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Sadly Over-hyped

An Exercise In Nonsense

Simple and well acted, it has tension enough to knot the stomach.

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

Sadly, not in a good way. It is entirely a drama, maybe, just maybe 2 or 3 horror elements thrown in there so it can cover a wider range of genres, but overall the movie is a flop.If you are heavily into adult movies and horror, you will be disappointed. If you're a horror die fan, you'll be annoyed. And if you just want to watch something for 18 years+, you can do better! It's more of a torture porn production, with a lot of self inflicted wounds and a decent plot, surely enough, but far from being my coup of tea. My personal vote is 4. I won't ruin it for others, but I kinda do fail seeing how this can be appreciated. Cheers!

Taken a very wild and alarmingly disrespectful interpretation of Sheridan Le Fanu's "Carmilla" this horrible movie takes a turn for the worst of the worst. Out of all the interpretations this one has gone where no adaptation has gone before, it has stomped and spitted all over the original story.A southern tale of religion, lesbianism, self-cutting, discrimination, cold blood murder, it has NOTHING to do with the Vampire novella it was supposed based upon.But it goes to great lengths to trick you it does, like keeping the names Laura and Carmilla, even the Karstein last name, which apparently to these amateurs is enough to say "based upon"... no, it's not.This waste of tape goes thru so many genres like crime, suspense, horror, romance, semi-vampire story... it jut can't find its place where it wants to belong.It doesn't have any suspense at all, all the plot twists are obvious from the first minute, it was filmed, written and produced by amateurs and provocateurs that think audiences are so stupid to praise a movie just because it has an explicit sexual scene, they might have thought that raising the bar on the nudity would make people forget the garbage they just watched... well, it did not.The plot is all over, the characters are badly written, horribly acted, the story doesn't even resemble "Carmilla" at all. One thing is to make a modern adaptation of the source material and another very different thing is to insult it and spit all over it.As if the filmmakers have sat down and said "What is the worst possible insult we deliver to Carmilla and the fans of the novel?" And they came up with such an abomination.This "movie" has no redeeming qualities, waste of time, waste of tape.Please do not watch this filth, friends don't let friends watch "The Unwanted"

In this Southern Gothic retelling of Sheridan Le Fanu's vampire story 'Carmilla,' a young drifter (Christen Orr) arrives in a rural town seeking the whereabouts of the mother she never knew. When she becomes sexually involved with an emotionally fragile waitress (Hannah Fierman), she exposes the secret of her mother's disappearance and incites the wrath of the girl's overprotective father (William Katt).William Katt was a nice catch. He has been thrilling audiences for decades, and obviously has the horror credibility with "Carrie" and "House". (More people should also see "Big Wednesday".) The quality of the film is good, even if the acting at times is only mid-level. For what is probably a very low budget film, one should not expect so much. What may be a draw for some are the lesbians aspects. Far more than earlier versions of "Carmilla", this film makes that stuff explicit. Not gratuitous or pornographic, but certainly no secret.

I started watching this movie on Netflix without having any idea what I was about, and I suspect that is the best way to watch it. Then the vampire twist part way through, while somewhat foreshadowed, is still rather surprising and pleasantly shocking.Hannah Fierman is the stand out performer as Laura, the young woman fascinated by the drifter Carmilla (Kristen Orr in an understated performance). William Kat is the least convincing, chewing the scenery as Laura's semi-psychotic father.The movie works in its own right as a modern Gothic, ad is also a retelling (rather loosely) of Carmilla that vampire aficionados will appreciate. The movie starts rather slow but the narrative and cinematography built towards an evocative and visually compelling ending.