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If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Beautifully shot, written, acted, edited & directed chronicle of Norwegian twenty-somethings making the transition into adulthood, focusing on two wannabe novelists, close friends. Much more creative, imaginative, risk-taking and original than similar films made in the US. Friendship between males is intimate & warm in a way never seen in US movies, where we're too macho for this. Content is dense & detailed, tho film may appear breezy & casual, which is one of its accomplishments. But above all, something which isn't even mentioned, the movie is hilariously funny. Can't even reprint most of the jokes, given the yoke of censorship and political correctness around our necks in the US, esp. on the internet. Suffice it to say a punk band plays a song entitled "Fingerpult av Gerhardsen" and obscene fun is had at the expense of politically correct "fascism." That director Trier, an accomplished skateboarder, got his start in filmmaking by making movies about skateboarding may offer a clue to his irreverence and energy. (His new film, Thelma, is also top notch.)

I usually enjoy most films about writers and their artistic process, whether they're fictional (such distinct films like "Barton Fink" or "Wonder Boys") or biographical narratives (Virginia Woolf's imagined but wonderfully creative portrayal in "The Hours", Brian Gilbert's rendering of "Wilde", etc.). I haven't seen many interesting attempts to portray the young writers of the new millennium, but Joachim Trier's captivating début "Reprise" is as fresh, smart and instigating as discovering a new literary voice.The story of two competitive Norwegian friends from Oslo (played by Anders Danielsen Lie and Espen Klouman-Høiner), their literary ambitions and troubled personal lives, is told with fast editing, quirky humor and solid ensemble acting. Trier clearly knows what he's talking about, an has an eye for stylish, bittersweet and cynical images (there's a fantastic scene with the protagonists' group of friends and a female editor who's interested in one of them, as they sit and talk by the water: the dialogue is sharp, the imagery is sensual, vibrant and tense all at once, and it plays like a good cathartic speech directed by the Danny Boyle of "Trainspotting" time). This is a promising director we should keep an eye on. 8/10.

Good direction, great soundtrack, dialog, editing, a surprisingly full movie from a first time director.Two Norwigian friends in their early twenties Philip and Erik, submit there first manuscripts on the same day, one is accepted and becomes a...(read more) critical darling, the other swims in a sea of rejection letters. In the first five minutes we see at least two altered timeliness of what might have happened to these characters had they both been accepted or had they both been rejected, Run Lola Run style in accelerated montage lead by voice over.The world which could have been, is then followed by six months later, when Erikis getting out o mental institute after a having suffered a breakdown sometime before, Philip is sticking with him, keeping a spare key, making sure he takes his medication on time, and still trying to get his own work published, which it shortly is.Erik and Philip, and their motley crew of friends like the the crude Morten singer of such classic punk songs like "Fingerfucked by the Prime Minister", and the intellectually over-zealous "Porno Lars", all hang out and well just hang out.Erik is trying to recreate his obsessive relationship(against dr's orders), going as far as to meticulously re-create a trip they took to Paris. Philip is debating whether or not to dump his girlfriend so he can sew his whitely oats, and trying to escape the shadow of Eirk and their hero Stein Egl Dahl, their favorite author who also happens to live in their home town.As the title suggests, the film is about these characters trying to re-create, re-capture the past, which can be both a good thing and a bad thing. Are you holding onto your dreams or are you clinging to them, are your friends a support group or a crutch to keep out the "real world", do you really love her, or is she just an obsession, should you leave him, or are you just selfish. Is there any way to escape cliché, and live "genuinely"? These are questions which are especially pertinent to the coming of age twenty somethings in the film, but they are universal questions everyone probably at numerous times in their life will have to face. And this film captures them, the highs, the lows, and the cream filled centers...good stuff.

This Norwegian movie is hard to describe but it reminds me of so many great French New Wave movies from the 60s. It borrows heavily from some of these movies, but it's a completely original, unique, thrilling movie on its own. The person below who gave this movie one star must have been on crack or accidentally wandered into the wrong theater thinking he was going to see "Made of Honor" or some of other piece of ****.This movie is the start of a brilliant career. Seriously. Years from now, people will be talking about this director the same way people used to talk about Ingmar Bergman or Godard. It's that great!