based on Patricia Highsmith (Ripley stories) novel.

EAUX PROFONDES, or Deep Water, is a French film based on a Patricia Highsmith novel. I haven't read that book but I've read some of her other novels and I can safely say that this film is the best version of a Patricia Highsmith novel ever. It perfectly captures her tone and style, unlike the recent crappy version of TALENTED MR RIPLEY. Highsmith herself said she loved this movie. The story is about this "odd" couple. The wife, played by the beautiful Isabelle Hupert, attracts men and brings them to her house, even in front of her husband, played by the not so beautiful Jean-Louis Trintignant. Those men eventually end up dead.What's going with those two? Is Huppert taunting Trintignant's psychotic character? Is Huppert bringing those men for her husband to have "fun" with? Is Huppert the real psycho in this couple, knowing her husband will kill her lovers and she recklessly brings the clueless men to her house? The two are playing a deadly game with each other and men end up dead. The whole thing is never clear and that's why this film is so cool. The aura of mystery is near perfect. Because there's an aura of mystery with these two, the film becomes a pretty sharp and brilliant statement on couples in general.It's sorta like Paul Verhoeven's THE FOURTH MAN, made 3 years after this, but without the usual violence and crudeness fond in Verhoeven's films.EAUX PROFONDES is unlike any film I've seen. It's moody and atmospheric. The music is brilliant (arranged by Charles Dutoit) and the cinematography is beautiful. There's not much more to say. The film is as simple, or not as simple, as it sounds but personally speaking, Huppert and Trintignant make an unforgettable couple. I haven't seen it in a while and I wish they'd release it on DVD.For fans of dark, brooding, sexy films with a "twist" look no further than EAUX PROFONDES.

Deville was the perfect director for such light gallantries such as "Benjamin"(1968).And what about Highsmith? Patricia Highsmith 's books are deceptive:it is hard to adapt them badly for the screen while being harder still to adapt them well.To my eyes ,one director has succeeded :Alfred Hitchcock ("Strangers on a train" ),three have partially succeeded (René Clément "Monsieur Ripley" (the talented M.Ripley) Anthony Minghella (its remake) and Wim Wenders 's "Der Amerikanische Freund " (Ripley's game) .Claude Chabrol was not so successful with "cry of the owl".Claude Miller butchered the brilliant "that sweet sickness" (="Dites lui que je l'aime") "Eaux profondes" is intense psychological drama.The story of a man who is jealous and kills all his wife's lovers.He warns them before .Trintignant,a good choice,tells them so: "I kill them" in a smooth voice .He treats his wife like a big doll,the scene is the bathroom is telling.There was in Highsmith's book an atmosphere ,a terrible progression which led to madness:the film has a tendency to simplify too much and its main drawback is to be too short.When she was interviewed when the movie was released,Highsmith told the journalists she had appreciated the movie.Make up your own mind about it.

Somehow this film manages to be boring and disgusting at the same time. The music is particularly awful - faux baroque/jazz - and violin scratching that is supposed to be suspenseful but is just annoying. As is typical in French movies, it starts out well, with a very interesting premise, interesting characters, good dialogue...and then nothing happens. Well, to be fair, some things do happen, but there is never a sense of direction, of the story going somewhere, or of anything being resolved. I can't blame it all on the French though. It's based on a book by Patricia Highsmith and in her signature style glorifies immorality and sexual/psychological perversity. She also wrote "The Talented Mr. Ripley" and "Strangers on a Train." Hitchcock was a master filmmaker, and while he kept the evil and the pscyhopathy, he also had the skill to make "Strangers" into a film that is scary and suspenseful, yet with an ending that doesn't repel.This is like watching a cat and mouse game that you couldn't care less about. I'm sorry I wasted an hour and a half on this terrible movie.