Watch The Stooge For Free
The Stooge
Bill Miller is an unsuccessful Broadway performer until his handlers convince him to enhance his act with a stooge—Ted Rogers, a guy positioned in the audience to be the butt of Bill's jokes. After Ted begins to steal the show, Bill's girlfriend and his pals advise him to make Ted an equal partner.
Release : | 1952 |
Rating : | 6.7 |
Studio : | Paramount, Wallis-Hazen Inc., |
Crew : | Art Direction, Art Direction, |
Cast : | Dean Martin Jerry Lewis Polly Bergen Marion Marshall Eddie Mayehoff |
Genre : | Drama Comedy Romance |
Watch Trailer
Cast List
Related Movies
Reviews
Touches You
Redundant and unnecessary.
The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.
what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
This was Jerry Lewis' favorite of his Martin and Lewis films. I'm guessing this is because this film had the type of maudlin sentimentality that Jerry would often include in the films he would go on to write, produce, and direct. The story has singer Dean Martin as a singer who during one performance has a hilarious back-and-forth banter with audience member Jerry. The two then scheme to plant Jerry in the audience for future performances to recreate the gag. Jerry becomes the real star of the show, but gets no billing or equal pay, and generally is exploited by Dean, to which Dean's wife, Polly Bergen, eventually confronts him over. It's a pretty lightweight drama and the sappiness works to a point, mostly thanks to Jerry's very sympathetic performance, but this isn't your usual wacky Martin & Lewis outing and the mix of comedy and drama doesn't quite mesh. Still, it is worth watching for fans of the comic duo and for fans of Jerry in particular.
This picture may have been so well placed to the truth and success of the Dean Martin and Jerry Lewis team of the 1950s.To begin with, even though it was made in 1951, Polly Bergen is totally unrecognizable. Her voice was as beautiful as ever but even that seemed different.Dino is the selfish song and dance man who decides to go it alone but soon takes Lewis as his partner to add to the act. Did I say add to the act? Lewis was the act. His zany antics with that childish voice were beyond comprehension and just fabulous.Dean's refusal to give any acknowledgment to Lewis in the act begins to alienate his manager and fan and in a rage, he throws Lewis out only to flat on stage with Lewis coming to the rescue.A film proving that it takes an act to make a success, not necessarily one individual.
Ah man, Martin and Lewis never fail on their act together! Martin is always the beautiful singer and Lewis is always still the goofy one that you would fall in love with too! I loved how he was always attached to his mother, it's just like all of us can't live without our mammy's! Both of them were mighty and romantic! I thought Lewis was never gonna marry 'Frecklehead' after all the daftness that she said she can't marry him due to the fact, she thought Martin's character was using him to grow his own fame and not his! Marion Marshall looked so adorable, she looks like little Bo Peep. I'm glad her and Lewis were finally a couple, she unfortunately had to faint from the kiss haha! I would agree with Lewis on this one, this is the best movie that the pair have ever done in their careers!
Some good comments here on this site already, so I really don't want to go over old ground, it is a portent of sorts, and there is no getting away from the fact that its central themes of narcissism and selfishness are striking a chord with the duo as the film draws to it's marvellous finale.The film was held back for release for two years and it's not hard to see why in the light of the other Martin & Lewis out and out comedy offerings prior to this one. You see this offering is a drama with a comedy heart. Of course it's full of the maniacal moments one has come to expect from this pair, but we are never in any doubt that the core of the film is serious stuff. We are set up a treat by the makers because we are heartily involved with the mirthful nature for the first three parts of the film, and it's this that is the films chief triumph because when the shift in tone occurs: it hits you like a sledgehammer.Maximum impact is gained by a cunning slant masquerading as comedy, and this makes the film, in my opinion, the duo's most poignant and accomplished piece of work, it's certainly not close to being the funniest one has to say, but it's an essential and great piece of entertainment from two very special entertainers. 8/10