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The New Barbarians
Two mercenaries help wandering caravans fight off an evil and aimless band of white-clad bikers after the nuclear holocaust.
Release : | 1984 |
Rating : | 4.6 |
Studio : | Fulvia Film, Deaf International, |
Crew : | Director of Photography, Costume Design, |
Cast : | Giancarlo Prete Fred Williamson George Eastman Anna Kanakis Ennio Girolami |
Genre : | Action Thriller Science Fiction |
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Reviews
The Worst Film Ever
Great Film overall
A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
Despite the 'wasteland' tag, there's dozens of people alive and apparently well travelling in self sufficient tribes, minding their own business until George Eastman and Enio Girolami (aka Thomas Moore) turn up in their rocket-propelled dune buggies to rid the earth of man's seed as payback for the apocalypse. Spurned former bad guy Timothy Brent travels the wilderness in search of wrong-doing, preserving what he can of the former world, supported by the self-proclaimed invincible warrior Fred Williamson (comically named "Nadir" in spite of his alleged prowess). Predictably, Eastman and Brent don't get along too well, and their eventual stand-off is widely anticipated.Brent is bland and serious, whereas Williamson at least affects some emotion in his unusual role of the black archer whose explosive-tipped arrows ensure he never misses even when he misses. Former Miss Italy, Sicilian beauty Kanakis has a nude silhouette moment, but otherwise the "R" rating is for mannequins being blown apart or clumsily decapitated by whirring rotary blades and other contraptions of the ilk. Czech beauty Zora Kerova ("Woman from Deep River", "The New York Ripper") has a very minor role early in the film for those who know where to look.Plenty of light heartedness and humour, particularly Frezza as the pre-pubescent child mechanic-inventor who's an ace with the shanghai and just as sharp with the tongue. Some cool cinematographic angles, sound effects and editing make it an audio-visual experience, but the stunt-work lacks precision and overall the production looks cheap and rushed. Fun, mildly entertaining with colourful characters and campy special effects (watch the decapitation dummy crumple in a heap), but it's mostly repetitive and predictable sci-fi fodder.
Basic set-up: lone anti-hero protects the last remnants of civilization from the murderous mitts of a gang of psychotic (yet somewhat charismatic) would-be genocide artists named Templars. Some amusing B-movie level lines, plus some pretty impressive B-movie special effects (Templars exploding under crossbow fire - heheh ) held my attention for the running time. A pure 80s synth track proves the icing on the post-nuke mushroom cake. However the real point of stand-out in this film remains the abundance of futuristic (by 80s sci-fi standards) technology littered around the wasteland (the nuclear war takes place in 2010, nine years before the events depicted on screen). If you like trashy-yet-terrific sci-fi, post-apocalypse flicks or a good laugh, give this the once-over!
The summary above is quite appropriate--even though it's what my wife said to me late one night as I sat watching this film. This is because "Warriors of the Wasteland" featured a pulsating and VERY repetitive musical soundtrack and the same fake laser sound again and again and again--like some sort of 1980s video game--which my wife assumed I was playing because of the cheap sound effects."Wariors of the Wasteland" is a cheap knockoff of "Warlords of the 21st Century"--which is a cheap knockoff of "The Road Warrior". This is NOT an impressive pedigree! However, instead of being made in New Zealand (like "Warlords"), it's made in Italy. The film is set in the dystopic future where society has disintegrated and people are living in the desert--killing each other and driving around in crappy looking cars and motorcycles. The film is practically plot less--consisting of baddies with horrid punk rock snarling, shooting their crappy lasers and terrorizing the dozen or so extras you see during the course of the film.If you like badly acted and plot less films with lots of action, then you are in for a treat. However, if you aren't and actually demand quality from a film, then keep looking. Pretty crappy.
"In a post-apocalyptic future, a group of weary survivors is faced with a relentless onslaught from a gang of roving bandits. Into this conflict comes two men, rivals by nature, but forced to take the same side against a common foe. The survival of the human race may very well come down to the outcome of this battle!" according to the DVD sleeve's synopsis.In the year 2019, Giancarlo Prete (as Skorpion) battles George Eastman (as One), with a little help from friends Fred Williamson (as Nadir) and Ennio Girolami (as Shadow). Apparently, the "survival of the human race" is at stake because Mr. Stevens and his homosexual gang are killing all the women left on Earth. So, with technology nuked back hundreds of years, where will they get new men to join the gang? Enzo G. Castellari "I nuovi barbari" ("The New Barbarians" in English) features funny hair-dos, souped up golf carts and a poor imitation of the Batmobile. The scenes of mindless violence are, appropriately, highlighted by decapitations. There is a difficult to discern "huh? what is happening there" gay rape scene. This film might have worked if they just made an all-out "Mad Max" parody, with Mel Brooks directing.Too dumb to be offensive, but a noisy waste of resources. * I nuovi barbari (1982) Enzo G. Castellari ~ Giancarlo Prete, Fred Williamson, George Eastman