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This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

This is a must-see and one of the best documentaries - and films - of this year.

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

"I'll be the same man when this is over," claims Owen (Arthur Kennedy), Lorne's side-kick in "Day of the Evil Gun". Uh, not quite. Owen is learning to kill, quite efficiently, and maybe Lorne (Glenn Ford) ought not to turn his back on him. It's a marriage of convenience between the two men. Both are on a quest to rescue Lorne's wife and daughters from a band of Apaches and Owen, due to ex-gunfighter Lorne's long absence from the homestead, figures he has dibs on the wife. Along the way they get into several adventures involving a grungy town without pity, Apaches (a highway robbery chase sequence is a hoot), Mexican riff-raff and a group of self-described blue-coat "renegades" (has a more heroic ring than "deserters")."Day of the Evil Gun" is a laconic western that aims just high enough and succeeds entirely. Technically it does much with little and uses the landscape and backdrops to maximum effect, employing imaginative camera angles to describe the action. One reviewer has described the direction (by Jerry Thorpe) as "laid-back" - that doesn't mean "lazy", however. I would use the word "measured". Good widescreen photography and an evocative, but sparse, musical score make the movie seem more expensive than it likely is. Then, too, the movie is buoyed by the presence of Glenn Ford, late in his career, adding conviction to the story, while not too sluggish in the action scenes; also, the ever-welcome, somewhat bedevilled Arthur Kennedy; and Dean Jagger in a delightful cameo as a crazy trinket salesman (crazy like a fox).I doubt that B-western writer Charles Marquis William pays much attention to historical reality. "Day of the Evil Gun" isn't Peckinpah or Leone, and It isn't bristling with "meaning", but all things being equal, it deserves to be seen and enjoyed. And referencing its title the movie is book-ended by two scenes that are practically the same, but different in a suitably ironic way. One question. To what extent does the 31 buck shopkeep debt trigger the outcome?

I used to enjoy Westerns. Now I wonder. This one has a good: cast, color scenery, and production values. The last few minutes were well done. But as a whole it moved way too slowly.I am writing this review to draw attention to the typical way adventure movies --and this one in particular-- have such ridiculous and improbable action scenes. I was really charged with disgust at the way the two men rescued the wife and two kids from the Indian camp at the end of the movie. Everything fell so improbably into place for them. Using ropes they somehow silently scale an escarpment in daylight out of sight and hearing by the Indian guards. They sneak up and kill a guard. They are in a perfect place to spy on the Indian village, including the convenient placement of the wife and kids tied to outdoor poles. The two men scale down the escarpment in plain sight of Indians below, who don't notice them. Conveniently the three captives are in a perfect position to be rescued -- at the edge of the Indian camp (so the two men can sneak up behind them to untie them) and right next to the horse corral (so Glen Ford can stampede the horses so the Indians can't pursue) and near the ammunition wagon and an oil lantern (so Glen can blow it up) and an empty horse-driven wagon (so Arthur Kennedy can drive the family away). Oh, and the Indians were conveniently burying their dead at the time, so Glen and Arthur would have less interference! Even with all this, the Indians should have recouped and caught up to the wagon in the badlands far from a white settlement. The only thing missing from this derring-do is for Glen to have flicked a cigarette behind him to start a sagebrush fire to thwart the pursuing Indians!

It is not credited as such but this is essentially a retread of The Searchers ,and the two movies share a common plot -the hunt for relatives stolen by Indians Glenn Ford plays a noted gunman trying to turn his back on his former violent profession and who joins his neighbour ,Arthur Kennedy ,in the hunt for Kennedy's wife and two children who have been taken by Apaches.Complicating the matter is the fact that both men are in love with the woman in question. They are helped in their quest by a demented Indian trader -played by Dean Jagger in a way that seems to be a conscious tip of the hat to Hank Worden's performance in a similar role in The Searchers .The mission proves a fraught one -they are tortured by bandits ,encounter renegades and endure Indian raids en route to finding the people they seek The men undergo personality changes as the trek unfolds ,with the previously peaceable Kennedy displaying a new found relish for the killing fields and events build to a personal confrontation between the two men Performances are superlative ,the script by Charles Marquis Warren and Eric Bercovi is pointed and candid .Jerry Thorpe directs capably if somewhat anonymously This was designed for TV but wisely was given a cinema release .I urge all western lovers to see it

I've tried not to make give any real key spoilers but there are some mild spoilers. "Captivating" tale of two men on a long, difficult, quest into hot Western desert to find out if "their" wife and children are still alive. Each is "married" to the same woman and neither appreciates the other's company. They each desperately want to track down the brutal Apache band that captured their family by questioning persons they meet. Along the the way they encounter a not-so-crazy trader who knows much more than he lets on, Mexican bandits who wheel and deal, soldiers playing a high risk game with the Apache, a cholera epidemic, and the pair of husbands are nearly killed several times. Nearly every one they talk to lies to them ,pretends to be something that they are not, or says one thing and does another. Warfield, who has become cynical in his years of gunfighting, brilliantly sees through the motives of people and often finds sly ways to turn the tables on them. His partner starts out being a peace loving gentleman gradually becomes more and more blood-thirsty as every episode shakes his faith in mankind. Some noteworthy quotes are "Noble says as Noble does" said by the trader. "Don't talk to me, I'm busy killin' people" said by the Doctor who is helplessly fighting the the cholera epidemic by burning down half the town. The first-rate cinematography of the desert and the high shots of towns and Indian-soldier battle scenes make for great viewing. The eventually reach the Apache camp (or should it be the Churacawa?, ha ha) where another clever fight ensues. Ironically, when they get back home, a brief remark about a dress ignites the final surprise twist to end the movie. I give it 7 Apache pelts out of a possible ten pelts.