Watch Man of the Year For Free

I like the storyline of this show,it attract me so much

Good movie but grossly overrated

By the time the dramatic fireworks start popping off, each one feels earned.

Blistering performances.

I recently attended a screening of MAN OF THE YEAR, starring John Ritter. Here is a movie which was shot on something like 22 cameras at once. On a multi-split screen, we view the action of several stories simultaneously. Naturally, all of the stories eventually dovetail into one story. I found it to be totally engaging.It's the kind of concept that could either really work, or really fail. This movie works. I enjoyed the sort of voyeuristic thrill of watching these characters interact in a way that felt totally candid. As it turns out, their stories were scripted, but the performances were all improv.It was incredibly well done. I hope to see more from this filmmaker in the future, and from John Ritter, who was actually amazing as a totally sleazy oil executive.Hopefully, this picture will play at the multiplexes one day. It's a refreshing break from so much of the unoriginal, formulaic stuff Hollywood asks us to digest.Go and see it.

The concept is simple: 20 or so people, 20 or so cameras, the whole thing shot live and the throughline being the downfall of a big kahuna whose great success every celebrates at a dinner party. A little ALTMAN, a little TIME-CODE, for sure, but this piece has its own identity because it's so tight. Every single character seems to be the star of his/her own story. Nearly everyone is interesting in some way. But, because you know that the John Ritter's character is about to crash and burn, he's the one you look out for the most.There's something about unscripted humor that's borne of a situation. It hardly ever happens in movies, but this one has loads of it. Some comes from editing, the balance comes from the actors, whose roles seem almost improv.There are a few soft moments. The tension lags and some storylines get in the way of the better ones. But, perhaps the most interesting part is that this could be a prototype of a new genre, a post-modern New Wave in this "reality-driven" age (of TV, at least).All in all, an incisive, hip effort. It'll be great to see if it get some proper theatrical play.

I saw this film recently at the Santa Monica Film Festival because I knew one of the producers. I had no idea what to expect going in and found myself truly enthralled and blown away by the accomplishments of this film. Fast, funny, brilliant, twisted, bizarre, touching, intelligent--everything you hope to find in today's indie scene but rarely do. And when you add in the technical facts--improvised dialogue, 20 cameras, one night shoot--it stands as a great representation of what can be accomplished when creative people refuse to hear the word "impossible."

Man of the Year was a great ride. I was captivated from start to finish. The bird's-eye view of each character's storyline was cutting edge and enabled the audience to feel like a fly on the wall observing the sordid lives of the elite party-goers. Loved the fact that it was shot in twelve hours with most of the dialogue unscripted. "Man's" fast pace kept the audience laughing and empathizing with all of the characters, especially John Ritter. The maid was hysterical. This movie is a must see.