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The Worst Film Ever

Dreadfully Boring

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Worth seeing just to witness how winsome it is.

I was up late one night watching Sci-Fi and I stumbled upon this flick. I recommend it if you want to see some wild make up ideas and a bit of...fantasy, mostly involving anatomy. i.e. someone ripping your heart out and it miraculously being back in your chest. How's that possible? Go watch the movie and hopefully you won't be disappointed. I do however believe that it probably could of been put together better but that's not necessarily my judging. It's something that will make you think if you believe in such things of the sort, heaven and hell most of all. But then again, isn't anything possible? It's all a matter of faith and being naive enough to see a demon chasing you. I'd watch it again, out of pure boredom most likely.

Kind of a cross between Constantine/Hellblazer and Neil Gaiman's Neverwhere. A decent take on the urban mysticism sub-genre of horror. The acting is all pretty decent, especially for low budget, with the notable exception of the actor who plays his friend with way too much b-movie gusto.The film definitely has an urban New Zealand vibe, and while not as over-the-top as the works of Peter Jackson, it certainly has a quirkiness that wouldn't be seen in a major studio release.I also appreciate that the film isn't dumbed down for mass consumption. There's a couple of cases of the main character vocalizing an idea the viewer should have just realized, but these aren't terribly forced nor obnoxious. Urban's portrayal of a man forced to accept or deny a reality he doesn't believe in makes it work.Overall, the movie suffers from too much drag as they try to spook us, but there are a few interesting twists and turns here and there. Worth a look, especially for fans of Karl Urban, who really lets his accent show.

I surely can appreciate a bloodless/violent less horror film as The Ring, The Eye, Pulse (the Oriental originals) or The Six Sense, but to be frank, the best examples (and the most remembered classics) are the violent blood feast like Dead or Alive (Jackson), Phantasm (Cascarelli), Exorcist, Evil Dead (1 and 2), later made Oriental with Evil Dead Trap or the legendaries GIALLOS of the 70s and 80s.Those classics, accumulate blood and body parts, dark aisles, knives and other penetrating objects, violence and sex. The most common elements, was the dark and quite relieving humor involved (often product of their own excess).The Irrefutable Truth about Demons match that class B style with a class D budget never used better.The story is more complex and ambiguous than it seems. An anthropologist doctor, whose brother committed suicide after being involved with a Satanic cult, receive a threatening video and later is kidnapped by cult members and attacked by DEMONS. He managed to escape, but his closest friends are killed. A mysterious girl came to his aide, but he refuses to accept her explanations. There is a twist; the guy is also a depressive drug addict. His fuzzy touch with reality make him (and us) doubt about what happening is real or just one of his trips.During the one night everything happens; the suspense is kept to the max, using decent special efects, excellent use of sounds and background voices, moving shadows and cockroaches (and other insects). Even when the blood is not so much, one scene involving those disgusting insects will probably upset you. Particularly, when you realize that NO SPECIAL EFFECTS WERE INVOLVED.The end of the movie is not on par with the rest, but there is a final unexpected twist.A highly recommendable movie that never made an American release but is far, far better than almost every horror flick last year.

There was something about the movie that made me think it was Australian. Actually, I had a feeling it was New Zealand - but I didn't want to think that something this unexciting could drag itself onto television, let alone a video that is a New Zealand production. Congratulations are in order for the film crew; just as I was warming up to interesting films like Stickmen, you drain all my hopes of New Zealand ranking highly in the movie industry with well-made cinematic experiences.I watched this movie without any interest in it at all and was the only one in the room with my friends completely unphased from what I was seeing. Altogether I found it rather beaten to death with predictability (well, apart from the last five minutes) and bitch-slapped with a few well-exercised cliche's.Personally, I found it boring but then again, it could be just me.