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Simply Perfect

It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

One of the most extraordinary films you will see this year. Take that as you want.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

The story starts with telling there are many exaggerated versions of this story told and therefore they will now tell it more true to the real event.There are many great actors collected in this movie. Unfortunately the movie is too chopped up to get a real flow or a sense of the story. For every 5 minutes there was a short flashback from one of the characters telling some event in their life connected to this revenge attack. Unfortunately I did not feel they were so interesting or made any difference for the story most of them. Even in the battle there were flashbacks that I felt ripped me out of the flow when I finally felt it was becoming engaging.I did like all the fighting participants were scared going into a fight. That did make a nice change. That was most likely often the case in reality.I do love most of the movies Kurosawa directed but this he wrote I did just not connect with the story or characters. Maybe the story is realistic but in the end I failed to see the point why I spend 1½ hour here.All in all I would say there are many better samurai movies out there. Maybe it does help if you think flashbacks are a great way of telling a story.

The review contains a very mild spoiler.The Igagoe Vendetta is a famous incident from Japanese 19th century history that has been retold many times in plays (and presumably movies.) Apparently, the tale has grown with each retelling. Araki Mataemon (aka Vendetta of a Samurai, as it is called in Hulu) is an attempt to tell a realistic version of the story. Although it was directed by Kazuo Mori (best known in America for directing many of the Zaitochi movies) an argument could be made for calling this a Kurosawa movie. He wrote the screenplay, it features 4 actors from The Seven Samurai and it is clearly influenced by Rashomon, which was made two years earlier.The movie gets off to an unpromising start with a histrionic version of the fight. It is filmed in the manner of a much older movie.The film speed is sped up, Toshiro Mifune is egregiously over acting as he mows down warrior after warrior, despite the fact that his sword never comes close to touching anyone. However, this opening scene is a superb fake out. After it is over, the narrator announces that this is how everyone imagines the incident, but that the reality was very different.The movie then commences to tell a very realistic story of the events that led to the incident, as well as the motivations and personalities of the participants.The result is a very stately, and maybe in a couple places static, movie about the conflicts between duty, revenge, friendship and fear. The movie seems a little slow at first, but the pacing ends up paying off as the suspense builds near the end of the movie. Mori's direction lacks Kurosawa's dynamism, but he makes up for it with nice set ups and interesting asides. I was also impressed with Mifune's acting. Often when he was working for directors other than Kurosawa he could turn into a horrible ham, but here his acting was remarkably restrained, while still dominating every scene he was in.Overall, I'd say this was a must see for all fans of Kurosawa and Japanese films.