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I love this movie so much

You won't be disappointed!

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

One of the worst ways to make a cult movie is to set out to make a cult movie.

This small-budget independent film requires multiple views, because the plot seems different with every watch. At first, the film seems like a middle-aged author- professor's sexual fantasy - living in an apartment with two 19-year-old attractive female students who are open to all experiences (drugs, casual sex etc.). Then, on second thought, the film proves to be intellectually stimulating for it provides the watchers not merely a man's schoolgirl fantasy, but it provides some free-of-charge very accurate and very helpful tips on creative fiction writing and novel writing - the kind you pick up in writing classes. After watching it a couple of times, the film grows on you in terms of plot presentation technique and character development, and you accept the gratuitous writing advice wrapped up in a man's one-week sexual odyssey. What's even more clever about this film's scenario is the fact that Richard (Campbell Scott) ends up in his ultimate fantasy without him actually provoking it per se. He merely accepts the invitation of crashing on a couch, without sending off signals about being sexually attracted to the female students, and yet, they are the ones who pursue him and make a pass at him. Thus, the film implies Richard's sexual quest to be Kristen's and Jacqueline's choice, not his. He merely plays along on the 'song' chosen by the two young women. His advances towards another female character at the beginning of the film proving unsuccessful, he ceases to emanate availability, but things actually turn in his favour without his deliberate efforts. Campbell Scott acts marvellously in the role of egocentric author and occasional writing professor Richard McMurray, and he adds the right amount of seduction, humour and quirkiness to the character. He might, as well, have told Diane: ''I was there, just minding my own writing, when these two started sleeping with me.'' The comedy of the situation is nicely dealt with by a cool and self-controlled Campbell Scott who, apart from occasional mishaps, always says the right things and the right double-meaning advice at the right time, without ever turning into an old perv who gets what he wants out of every situation.

Crashing has to be one of the best movies ever made about writing. Not about being a writer, but about the act and even compulsion of writing itself. It wraps you up in the creative process and drenches you in the inspiration and perspiration of success. Anchored by the slyly ingratiating performance of Campbell Scott, this is a gossamer delight.Richard McMurray (Campbell Scott) is a writer. As he was entering middle age, he wrote a commercial and critical smash hit called "The Trouble With Dick". Now about to leave middle age, Richard has been struggling with his second book for years. It's not that he's blocked and can't write, it's that every word he puts on the page sucks. Richard might have stewed in his stagnant juices forever but his Hollywood actress locks him out of their Malibu home, something he assumes is her way of asking for a divorce.Seemingly unfazed by it all, Richard walks away with nothing but a suitcase. The unfinished second novel remains behind on the computer in his now former home. He goes directly to keep a promise to speak to a college writing class taught by his old flame Diane (Alex Kingston), where Richard promptly spills his guts to the students about being tossed out with no where to sleep that night. A beautiful young student named Kristen (Izabella Miko) offers to let Richard crash on the couch in the apartment she shares with her roommate Jacqueline (Lizzy Caplan). As a lark, Richard accepts their offer. Once he's ensconced on their living room couch, though, something happens. Richard watches the girls, he looks at the evidence of their lives, and his smothered creative spark starts to smolder again. He asks the girls if he can stay and they agree, as long as Richard helps them with their own writing. What follows that is a marvelous, smart and funny weave of the girls' stories brought to life, Richard's life in the girls apartment and Richard's version of the girls and his life in their apartment that he's writing down on a yellow legal pad.This charming mix of fantasy, reality and fantasy modeled after reality is held together by Scott's exquisitely subdued and detached acting. He presents us with a writer who's a bit different than what we usually encounter in fiction. He's committed but not tormented by writing. Richard has given himself over so completely to his art that almost everything he thinks and feels is in service to it. He's not filled with self-pity or self-loathing or anger or frustration, just a quiet determination to get the word right. Richard takes everything that exists between him and the girls and focuses it not on them or himself but on the writing. Richard McMurray is a guy who writes because he can't do anything else and doesn't want to.This film is also a great introduction to the craft of storytelling. First in the way Richard critiques the girls' writing, identifying the fundamental issues within and pushing them to improve, and then in the way we see Richard writing the story of his time with the girls, imagining it one way and then the other, always looking for the best and truest fiction he can conjure. If you've ever tried to be or thought about being a writer, watching Crashing will make you want to pick up the pen or sit down at the keyboard and try again.Now, the whole mixing of real and pretend and the pretend version of what's real gets slightly precious toward the end of the movie, but it ends before it gets that bad. And this is not a film with a lot of plot or big emotional scenes. What Crashing does is take you into the life of another person and make you understand why he lives that way, while simultaneously giving you a taste of the trial and challenge a writer faces trying to create new worlds out of thin air. I had a really good time watching this movie and I think a lot of other people would too.

Writer seeks inspiration in apartment of 2 college girls. You know the synopsis, or at least you think you do.Well get ready for some surprises. Crashing follows the minds and imaginations of Richard, Kristin and Jacqueline as they create reality together. Or do they? Through their writing, the scenes of Crashing unfold in a series of parallel stories, intertwined, and interdependent. Crashing unfolds with multiple threads and explores alternate possibilities. It's almost as if the movie is being written as you are watching it...This movie is perfection to me. As a writer I saw myself in every scene. Thinking my way through situations. Imagining various outcomes. Creating characters and embellishing. ...Some would call it enhancing reality.If you are a creative person, and especially if you are a writer, you will appreciate and love this movie. The slow, melodic music winds its way through the movie, carrying you along. Crashing is even better than the French erotic movie, The Swimming Pool, with a similar premise.

This film is nothing less than a master-class in writing fiction. I quite understand the previous commentator's negative review; and I can see that this film will appeal to a very limited audience. If you have any interest at all in the craft of writing, particularly in the struggle to represent the human condition in words, then this is definitely the film for you. If not, it isn't. I would like to leave the review there, nothing further needs to be said. However, reviews must be at least 10 lines so I'll simply point this out: film-makers with the courage to tackle specialised subjects that will not appeal to mainstream audiences must be supported if we are to avoid CGI mediocrity. Give this superbly acted gem a chance!