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hyped garbage

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

The film never slows down or bores, plunging from one harrowing sequence to the next.

A trifle overlong but involving film firmly guided by Minnelli, one of his best non musical films. Always a master of effective use of Technicolor that trait doesn't fail him here making the full use of various shades to sets the emotional tone of a scene. He makes the whole picture a feast for the eyes, even the swamps look gorgeous and the actors glow with individual beauty. Speaking of the actors, the four principal protagonists give some of the best performances of their careers, in Hamilton's case perhaps his all time best. In their only pairing Mitchum and Eleanor Parker spark off each other making you understand that under the great bitterness that now enfolds them there had to once be a great love at its root to breed so strong an estrangement. Its a pity they never were paired again. The two Georges as Mitchum's sons, one recognized the other illegitimate, make strong impressions which moved both of them forward in the Hollywood of the time. Peppard was the superior actor and has the more complex role in which he finds many layers but Hamilton handles the callow Theron very well, his years as an overly tan, rather oily dilettante has pretty much negated the memory of the promising young actor he once was. A solid entertainment with some elements of soap but really a story of how secrets and arrogance can fester and hurt more than just the people initially involved.

Good movie with acceptable protagonist quartet such as Robert Mitchum , Eleanor Parker , George Hamilton and George Peppard ; all of them playing an enjoyable story with gritty subject matter . It deals with Captain Wade Hunnicutt (veteran Robert Mitchum) , he is a Southern landowner in a Texan town ; he is also a known womanizer who has relations with many of the local ladies , which has turned his spouse Hannah (enjoyable Eleanor Parker) against him . She has brought up their son Theron (a very young George Hamilton) to be dependent upon her ; as he approaches 18 and he reaches adulthood , he then asks his father to teach him to be a man and he is soon fishing and hunting . Wade insists on taking over his upbringing , initiating him in his way of life . But Wade has conflicts with his wife , son and foreman Rafe . Meanwhile , Theron falls in love for the shopkeeper (usual secondary Everett Sloane)'s daughter (Luana Patten ,though Shirley Knight tested for the role of Libby) . However , he has the door slammed in his face by the girl's daddy . Theron is under the watchful eye of Rafe (George Peppard) , Hunnicutt's loyal employee who hides a dark secret to affect whole family . As Theron learns the family secrets, he is upsetting and decides to make his own way in life . It all leads to death , family confrontation , murder and tragedy.This is a pensive examen of a dysfunctional family in ¨Soaper¨ style and it contains emotion , thrills , imaginative sidelights , interesting dialog ; though overlong and sometimes static . It depicts the stormy events take place into a family whose womanizer father , subsequent gossips and other sorrowful happenings lead to fateful as well as tragic deeds . Very good acting by Robert Mitchum as a surly as well as rich father , the wealthiest and most powerful citizen in his town and Eleanor Parker as embittered wife who lives in the same house but are estranged and living separate lives ; however , these roles were first suggested as a vehicle for Bette Davis and Clark Gable . The picture is noteworthy for giving George Hamilton his first big break , plus George Peppard is top-notch as a foreman with good heart . Furthermore , a gorgeous Luana Patten , an attractive actress who being a little girl usually played for Walt Disney Productions , unfortunately , she early died . Fine support cast giving brief but nice acting such as Everett Sloane , Ray Teal , Dub Taylor , Constance Ford , Anne Seymour and Denver Pyle , among others . Colorful and glowing cinematography filmed in Panavision by Milton Krasner . The majority of location filming took place in Oxford, Mississippi, near the University of Mississippi campus and in Clarksville, Texas . Rousing and sensitive original musical score by Bronislau Kaper . This melodrama , typical and brilliant MGM , was well produced by Sol C. Siegel and Edmund Grainger ; being efficiently directed by Vincente Minelli . Vincente was an expert on musicals , being hired by MGM for many years . After working on numerous Mickey Rooney/Judy Garland vehicles , usually directed by Busby Berkeley , Arthur Freed gave him his first directorial assignment on ¨Cabin in the sky¨ (1943), a risky screen project with an all-black cast . This was followed by the ambitious period piece , the classic ¨Meet me in St. Louis¨ (1944) whose star Judy Garland he married in 1945 . Many of his films included in every one of his movies features a dream sequence such as ¨Four horsemen of Apocalypse¨ . Employing first-class MGM technicians , including Erich Von Stroheim , Minnelli continued directing musicals as ¨The band wagon¨ (1953) , ¨Kismet¨, ¨The pirate¨ , ¨ An American in Paris¨ , ¨Brigadoon¨ as well as melodramas as ¨Some came running¨ (1958) , ¨Madame Bovary¨, ¨The sandpiper¨ , The home from the hill¨ and urban comedies like ¨Designing woman¨ (1957), occasionally even working on two films simultaneously . In his last average film titled ¨Nina¨ worked with his daughter Liza Minnelli . Rating ¨The home from the hill¨ : Better than average , it's a good story though sometimes falls plain , well worth watching .

