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Visaranai
Pandi and his friends, immigrant workers in Andhra Pradesh, are picked up by cops for a crime they never committed. And thus begins their nightmare, where they become pawns in a vicious game where the voiceless are strangled by those with power.
Release : | 2016 |
Rating : | 8.4 |
Studio : | Grassroot Film Company, |
Crew : | Art Direction, Director of Photography, |
Cast : | Dinesh Ravi Samuthirakani Kishore Anandhi Aadukalam Murugadoss |
Genre : | Drama Thriller |
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What makes it different from others?
I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.
Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.
Easily the biggest piece of Right wing non sense propaganda I ever saw.
A stark departure from the run of the mill gravity defying stunts, ping pong color costume, queer hand, leg, body gesture by central characters in slow motion, Visaaranai is a bold, realistic, gripping ddrama on police brutality and corruption. If you are a great admirer of Santosh Sivan and Adoor Gopalakrishnan, you will miss that lyrical romanticism in frames, in storytelling and in treatment. Instead what the director's command over the treatment overpowers you and transports you to a the world of four hapless Tamil daily-wage earning laborers who have made the neighboring state of Andhra Pradesh their home. Four time national award winning director Vetri Maaran hits it hard with realm of realism, there are gruesome violent scenes which border around torture p**n shows you violence at its harshest best. Tight gripping story, excellent acting, good screenplay make it great to watch, but I am not confident about its Oscar success (though every year I hope India gets a best foreign movie award). May be its contemporaries made the movie look so good. I liked the movie but I am not going gaga over it. I hope Visaaranai inspires more directors and technicians and we get to see more such meaningful movies in future.
Vetrimaaran deserves allocates for having given the best from the team. The extent of enduring pain is as plain as water as they stutter and fumble with their bloody bruised bodies. The hard- riviting screenplay is unstoppable, making no move to shield you from the bitter realities of the merciless world. cameraman S Ramalingam perfectly complements the script by depicting the pain, torture and humiliation while GV Prakash's haunting background score makes it happen like real, The sound of flesh being torn apart by brutal lathi blows will make one finch and even experience it. The story portrays as how innocents are often brought in to fill cases which cant be solved. The extent of torture they undergo to make them underwrite the crime they have never committed is painful and morally awakening. The film brings out how gruesome our criminal justice system is, and the lack of transparency, access to judicial services and no signs of accountability at the cutting edge level is making the common man suffer more every day. It is not to say that all police functions are gruesome. But the movie brings up how the dark side can be and how dangerous it can be to the life of a common man when the power is uncontrolled.I sincerely hope that lockup deaths and police encounters will no longer be mere flash news after watching this movie, as the film sends across a spine chilling message which needs every ones attention.
The movie revolves around four youths who went out of their homes to a foreign place for working, but what it takes in it's course of orbit is pretty heavy. It takes the entire system that's been there for decades in a country and more to it is there is no hiding from showing how flawed it is. Having such high intensity in subject, there is nothing less that you can expect visually! The core cast has defined nothing but the definition for reality on screen. Their hard work is visible in every frame. Introducing a pair and a love bud to the lead wasn't really needed, if it was for making the climax more powerful then I feel the effect was meager. The BGM by GV is very subtle to grasp during the watch(First time at least). But it helped in a great way to reduce the intensity, without which it could be intense a few folds more. This movie will stay with you! This movie will affect you! This movie will make you think about the entire system! This movie can make you get obsessed !So I would say to be prepared for all of it before you decide to watch it.
Visaranai (Interrogation) captures the harsh truth behind Police department corruption, thirst for Power, urge to close cases and how it affects the life of four runaway youngsters in a non-native state. It is just not that actually the plot traverses to the native state to show that no mercy is left in the department on handling the poor guys. It is based on true incidents which became a novel named "Lock Up" by M. Chandrakumar. Well that explains the crux of the tale but what makes it more solid and interesting is the chilling screen play and 100 % pure cinema type of handling where there was no absolute space for commercialism. Hats off to Director Vetrimaran who has dared to experiment this genre which reflects the ruthless, impolite, merciless, callous nature of some police officers. The plot gets enhanced by the performers like Dhinesh, Samuthirakani, Kishore, Adukalam Murugadoss and some more actors whom we hardly know by their names. The thrashes that these boys take up looks so vivid, raw, brutal, inhuman and clearly I understand this movie will be a hard to digest fact for soft or weak hearted audience. So people of this sort you are warned better try some comedy in the next screen. On the technical front the cinematography and BGM also shows the pain. This movie is a clear warning that there is a corrupt system out there waiting for innocent prey and if we are caught it is like the hell's hole and no escape. I didn't find anything as such which ruins the flow or script. So pure award category no scoring required. Verdict : "Watch it if you can take it"-Sivakumar Balachandran