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There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

An old-fashioned movie made with new-fashioned finesse.

loved this film but the end came too all of a sudden.surely darcy's guys would have helped him more after the beating he gave tim's dad and disappeared. love the guys and how they all gelled after being enemies. it being shot in black and white added to the sense of a drab dreary existence experienced by these lads. bob hoskins is terrific. the realism of the club's first match, in that they lost their fights and even showed obvious distress was a refreshing change from the Hollywood idea that they would overcome all and succeed first time out. it shows, as in Fagash's case that you can't go from comatose druggy to champion boxer in 24 hours. i would watch it again and again. great actors acting greatly. shane meadows is a genius. every single one of his films are infinitely watchable.

After the short 'Where's The Money, Ronnie?' and the not-so-short 'Small Time', Lord Shane Meadows of Eldon's first feature film is this snappy black-and-white urban drama. Darcy (Bob Hoskins) is sick of seeing the local youths at each other's throats, so forms a boxing club to bring them together. It is a laudable plan; something to offer control and direction to a disaffected generation.Meadows' greatest talent is in presenting a truthful working class landscape sympathetically, but without being patronising. Our heroes are disadvantaged, often stricken by a fearsome domestic environment (none more so than Danny Nussbaum's Tim); and yet they are also kind, witty, hungry, and joyful. The scenes in which Darcy brings the boys to Wales, with Ashley Rowe's sumptuous cinematography and Hoskin's lyrical voice-over, are so vibrant it's as if they're filmed in colour. It's quite something to find drama in scenes of great happiness, when the conflict is left at home - but Meadows always seems to find it, and that's what makes his films vital and real.

In 80's England where the unemployment rate is just as high as its crime levels, Alan Darcy (Bob Hoskins) decides to help the local lads by setting up a boxing club that will focus their anger and energies in the right direction. With the financial assistance of local crook Ronnie Marsh, Darcy soon finds he is getting results until a devastating incident destroys what he has built up. As with all Meadows films, this is another fine character driven film, that plays with your heart strings, while not pulling its punches in the violence department, its full of golden moments and is extremely entertaining. Its full of backstory and character exposition and is required viewing from the best director in Britain today.

If you enjoy Bob Hoskins, you'll probably find sitting through Twenty Four Seven a worthwhile experience as I did.The film isn't particularly memorable, however. It has little in it you have not seen before. There are a couple of brief moments which I found quite wonderful. But not enough to strongly recommend the film. My favorite is when Hoskins who has a crush on a young woman, sees her hand print on a counter and presses his own hand print on top of it. That I liked a lot. Unfortunately his obvious infatuation of the young lady never leads anywhere (which may be the point of course), but it's so subtle and so unrealized it barely registers. But there is that moment.It takes a long time to get involved in the film. It concerns some poor working class youths in a nowhere town in England. Everyone there seems pretty miserable. Hoskins decides to revitalize the boxing club that kept him out of trouble when he was growing up and recruits several of the town's youths half of whom are quite reluctant. When the rich father of an out of shape kid puts a little money behind the project, some additional interest in the club leads to some publicity and a match with another town's boxing club. This does not go off very well at all. That's it. There are a few well directed scenes showing the relationships of a lad to his bully father. But because we don't care very much about any of the characters in the film the impact is dulled.I can't praise the direction too highly because there are sequences that play like working class mtv videos. They would have worked at about one minute, but are allowed to continue for as long as the song lasts. The one to Van Morrisson works okay. but at nearly four minutes is too long. The others only hold together for brief amount of time before they get old. The music has more life than the images and narrative of the film and reminds us how lifeless the film really is.Still, Hoskins is at times brilliant. His talent and presence is almost enough to sustain the entire film.