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Don't listen to the Hype. It's awful

Absolutely the worst movie.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

6/7/18. This is a sad love story of a lesbian (Kirke), named Joey who falls for a needy woman with kids looking for an emotional and financial connection in every which way she can. Sadly, Joey is willing to give up everything for the woman she loves, but that woman (Wool) does not reciprocate in kind. All she was looking for is someone to support her, be that someone be a man or a woman. In the end, you will feel bad for Joey.

For whatever reason, there is a whole subgenre of "lesbian" films about gay women falling in love with married women/women in relationships with men. This movie is no departure, and ends up being very cliché. The acting is fine, but no character is likable at all. The script makes "Joey" seem wooden, and "Rayna" as flighty and superficial. Have we seen this before? Yes. Does it put a different spin on the old cliché? No, unless you think backwoods Pennsylvania makes things more worthwhile for a love story.The story is set in a small hick town in Pennsylvania, where Rayna is worried about appearances (and can't look gay), yet women seem to give each other bedroom eyes regularly, and every where you go in this movie, there's no shortage of lesbians ready to flirt and get it on after a few quick words. This is supposed to be realistic? It's far from it. Joey and Rayna get together pretty quickly, and as I said, it adds to the unreality of the movie. What is realistic is Joey's youth, idealism, and lack of long term planning, and that complicates things, as well as Rayna's "one-foot-out-the-door" mentality. But ultimately, this movie is hollow and devoid of deeper meaning, and again, falls into similar trappings of many other movies.There's nothing redeeming about this film, and it repeats all of the expected clichés, leaving you feeling irritated and annoyed that you wasted your time on another take on the same theme. This kind of plot is far too overdone in so-called lesbian films....don't we deserve better?

Okay, when I watched this movie THEN saw that it had 100% on Rotten Tomatoes, I thought surely I slipped into an alternate universe...then I realized only 6 people reviewed the movie. I'm going to assume those 6 are either related to the actors/writers OR they have been kept in an underground bunker since birth, devoid of human contact and without concept of language beyond guttural sounds and hand gestures. In a nutshell, this movie sucked at all levels..the acting...the story...the direction...the ending...the dialogue. I could go on. About the only thing that kept my interest was my discomfort with the cleanliness of mobile home and Reyna's unkempt hair. There was nothing "artistic" about this movie, in fact, I've watched people grab their luggage off a baggage carousel with more enthusiasm. BOO!

From the opening shot, AWOL draws you in to its landscape of people, place and passion. Kirke and Wool, working with a backdrop of economic and personal distress, use their characters to paint a picture of the interrelated challenges of life and love. Director Shoval commits to the authenticity of her characters, allowing the story to unfold without compromise.