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How sad is this?

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

To some it may be a dull black and white old style war yarn, but we need to remember that people waited outside the local cinema to enjoy movies like this, and believe me they were entertained.It's a well told story about a little clump of land in the middle of the sea and the people on it that probably prevented Rommels Panzer Army from running amok throughout North Africa.So watch it in all it CGI(less), special effects(less) glory and enjoy it for what it is.Hell, you might even want to watch some more (The desert rats, Ice cool in Alex, The desert fox, the Dunkirk story, god I could go on for ages).

I never thought I'd see Alec Guinness and cringe! His romantic scenes are unintentionally laugh out loud funny. With his spindly arms and legs sticking out of his tropical khakis, all he can talk to his gorgeous young beloved about is how she's to serve tea when he brings her off Malta to Cambridge after the war, how marvelous the ancient ruins are and how unimportant it would be if they all died. Alone in a dark romantic passage saying goodbye, possibly going off to his death: "Shan't be able to see you for awhile", "Take care, darling", "Bye, then", and he KISSES HER HAND before loping off! Catch me before I swoon! When it comes to the military scenes, the hotter it gets the more boring the Brits act, either ironic or depressed. Old war buddies saying goodbye to each other, possibly forever, act like they are catching a train for the weekend. My goodness, Reginald, what a bunch of lip upper stiffs! From Here To Eternity, this ain't. What a relief to have Jack Hawkins on hand. He's the only full blooded human in the thing. Even the great Flora Robson is hobbled by the stiffness of the style. It will make you appreciate what a genius David Lean was to take Hawkins and Guinness and use them in the cause of brilliant filmmaking.

In the opening scene of "Malta Story" Mr A.Guinness bore such a startling resemblance to Noel Coward that I fully expected his first words to be "Certain women need striking regularly - like gongs" or some such world - weary bon mot.Unfortunately his dialogue is hardly deathless prose and even the Master would have had trouble bringing it to life.Indeed Mr Guinness wanders through the picture as if looking for a focal point and failing to find one.And therein lies the fatal weakness of the whole movie.Mr J.Hawkins likewise gives up early on and ends up giving a "Jack Hawkins" performance without an ounce of individuality.It could have been spliced from any of a dozen British war movies.Many of the early fifties usual suspects turn up and do their schtick to very little purpose. The Luftwaffe failed to bomb Malta into submission in much the same way as it failed to bring London to its knees.The courage of the Maltese people in the face of incessant danger was recognised by the King and the island was awarded the George Cross.A worthy subject you might think for a movie,but "Malta Story" does not even qualify for the term "worthy" in its most patronising sense.It gives the appearance of being hastily cobbled together to meet a deadline,perhaps before the actors lost the will to live.

Having never had a chance to visit this island, nor been made aware of its importance to the allied forces during WW II, I appreciated the snatch of history of Malta and its inhabitants and of the incredibly impressive air shots of the RAF at work. Other commentators say much of this footage is archival; if so, then the editing is commendable, as is the transitional camera work, which is virtually seamless. In this day and age when so many battles and flight scenes are achieved by graphic simulation, I feel there is a sense of integrity in this film that cannot be easily duplicated today, regardless of all of the technology at our disposal. This is perhaps the quality of Ealing studios at work.The black and white graininess of the film also gives it a documentary feel -- the strong light and shadow of the landscape shots of air, water and rocks that give us the vivid sense of place -- remind me also of Italian verismo cinema and reinforce that impression.As for the acting, I did not feel it in the least "wooden." Actors who emote all over the place are not necessarily conveying true emotion: they are "acting." As with certain aspects of Italian cinema, more is conveyed in what is left out and held back than what is overtly revealed. I felt all of the performances, and especially Guinness's, and including his leading lady, were true to their character. The intelligence in his eyes and the slight, fleeting change of expression in his face, as he reacts, for example, to Hawkins' approval of his reconnaissance flights, is an example of the subtlety that would characterize all of Guinness's performances. Viewers who expect too much overt emotion are possibly allowing the actors on screen to experience it for them, rather than being drawn into the emotion and circumstance of the onscreen drama unfolding. Calling it a "stiff upper lip" may be one easy way to describe it, but one does have a sense in this film of people with some depth and substance, depicted with a visual honesty, who are caught in a life and death situation.Of four stars, at least three *** without reservation.