Watch A Boy Named Charlie Brown For Free

Touches You

So much average

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

A product of it's time, "A Boy Named Charlie Brown" isn't REALLY that politically correct nowadays if you think about it, a boy who is constantly bullied in school and teased by everyone, and has no one to turn to. (his parents are absent). I mean, is that what we want to teach kids? Anyways, he tries to find acceptance by entering a spelling bee, (again, he goes by himself without any parent) only to find failure, and no moral support when he comes home. Gee, really uplifting lol. This cartoon does have a great 70's feel to it though, with it's animation and soundtrack. Maybe not necessarily for the kids, but it could be interesting for other ages.

You don't need first-class Disney animation to produce a charmer. The Peanuts' comics' philosophical underpinnings and intelligent and witty humour is brought to the silver screen full and intact. Never before or after has a bunch of kids proved to be that thought-provoking.Yes, the pace may be a tad too slow and the animation rough around the edges, but Schulz' lovable little grown-ups with their all too well-known characteristics are sufficient compensation. And if the pic threatens to become too talky, there's always Snoopy's shenanigans to save the day.7 out of 10 security blanket cold turkeys

There's a little Charlie Brown in all of us. He's in our thoughts when we are pessimistic and in our thoughts when we reflect on the early days. Charlie Brown and Snoopy pretty much embody and represent the innocence, simplicity, and charm of childhood. Peanuts may not have the powerhouse reputation it used to have, but to this day remains one of the best comic strip creations in the history of newsprint. Their specials are amazing as well, from the classic Christmas special to the highly underrated "You're a Good Sport, Charlie Brown." In spite of all their success, most forget that Charlie Brown actually starred in a series of feature-length films. A Boy Named Charlie Brown is the first attempt by Shultz and company to bring the beloved character to the big screen.A Boy Named Charlie Brown is known for its musical interludes, amazing score, pop art style, and first display of how Snoopy and his friends would fare quality-wise when extended to past 80 minutes. The movie isn't amazing, but it wasn't a horrific disappointment either. It was Bill Melendez getting his cinematic start with the franchise. There are some lovable moments, excellent one-liners, and heartwarming moments to keep the family entertained. While the movie's choppy animation remains intact (They must never ever get enough money for budget) this is saved because of the multiple ways the story is being presented.In the film, we follow Charlie Brown as he tries to win a national spelling bee after surprisingly winning the competition in his school. But there's more to the tale, as all the cast of the comic strip (besides Marcie and Pepperment Patty) have their own moment to shine; from Snoopy's dreams about being a hockey player and airline pilot to Schroeder's piano solo. Some of these moments are good (Beethoven, Snoopy in World War 1) while some miss the mark (Linus and the blanket, Snoopy ice skating).The animation is very basic, bland, and unforgivably sloppy. While this was forgivable in the Christmas special thanks to its low budget, one would wonder why a phenomenon like Peanuts had such little help in the budgeting while transferring to the big screen. Thankfully, Melendez crafted several ways to visually tell the story, which includes multiple screens, rotoscoping, and sometimes even borrowing styles of Andy Warhol. All these techniques help make up for the shoestring budget and quality of the animation, and also provide defining evidence that this was a 60s film. The pop art undertones are much heavier here than in the next three Peanuts films combined.Charlie Brown would evolve into better-organized movies later in the 70s (Most notable Bon Voyage and Race for Your Life), but this was the writing staff getting their feet wet. The evolution from comic strip to film is an extremely tough one, much harder than television show to the big screen. This is among the first, if not the first, successful experiment of the type; even if it wasn't perfect. There were multiple story lines woven together under one major plot line, and it's not a style of storytelling that would sit well with everyone. With Snoopy Come Home and Race For Your Life, it was one big story with multiple jokes that managed to stretch to past an hour. The spelling bee tale could not have lasted a full length, so Shultz added many more (if, mostly unrelated) tales and scenes as filler. But there are some wonderful moments, and superb one-liners sprinkled throughout ("I'm dying, and all I hear are insults!") Bottom Line: This isn't the best of the Charlie Brown movies, but it's the first and still stands well after all these years. Serving as more a look at the art and styles of animation in the 60s rather than an amusing Charlie Brown picture, this film was proof that the comic strip medium can come to life in bigger ways than television. To this day there are very few decent comic book films, because they don't successfully flesh out their characters or reduce themselves to a quick buck. While you don't see the quality, you certain see the effort Charles M. Schulz delivered on his work. A Boy Named Charlie Brown is the big-screen version of a Charlie Brown Christmas: delightful but not the best; but also the beginning of something very special.

As a kid, I loved this film when I saw it in the theater and when I saw it years later as an adult, I found it still had a lot to offer. You can't say that about MOST kids' movies! Charlie Brown is, as usual, an outcast and nothing goes right for him when the movie begins. However, when he decides to enter a spelling bee and he wins, he is thrilled because he finally is good at something and the other kids treat him better. He doesn't realize that because he won he will be going to the state competition, and when he does, he's a nervous wreck. However, in the state competition, he comes in second. The kids reward this performance by once again demeaning him by calling him a block-head! Despite the very simple outline I gave above, the film actually has a lot more depth and character development. Plus, being the funky 1960s, the visuals at times are pretty indicative of the era (i.e., splashy and loud).I know he never would have been allowed to do it, but when Charlie Brown came home after having come in second, I really wanted to see him administer a well-deserved butt-kicking to Lucy and the other nasty kids!