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To me, this movie is perfection.

Don't Believe the Hype

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

The film never slows down or bores, plunging from one harrowing sequence to the next.

If there ever was a time for Method Man to credit himself by his real name: Clifford Smith I feel this was the one to do it.Now don't get me wrong I think Method Man doing his thing is great (one of the better rappers turned actors for me) but with this one he truly did commit to do something different. And that's a big reason why I like this movie.He plays a lone-wolf mortician, a bit of an "social reject" if you will who unwillingly becomes dragged into a messy situation involving the local gang-members.The poster makes it look to me like more of a horror movie (which it's definitely not) and the synopsis is not really accurate (although I will try to update it so hopefully that will change).What it is is more of a drama and a character study of the mortician with moments of suspense and even though it has some flaws regarding the script and Method Man's everchanging beard the good most definitely outweighs the bad for me.

It is not too often to witness something credible, emotional and rational at the same time in American cinema. Sadly, Hollywood has been in a steep decline since who knows when. We have to go and grab European or Asian or Mexican or South American flicks if we really want to get some "meat" for the heart.This time, in a setting long forgotten, we're confronted with a witty story in, of all places, the still recovering New Orleans. That, all by itself is a bonus. But when you add to it the magic of a master cinematographer, a superb script and a wonderful cast... you have OffHollywood. And, let me tell you: this guys know what they're doing! The story is bleak. The character of the Mortician (awkwardly and silently played by Method Man -if you can believe his actual name) is definitely played methodically. His role is perplexing, uncomfortable and highly distressing. But that's his job. The rest of the characters are as strange, out of the norm, as the mortician himself.But what really got my attention and made me jump directly into writing this was the uncanny weight and darkness that are pervasive throughout the film. Everything has a smack of doom, and it certainly delivers in this department. Not only is the story gripping and deeply moving. The acting is on par with the craftsmanship of the whole film. Cinematography, taking advantage of the RED 3D is ultra hi-def and has some unforgettably lit scenes, especially in some of the flashbacks. And if this wasn't enough, the score and the songs used throughout the film only add to underline the roller coaster of emotions we're presented with.The turns and zips and flips of the story are an integral part of keeping you hooked without blinking. The colour timing is awesome, conveying exactly every mood scenes needed to exploit their powerful emotional content. I'm really proud of this film being American. It departs completely from stereotypes and boring scripts. It's a slow film. A film portraying a complex drama that unfolds in many directions. Maybe they went too far in explaining why everything happened, but it doesn't feel patronising or as if it was needed for the stupid -it will work, anyway.All in all, it's a film that should be seen to be believed. Chapeau to Method Man (again, unbelievable name!) and to all the crew that made possible this small jewel of new OffHollywood Americana,

A mortician's life is changed when one day the dead body of a young woman is brought to him; one whose body is decorated with an elaborate tattoo of Sandro Botticelli's Birth of Venus. This all connects together with a young street boy who continually tries to get access to the morgue, the mortician's assistant who harasses the boy and a local thug who seeks him.This downbeat film utilises flashbacks to tell its story. It's well acted and has a decent atmosphere. However, I can't say it felt like anything special. The plot line didn't feel especially original and overall I can't say the film made much of an impact. It's a decent movie though, just not a great one.

First, please forgive me for sounding rather bitter about this movie, however there are some disclosures I must first make about my relationship to the film and its subject mater. I have previously worked as a mortician, having multiple professional qualifications in the field of funeral service, restorative art, and embalming. In the course of my work as a funeral director, embalmer, and mortician, I can say that the "Mortician" character this movie was not a member of any of the aforementioned professions. This would be no different than titling a movie "The Banker" when, in fact, it is about an attorney. Perhaps it would be more appropriate to title the movie,"The Autopsy Technician", "The Morgue Attendant" or something else. The only thing that a mortician and the above mentioned professions have in common is the fact that we work with dead bodies...Very little else. I can also mention that a city morgue in any sizable metropolitan area would be a much larger operation with other skilled technicians and professions, including most importantly, a forensic pathologist to actually perform the autopsy. Everything involving the treatment of human remains, from the removal from the scene of death to the forensic processing is grossly inaccurate, and considering the tone of the movie, I find it quite a disappointment. The acting is respectable, commendable at times. The over-all production quality is quite fine, and story is interesting, but I would expect a considerably higher level of research to have been done before the script was produced.