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Very very predictable, including the post credit scene !!!

Powerful

Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

A disreputable carny (A.C. Peterson) manages to obtain the Jersey Devil and uses it as a sideshow in a small town in Nebraska. It gets loose and raises havoc in the woodlands of Nebraska that looked like Quebec, Canada, There is a seer named Samara (Simone-Élise Girard) pronounced like "Tomorrow." Only Lou Diamond Phillips can save the town....well part of it.This is a 2009 made for TV film. The script left much to be desired as did the characters. You do get to see the creature unlike found footage films. The boys didn't have any girlfriends, like LDP's daughter which would have added some human interest to the tale. She could have been the Final Girl that helped kill the beast. As it was all we had was some hateful preacher we wanted to see get eaten.Guide: No swearing, sex, or nudity.

Small town sheriff Lou Diamond Phillips (as Atlas) has his hands full when a circus arrives. The main attraction is "The Jersey Devil" stolen by carnival manager A.C. Peterson (as "Cap" Caprini) in the opening minutes. Citizens are excited about seeing the animal and other freaky looking people. We're told the people of Reliance have never seen anything like them before. The most normal appearing member of the troupe is psychic Simone-Elise Girard (as Samara). She predicts doom and tries to explain "Jersey Devil" origins. For some reason, Ms. Girard feels "safe" with her boss, who is arguably more wicked than his monster...God-fearing pastor Vlasta Vrana (as Owen) believes the circus will bring sin to the community and starts to campaign against "God's abomination." Ironically, his juvenile delinquent son Matt Murray (as Taylor) triggers the rampage of "Jersey Devil". The flying terror is supposed to be heavily sedated, but seems incredibly alert. The beast is called a "freak of nature" and resembles a gargoyle. It appears to be intelligent - and it's more thoughtfully constructed than the story. The supernatural and Christian religion may have some connection. Maybe the creature is just mad. The gargoyle and Kyle Gatehouse (as Jesse) are nicely done.**** Carny (4/25/09) Sheldon Wilson ~ Lou Diamond Phillips, Alan C. Peterson, Simone-Elise Girard, Vlasta Vrana

Doesn't anyone read anymore? The creature, setting, and story line were lifted whole cloth from F. Paul Wilson's "Repairman Jack" series. The creature is called a "rakosh", a demon from Indian mythology. Read the Wilson story (it's available on a free download from the Guttenberg Project) Then re-watch the movie. When plots and other things are lifted from other sources and no credit is given, it's very irritating, if not downright dishonest. Imagine if someone made a film about a scientist who tried to animate a dead monster that he stitched together from stolen body parts, and tried to pass it off as an original plot. If the screenwriter had Wilson's permission, then why not list it in the credits? Shame on you SyFy.

I was pleasantly surprised by this Sci-Fi Channel entry. There were some credible makeup and physical effects, a number of competent actors supporting a script that avoided many of the more common clichés for what has become its own genre, the Sci-Fi Channel monster flick usually produced in Canada.Lou Diamond Phillips stars, cast yet again as a small town sheriff battling things that fly and/or creep whilst chewing scenery, secondary characters and extras at will. It isn't BATS, but its not a crap fest either. Another treat -- the music did not appear to be library music but supported the scenes rather well. A genuine jump inducer in the 2nd act and some graphic gore and another jump in the 3rd made this a "7" in my book.Oh yeah, and a minimum of shaky camera work and random zooming in and out. Bless the D of P for not inflicting that on the audience.