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Very very predictable, including the post credit scene !!!

the audience applauded

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

A wealthy family gathers for a final summer weekend at their beautiful stone home on Lake Tahoe. Mom (played with her patented elegant glow by Patricia Clarkson) and Dad have decided to sell. Things are not boding well for this family gathering. One son has been fired from his job with a financial firm over an expensive clerical error. He arrives in a bad mood and everyone puts up with his insufferable, whiny behavior. The other son, who is gay and works in the film industry, has brought a friend with whom he is forming an attachment that doesn't quite feel like a relationship, and invited a female movie star friend. He is simply embarrassed by his mother's shallow, acquisitive behavior (at one point, Mama plunks down a considerable amount of money on artsy farmer's market things). Nobody is connecting in this family. Mom is a snob. Dad is remote. The kids bicker and look awkward. Throughout the first two-thirds of the film, I wanted to strangle Mom and the kids. But the skill of the actors are what keeps you watching. When there is some sort of sea change in the family, they become a little more likable. But I'm never quite sure why. At the end of the weekend, the son doesn't tell his mother about his work woes, and she doesn't tell either son that she's planning to sell their beloved summer home (though there is some doubt that this will actually happen). I suppose the family games will continue. This is a very well-made film with a strong cast, goo direction, excellent sets, good camera work. Did we need to have the trio from Mozart's COSI FAN TUTTE yet again (this has to be the fourth time I've heard it used on a soundtrack). The film's faults can be directed at a very weak screenplay. I'm not looking for a tidy denouement, but I do rather insist that things make at least a little sense.

Drab, boring, pointless, and ever so long (and it's only 93 minutes). Did they not give Patricia Richardson a script before the shoot? This is a movie about a family and some friends gathering together over a holiday weekend at the family "cabin" in Lake Tahoe. There seems, however, to be no plot--or if there is one, it is disjointed, lumbering, and completely inane. Dialogue doesn't appear to be prepared in advance and is s...l...o...w. Character interactions have no focus. There are no cohesive conversations -- every word begets conflict. If they are trying to irritate us into oblivion, then this movie is a success. Otherwise, it is anything but.

Don't miss the stellar Patricia Clarkson and a simply wonderful cast in the satisfying comedy LAST WEEKEND. It made me feel at home (and a bit homesick as well). Everybody can relate to this movie. All families are rich in character and navigating a family get together always leads to something unexpected.Tom Dolby and Tom Williams are a picture perfect team. They expertly displayed their innate ability to capture the essence and complications of family and crisis. I highly recommend this movie, it is a job well done.

I saw this film at the KCET screening in Santa Monica and loved it. Too few films explore the intimate lives of women at all, not to mention women's lives after their children have flown the nest. The strong performances, nuanced story and beautiful scenery make for a powerful film.Patricia Clarkson (Celia) is a mother on the brink, struggling with the realization that her two sons are no longer children. Her sons have become adults, and Celia's own transition begins. Patricia Clarkson does a pitch perfect job in playing a character who can be abrasive, unsympathetic (and quite funny), but by the end, a transformation takes place, one that humanizes all involved.As a woman who is NOT rich, my material life may be far from spending summers at Lake Tahoe, but all the material wealth in the world can't buy peace of mind for Celia. To focus on Celia's financial privilege misses the point - the film explores more nuanced questions about what we want out of our lives, and how to navigate changing times and identities - something all mothers can relate to as their children grow older. What I most appreciate is how the movie explores life after children without fear of being too critical or sentimental of either the mother or the children concerned. Real life is not so sanitized, so cookie cutter. The film uses humor to expose some of the darker sides, but eventually finds emotional transformation and cathartic release.Celia's two sons & their assorted friends and significant others, the family's neighbors and other Lake Tahoe relations come together in a beautifully-directed ensemble. Even the lake itself, steady and calm while emotions rage around it - becomes a character whose texture imprints on the whole. Judith Light appears for a few side-splitting scenes, leaving a strong impression as Celia's next-door neighbor & frienemy. To see these two veteran actresses in the height of their talents is a rare delight. How do we navigate through life's inevitable - and not always welcome - transitions? Can we let go of the illusion of control? Can we find peace - and even the ability to laugh at ourselves? Ultimately, Last Weekend provides a moving answer to these questions