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If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

By the time the dramatic fireworks start popping off, each one feels earned.

MagnoliaHolding an audience on the edge of the seat for more than 3 hours is an accomplishment let along entertain, mesmerize and inspire them with some outstanding writing ever to be written for the screen. When it comes to manipulate multiple characters and make them dance like puppets and bring out the best from each and every situation, no one can hardly touch Paul Thomas Anderson, for his awareness of its eerie world, concept and characters is what makes it work all the way through. Magnolia offers a rare experience that cinema and art could still bedazzle us by its thought provoking aspects toward life and humanity. It is carried and depicted by so many great performances by Tom Cruise, Julianne Moore, William H. Macy, Philip Hoffman and John C. Riley pitching each and every words on screen majestically. Magnolia contains fast paced exhilarating script which is supported thoroughly by stellar performances, breathtaking background score and perfect execution.

The music; the way the camera moves; the performances: this amazing ensemble piece takes everything to the next level. Although the influence of Robert Altman and Martin Scorsese can be felt throughout the whole film, P.T. Anderson doesn't copy them but merely uses some of their trademark techniques to create his very own, unique brand of film.There are so many creative ideas and standout scenes in this film: I'm sure that, similarly to how filmmakers of Anderson's generation are citing films like 'Nashville' or 'Goodfellas' as their inspiration, the next generation of aspiring directors will be citing 'Magnolia'. The film is not "just" a masterpiece, but also hugely influential and an instant classic. 10 stars out of 10.Favorite films: IMDb.com/list/mkjOKvqlSBs/Lesser-Known Masterpieces: imdb.com/list/ls070242495/

Magnolia is a very long and complex movie. It contains many themes and issues but it doesn't explore them with much depth. Magnolia ended without giving any new perspectives on its themes. It did leave me bored and impatient. It's impossible not to think when watching Magnolia, why not tackle half these themes, explore them more thoughtfully, say something, ask some questions, and do it in two hours? There are at least three movies contained in Magnolia. Some of the stories are captivating while others are one-dimensional and weightless. Julianne Moore threatens to sink the whole ship with her soap opera-level portrayal of a drug addict with almost-zero characterization. In stark contrast, the characters played by John C. Riley and Tom Cruise could have been entire movies unto themselves. Multiple characters are set up as "bad people" but then the "twist" is that they were abused as children. But as a movie about child abuse, Magnolia has nothing to say at all. Two characters confess that they cheated on their spouses in long monologues. But is Magnolia about infidelity? I don't think so. Is Magnolia about regret? Yes, it's about that, and guilt, parenting, child abuse, substance abuse, law enforcement and crime, honesty, dating, death and dying, child prodigies, show business, unlikely coincidences, loneliness, it never ends!Magnolia is very intense and melodramatic. I don't think intensity and melodrama are substitutes for pathos and insight. The meta-narrative about coincidences and interconnected lives is self-indulgent and self-congratulatory. Magnolia is only bearably watchable from beginning to end because of a few strong performances and excellent cinematography and editing.Ingmar Bergman apparently like this film. Well, if you want a movie about imperfect fathers, check out Bergman's Wild Strawberries. It's way better, and it doesn't have three music videos in it, and it's not over three hours long.

This drama film has an ensemble cast and several stories. It's about various interconnected people who live in Southern California's San Fernando Valley. It's well-written and well-acted by its cast. Tom Cruise was nominated for an Academy Award for Best Supporting Actor - which he should have won.It's over three hours long, but it holds your attention.