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Very very predictable, including the post credit scene !!!

For all the hype it got I was expecting a lot more!

Admirable film.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

Tall Target (1951)The simple idea of Anthony Mann approaching a crime movie about Abraham Lincoln made me seek this out. And it's great stuff, filmed with the lively, dramatic black and white of the time. And in a weird quirk, the leading man (played by Dick Powell) is named John Kennedy. Mann was just beginning his legendary set of eight Westerns with James Stewart.While not a bit a film noir officially, this is coming from that era, and has the dark, ominous feel of a good noir. Powell (a noir staple) plays a detective with a somewhat modern air (not 1861, when is when the film is set), and he some of that man alone against the world quality. And then, on top of it, this is a "train movie," one of that unnamed genre of films that is primarily or entirely set on a train, up and down the length in various ways (what one character with a drink in his hand calls "the longest bar in the world, New York to Baltimore").This one starts beautifully at night, and there is some terrific stuff just to look at, as the lights against the night sky are stark and the shadows heavy. The smoke and steam billows gray into the black sky. The plot, proceeding, is remarkably visual, too, with Powell looking for clues as things start to look increasingly ominous. There are some great side characters here, including Ruby Dee in her young elegance and strength. And then there are some side actors who play their caricatures a little too hard (like the train conductor, briefly, but several times). The cloak and dagger plot is fairly linear—the story is based on fact loosely, so there might not have been total freedom. But I'm not sure how many times on one train ride Mr. John Kennedy can get himself into a total lethal trap and then fight, trick, or luck his way out of it. But that's part of the fun of it, I suppose.And there is enough other stuff going on here to make it really interesting and beautiful. A surprise for me.

Although the film is a work of fiction, The Tall Target is based in part on an actual incident that involved an attempt to assassinate President- elect Abraham Lincoln on his way to Washington to assume the presidency in early 1861. A planned stop in Baltimore was canceled and Lincoln was spirited into Washington in the wee small hours of the morning with no kind of fanfare or publicity, as he put it, 'like a thief in the night'.Anthony Mann directed this 19th century noir type film starring Dick Powell as a New York police sergeant who gets wind of a plot to murder Lincoln in Baltimore. After he confides his suspicions to colleague Regis Toomey, Toomey winds up dead and Powell's more convinced than ever of the rightness of his belief. He boards the train that Lincoln is scheduled to board in Baltimore on to warn him, but Powell's got a lot of people on that train ready to do him in and he doesn't know who to trust.The Tall Target is very similar to Mann's other classic Winchester 73 in the tautness of the direction and script. There isn't one wasted frame of film in The Tall Target and the suspense is kept throughout, even though history tells us Lincoln dodged a bullet that day. Mann assembled a very strong supporting cast for Powell that includes Adolphe Menjou as a militia colonel called to the colors, Leif Erickson as a Bowery tough, Will Geer as an officious conductor, Marshall Thompson as a southern hothead and resigned West Point cadet and his sister Paula Raymond.Best performance in the film though is that of young Ruby Dee who plays a slave to Thompson and Raymond traveling with them. She proves to be the only real friend Powell has on the train. It's a quiet understated performance of dignity and strength.By the way in case any of you are wondering why she doesn't just run away and claim her freedom, a couple of things stops her. The Dred Scott decision for one which obliterated the Missouri Compromise of 1820 with the northern free and southerns slave states and the new Fugitive Slave Law from the 1850 Compromise. However Dee knows that freedom is coming her way and soon.The Tall Target is one excellent film, one of the best from Dick Powell when he decided to stop making musicals. Catch it absolutely.

Having collected an off-air recording of this film I now make sure to watch it at least once per year. Why? It's almost perfect.A New York police detective stumbles upon a plot to kill President elect Abraham Lincoln en route to Washington for his inauguration. The plotters plan for multiple gunmen to assassinate Abe whilst he is speechifying in Baltimore.Having failed to convince his superiors that the plot is real, the cop hands in his badge and takes "The Flyer" - an overnight train from New York to Baltimore. The bulk of the film concerns his efforts to find out more details of the plot, and figure out which of his fellow passengers are part of it. Having done so, he must stop them from bumping him off or getting him locked up until it's all over. It's a great plot, extrapolated to some unknown degree, from real events.For me, the film has a quality that should put it right up there with other film noir classics such as "The Big Sleep". You actually feel the cop's physical desperation that he must stop the conspirators, and you feel their fanaticism to succeed. Dick Powell as the cop (Ironically called John Kennedy) carries the film superbly. Will Geer (he eventually played the Grandfather in "The Waltons") is completely believable as the harassed train conductor. The more minor characters (such as the driver/engineer and some of the non-principal passengers) are given depth and motivation to a degree that is quite unusual.The settings feel like a train, rather than a set being rocked gently by a set of burly teamsters. The external train shots are mostly real, not the usual laughable model shots you get in many train films of this vintage. In fact, overall, the technical competence of the whole production is top notch. The photography, lighting, sound, visual effects and sets are of a very high calibre indeed.Even if you are not usually given to watching movies as old as this one, I urge you to track this one down - it's well worthwhile.Alan T.

Above average thriller about an assassination plot on President-elect Lincoln in 1861. By the end of the film, you will ask where the good guys 4 years later when they were again needed?Dick Powell plays agent John Kennedy who uncovers the plot. The problem is that it's a hard sell to his fellow agents. Adolph Menjou plays a lieutenant who is up to no good but it's hard to finger him in the plot.One really good thing about this film is that after a while, you can't distinguish the good guys from the bad ones.Marshall Thompson plays a southerner and his slave is a very young Ruby Dee. Miss Dee displays lots of guts and emotion here.The usually reliable Florence Bates is up to par as an abolitionist rider on the train as well.Interesting but predictable since we all know our history.