In 1960s Texas, real estate tycoon Robert Mitchum ("Captain" Wade Hunnicutt) is wounded, by the husband of one of his many feminine conquests, during a hunt. Young handy-man George Peppard (as Raphael "Rafe" Copley) comes to Mr. Mitchum's aide. Nobody talks about the fact, but Mr. Peppard is Mitchum's 22-year-old illegitimate offspring. Mitchum employs Peppard, but does not officially recognize him as a son. Mitchum's "legitimate" son and heir is gangly good-looking 17-year-old George Hamilton (as Theron Hunnicutt). Peppard chain-smokes, swings a rifle, and does other manly things. Mitchum beds women.But, young Mr. Hamilton is known as a "mama's boy." He gets his main nurturing from mother Eleanor Parker (as Hannah). Though still sexy, Ms. Parker keeps her bedroom door locked. The film top-bills Mitchum and Parker, but deals mainly with the "coming of age" story concerning Hamilton's character, how it effects others in the cast, and uncovers buried emotions. Described as "wet behind the ears," Hamilton is taught how to hunt "like a man" by brotherly Peppard. Then, he is encouraged to ask pretty Luana Patten (as Elizabeth "Libby" Halstead) out for a date. Hamilton figures out what to do with her on his own...Beautifully adapted by Irving Ravetch and Harriet Frank Jr., from a William Humphrey story, "Home from the Hill" is a surprisingly effective indictment of illegitimacy. Director Vincente Minnelli manages the material exceptionally well, bringing the characters and situations to life; this is absolutely necessary, since the basic story is very often told. Known mostly for his musicals, Mr. Minnelli received award nominations from the "Director's Guild" and "Cannes Film Festival".His theatrically poetic performance won Peppard a "Supporting Actor" award from the "National Board of Review". This group placed the picture at #7 for the year and gave Mitchum a combined "Best Actor" award for "The Sundowners" and "Home from the Hill". Peppard was also nominated by the British Academy and "Film Daily" in supporting and newcomer categories. The later noted Ms. Patten in the juvenile category, but "The New York Film Critics" polled her at #8 as "Best Actress".In the critics' mind, Hamilton seemed to be playing second fiddle to Peppard, but he had just received similar accolades, for "Crime & Punishment, USA" (1959). Hamilton makes you believe he is the naive teenager he is playing. Watch Hamilton in the scene he plays with mother Parker, after several hours on a picnic with girlfriend Patten. From the moment he walks in the door, Hamilton leave you with no doubt about what the couple has been doing. Now, that's "method" acting.******** Home from the Hill (3/3/60) Vincente Minnelli ~ George Hamilton, Robert Mitchum, George Peppard, Eleanor Parker

Just before the counterculture emerged and the anti-hero took hold, Hollywood was still trying to make grand, sweeping, star-studded epics. From this period in the in the very early sixties arose "Home from the Hill." An entertaining and quite engrossing film (even at its almost three hour running time) that just misses being an epic by a smidge.Even though Robert Mitchum gets top billing, it is the "Georges" (Peppard and Hamilton) that get the screen time and it is nice to see both shine. Peppard is great, reminding one of a young Steve McQueen, and shows the promise he possessed prior to falling into schlock films like "The Blue Max" and retreating into the small screen. Hamilton is a revelation. He also shows good acting chops and makes one wonder how he became such a media caricature of himself. Mitchum, well, is Mitchum. Nothing wrong with that, but at times it seems as if he's just going through the motions. Eleanor Parker holds her own, but the women in this film are just window dressing as this movie is really boys about becoming a men.For a man who directed his share of musicals, Vincente Minnelli's direction is a bit static and his staging is at times quite awkward. For instance, the scene where the household discovers Mitchum's character has been shot takes place in the corner of the room, behind a chair. The odd camera angle is from the other side of the room and except for a small push-in, there is no camera movement. Details and character reactions cannot be discerned, the scene just cries out for a close-up of or some type of cut. Perhaps Minnelli just wanted the audience to focus on the seriousness of the entire scene. Or Perhaps growing up with the quick edits of the MTV Generation, I'm expecting too much, probably both.At times the story and the acting can be a bit mawkish, but that was the era. This is still a grand, old, sweeping Hollywood film, a BIG FILM, like they used to make, almost an epic. Going into it with that state of mind you will find yourself immersed in the film and the characters and nearly three hours will have passed before you know it.