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Fantastic!

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

A story that's too fascinating to pass by...

This movie begins immediately with scenes, however unclear to young viewers, of an eight year-old girl being neglected by her mother (who's so young it's first not clear if she's her older sister) e.g. she's mistakenly locked in a van; she's alone in the apartment overnight. The next scenes with her make it clear to most viewers over the age of 5 that something's wrong here: her mother never picks her up after school. Then she sits by a pay phone on a bus stop all day waiting for a promised outing from her mother, who never shows.The scenes between Elsa and Julien contain more than one occurrence of "merde" which is clearly translated in the subtitles.There is also a fairly frank discussion of the fact that Elsa was born only because it was too late for her teenage mother to have an abortion.This might all go over the heads of some children; others will want to ask questions, so parents should be prepared that it's not necessarily perfect viewing for the entire family.

Le Papillon is an endearing movie that tugs at your heart as it entertains as well. It is good to see a movie that is not the normal mindless Hollywood dribble. If you walk away not feeling touched in some way by this movie, then you need to go to the wizard and get a heart. Maybe the symbolism is simple (i.e., the caterpillar becomes a butterfly scenario), but it still resonates and is an important lesson from which we all can and should benefit. Maybe we should all be like the characters in this film who start out flawed, yet find a greater sense of self, worth, and duty.Do yourself a favor: go buy this movie. I promise you will not be disappointed.

This movie features exceptional acting (particularly by the adorable little girl), good writing and does not degenerate to saccharine. Unlike some family films, what occurs in the movie is NOT straight by the numbers, predictable and completely wrapped up in the end--a definite plus for me!The story is about a cranky old butterfly collector who is pulled into (against his will) the world of a very lonely child. The script says she is 9 years-old, though she appears younger. Usually, I hate child actors/actresses. They often seem to "play the role of a kid" instead of behaving believably. This child, though unusual, seems like a REAL child and her dialog was written by someone who has actually been around kids. What a concept!This movie is good for all ages. Guys will also like it because although it is a sensitive film, it is not a tear-jerker or a "chick flick"--it's just a nice film written about real people. Hollywood would greatly benefit by learning from this movie's example.By the way, DON'T turn off the film when the final credits start to roll. Watch and listen--it's an adorable way to end a wonderful film.

The premise of an old man/woman lumbered with a young child of invariably the opposite sex is a time-honored plot in both literature and movies. Damon Runyon's 'Little Miss Marker', for instance made it from short story to screen at least twice, three times if you count the Tony Curtis '40 Pounds Of Trouble' entry. So ideally we need to apply a little spin to the genre and that's what we have here, a Gallic souffle pitting Michel Serrault's solitary specialist against the neglected child from the one-parent family. Helmer Muyl artfully turns this into a quest movie; all his life Serrault has been searching for the rare 'Isabella' butterfly which only breeds for 30 seconds every other Fall. As luck would have it - or not, as the case may be - just as he sets out for an extended trip to nail the sucker once and for all he finds stowaway Elsa (with her often-absentee mother she has moved into Serrault's apartment building and already caused havoc by opening the hot-house door against his specific instructions, thereby releasing several species into the wild). There's nowhere really new to go with a story like this so that the best we can hope for is to be charmed along the way - and, in this case, get some spectacular scenery thrown in - and that we get, in spades. At his age Serrault should know better than to go up against Cute on wheels but incredibly he holds his own and the result is Feelgood squared. If there is a minor beef it is that not enough was made of Elsa's wandering away, falling down a well obliging Serrault to involve the police and face charges of kidnap if not worse. With barely any explanation he is freed and befriends Elsa's mother before settling down to teach Elsa how life goes in cycles via the hatching of the specimens they caught. Cynics may balk at the Bluebird of Happiness reference when Serrault learns that a specimen sent to him at the outset is, in fact, the elusive Isabella, i.e. the thing he was looking for was right there under his nose all the time if only he'd known it. These cavils apart the film is a joy as well as a welcome antidote to the Texas Chainsaws of this world. Highly recommended.