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Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

Terry McCain (Griffith) is a Chicago cop who is pretty much on the edge. A member of the Tactical Narcotics Unit, he's obsessed with taking down the slick mobster drug dealer Sal DiMarco, who, like John Gotti, seems to be made of "Teflon" and always manages to avoid jail time. During a shootout with the DiMarco mob, three million dollars in a suitcase goes missing. Naturally, DiMarco wants it back, and he assumes McCain and his team are behind the missing loot. So now the mobsters are after the cops, and McCain and his girlfriend (Lewis) must go on the run. Luckily Police Chief Devlin (Henriksen) has given McCain a wide berth to go off on his own (not necessarily "rogue") and catch/punch/kick/kill the baddies. After some mild twists and turns in the plot, we see who is the true dispenser of EXCESSIVE FORCE.The good news is, this is a movie that lives up to its title. There's some hilariously, unnecessarily brutal violence, as if the writer (T.I.G. himself, interestingly enough) felt he HAD to live up to the title. Like he thought, "well, I already spent all day coming up with this title, better make sure the movie has an excessive amount of force". Well played, Mr. Ian Griffith. Well played.The real reason to watch this movie isn't Thomas Ian Griffith's constant roundhouse and jump kicks, but the killer cast! For starters, what is James Earl Jones doing here? This might make an action movie first: a Shakespearean actor on hand to play Jazz with Thomas Ian Griffith! Terry McCain is a pretty in-the-pocket Jazz pianist, just so you know. (McCain also has an earring, so you know he's cool, long, greasy hair , resembles Christian TV evangelist Joel Osteen and might be a member of the Trenchcoat Mafia. Research is still being done).Then we have Lance Henriksen, doing his best as Devlin, Tony Todd as Frankie, again, struggling against some potential mediocrity and coming out quite well, the awesome Burt Young doing what he does best - being Burt Young. The movie could have used more Burt. The presence of Charlotte Lewis as the model Anna Gilmour was appreciated. And of course all the lesser-known names in the cast performed admirably as well. Additionally, the Martial Arts Technical Adviser on the film was Benny "The Jet" Urquidez. Sadly he doesn't appear on screen. So you have a much better than average cast for this sort of thing, which is nice, and they help to sell the more inane aspects of the plot without you even realizing it, because that's what good actors do. And, yes, this movie is riddled with clichés, but for the most part they are the FUN clichés you want (You mean Terry McCain's use of excessive force is always getting him in trouble? No way!). Amazingly enough, this movie went to the theater! It never would today. Maybe the cast is part of the reason why.But the movie is enjoyable, if not groundbreaking, and, yes, much of the brutality is fairly unwarranted, but this is EXCESSIVE FORCE people! While not nearly as violent as, say, Wardogs (1986), perhaps Griffith felt he went too far and didn't want to be pigeonholed, so the follow-up, Ulterior Motives (1993), is less impactful. 'Motives does not consistently and strongly follow up Excessive Force properly and a lot of steam was taken out of the T.I.G. train. That might explain why he isn't really a household name, even among action movie fans.For a fun beat/shoot 'em up, try Excessive Force.for more insanity, please visit: comeuppancereviews.com

i liked this movie.sure ti's your typical action/crime drama film,but Thomas Ian Griffith makes a pretty credible action star.plus Burt Young was very convincing as a mob boss.there's certainly plenty of action here,but it's not too over the top.i thought the fight scenes were more realistic than in most movies of the genre.Griffith displays some great moves.which suggest he is very skilled in fighting himself,or the fight choreography was very well done.what's refreshing is there are no flashy camera tricks this time around.the movie moves at a good pace,and there are a few twists and turns,which make it more interesting.it is unrealistic at times,of course.Griffith is basically a one man army,against what should be overwhelming odds.other than that this is an entertaining 95 minutes.i give Excessive Force a 7/10

Thomas Ian Griffith (who was introduced to film audiences as the slimy Terry Silver in The Karate Kid part III) wrote, produced and stars in this action flick about Terry McCann, a Chicago cop with a short fuse (and one hell of a kick) who becomes engulfed in an inside plot to steal $3 million in mob money from a crime scene. They don't like that. He now has to unravel the plot before it gets him killed and those he loves around him.I really enjoyed Excessive Force (1993). Griffith is a very likable and watchable action hero. The plot isn't the most original thing going for it but it moves fast and has good energy. An interesting cast was assembled for the film which included genre fave Lance Henrikson, Vader's voice James Earl Jones, Candyman himself Tony Todd, Rocky's brother-in-law Burt Young and the exotic Charlotte Lewis. The cast I think is what saved it from becoming standard action fare.

When I rented this film, I had to keep on looking at the box just to remind myself of the title. Fittingly, the generic title makes sense for this completely unoriginal film. For what it is, the action isn't bad, and there are a surprisingly high number of familiar faces, but the plot is as standard as it gets. Anyone even remotely familiar with this genre should be able to recognize how typical this movie is, and they should be able to spot most of the plot twists a mile away. Much like I had expected, this film is watchable enough, but it wasn't particularly entertaining, and it is entirely forgettable.