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It's fun, it's light, [but] it has a hard time when its tries to get heavy.

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

Blistering performances.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

I saw it the first day of its first run release at the Chicago Theater in Chicago in 1952. 'Bwana Devil' was the brainchild of radio director, Arch Oboler. - best known for the radio (and early live TV series) 'Lights Out'. Oboler's brother-in-law was Milton Gunzburg. Gunzburg was, I believe, the optician who connected the use of Polaroid lenses to the making of stereoscopic films. In 1952, television was stomping out movies and movie theaters the way rogue elephants could destroy villages. Hollywood was searching for any gimmick it could use to bring people back to the theaters. Cinerama, a cumbersome early widescreen process had come on the scene. It produced an 3-D like effect. That opened the door for Gunzberg and his brother-in-law. They called their process Naturalvision, raised some money to demonstrate the process, and produced 'Bwana Devil'.While the story and production values took a back seat to the illusion of depth, the picture was a hit. It was quickly followed by 'House of Wax' and others. Most producers opted to exploit the stereoscopic effects rather than make good movies. 'House of Wax' was one of the rare exceptions. After about a year, audiences tired of the shoddy productions, and Naturalvision eventually disappeared. Into the void Fox introduced CinemaScope, a flat wide-screen process, and helped stem the sinking theater system.I imagine seeing 'Bwana Devil' in flat projection would be painful. But for those of us who saw it with pristine prints, and quality projection, it was something to behold. Lions leaping off the screen into our laps was something few of us would forget.It has taken another fifty years for 3-D to return. Today's producers seem not to be making the same mistake as those in the early fifties. I hope so. After all, 3-D is so much more fun than flat.

I saw this movie when it was first released in Pittsburgh Pa. I had traveled from Youngstown Ohio, a distance of approx. 85 miles. I knew nothing of the plot nor the players. I had read no reviews nor had I talked to anyone who had seen it. Believe me I will never make that mistake again. It was being touted I believe as the first feature length movie filmed in the new 3D process. That was what enticed me to make a 170 mile round trip.There was a waiting line two abreast that stretched (I kid you not) 2 or 2½ blocks long and moving very slowly. I could hardy wait to be seated. If I had only known at that moment what I soon would know, I could have been ¾ of the way back to Youngstown by the time the feature started.By the time the first 3D scene was shown, I was already nodding off. The novelty quickly wore thin and from then on it was pure agony. Without going into excruciating detail, I can only offer the following advice. If you have ever seen the famous film PLAN NINE FROM OUTER SPACE, supposedly the worst movie ever filmed, it in my humble opinion stands head and shoulders above this garbage.I don't know if this has ever been shown on tv, if it has I don't know why. If you ever get a chance to see it, do something else. Take a walk, cut the grass, wash the dog, have someone flog you with a rubber hose. ANYTHING. Your time will have been better spent.This has been my first movie review. It might well be my last unless a worse movie comes along and I wouldn't make book that will happen.Bill

This film is worth seeing since it is a classic in the sense of being the very first full length film released in the process of three demention. It was not very good in its acting or story plot, but can be a great movie quiz question from an historical standpoint. It should be seen in the 3 D process with polarized lenses.

Based on a true story. Bwana Devil, filmed in Natural Vision 3-D,came out at a time when movies were competing with the growing popularity of television, which was keeping audiences out of theaters in droves, Arch Obler's thiller has some spectacular photography of the African plains and is somewhat of a documentary. Lot's of shots of animal herds and native tribal dancing. The outdoor shots are brightly lit but the studio shots are quite dark. Third Dimension photography requires sets to be brightly lit. Starring Robert Stack, Barbara Britton and Nigel Bruce. This tale of a "Great White Hunter" hired, by the English rail-road company,to hunt down and kill two lions, that are killing off workers, is slow to start but the 3-D action picks up later with many shots of spears being thrown at the screen, on-coming trains heading stright for the camera and, of course, leaping lions jumping from the screen. This movie can still be screen on television, in 2-D of course, and is interesting to see the shots that had audiences jumping in their seats back in 1952.