Watch Rushmore For Free

the audience applauded

People are voting emotionally.

Captivating movie !

Boring, over-political, tech fuzed mess

RushmoreThe symmetric world of Wes Anderson, is bang on bucks as it moves swiftly and keeps it to the point whilst depicting the characteristics of the characters and doesn't grow obvious or pretentious for a frame. The unresolved issues of the protagonist is what fuels this plot driven feature where its newer structure and unpredictable revelation is what keeps the audience engaged throughout the course of it where they are barely allow to breathe. It is short on technical aspects like sound department and background score but has got it right on its d.o.p. and editing. Wes Anderson and Owen Wilson keeps the amusing aspect of the characters alive throughout the course of it and addition to that Anderson's keen knowledge on executing an eerie world, favors in on huge margin. Jason Schwartzman is flat out hilarious on his role as a protagonist and is supported thoroughly by Bill Murray and Olivia Williams. The gripping screenplay and the space allotted to each character to fit in and flaunt their effective act, is what makes it dig deeper than its potential. Rushmore is a fast paced train that never derails from its tone but is also a long overcooked journey that can be off putting for some viewers.

Wes Anderson is a director who has his own style of film making. That style is unique and amazing. Often, contradicting the cinematic rules.Rushmore is the high school where our hero studies. He is very smart and active in all the extra- curricular activities. He is excellent in everything except studies. In the school library, he finds a note in the book that he reads, that leads him to a teacher. They become friends. Later he gets attracted to her.Style of making is the most important factor in this movie. You are going to watch it for Wes Anderson style.#KiduMovie

I often indulge in watching cinematic landmarks and milestones, and I praise these films for their groundbreaking achievements of both large and subtle scales. However, every now and then I come across a film that is even better than these milestones, but isn't truly a landmark. Simply put, some movies can just be really damn good, and "Rushmore" is one of the damn-goodiest movies I have ever seen.I have praised a lot of films that contain a perfect balance of plot and character, and "Rushmore" is among the best examples of this. Each of the main characters is likable, but still multilayered. There are moments in which you despise the two male leads and (highly unconventional) romantic rivals, but you can always understand and forgive them. The characters are as quirky as the story, which is simple, yet complex. It could never go over one's head, but it still requires some patience and attention. The story is a mish-mash of humor, quirk, and (for some) surprising relatability. By the time the film is almost over, it has exploded into comic chaos, but there is still always room for heart in Wes Anderson's world. I may have gotten teary eyed from laughing, but also from nearly crying; not because this is a sad movie, but because it is a powerful one with a huge heart. The last shot sums it all up perfectly; it is poetic, comic, quirky, and lovely all at once.

Schoolboy Max Fischer (Jason Schwartzman)and millionaire Herman Blume (Bill Murray) are both on a collision course when they both fall in love with schoolteacher Rosemary Cross (Olivia Williams).Normally I'd write a bit more of a plot summary for most films that I'm reviewing but I think the above summary pretty much sums up the entire story for the film. Essentially it's a very slight coming-of-age story with a slice of The Graduate thrown in for good measure.I think the biggest selling point for this film is that it's a very easy film to relate to - I'm sure there are many people who have had a crush on a teacher at some point in their lives (I suspect this applies to more people than will care to admit it). It's this aspect of the film that makes it very easy to identify with Max - all the schemes that he plans and the numerous ways that he tries to impress Ms Cross are quite amusing and daft, but are mostly believable given the fact that he's besotted with Ms Cross. This essentially is what I'd class as the good parts of the film so I'll now address some of the issues that I had with the film.....First of all there's Bill Murray's character Herman Blume; I didn't think that he was developed particularly well - the film occasionally hints on problems he's having with his two sons, but never really expands upon these problems. Also unlike Max, Herman isn't as easy to identify with. I also struggled understanding why Ms Cross would be drawn to Herman quite so easily - the film never really shows him 'wooing' her so I didn't really understand how he ended up hooking up with her. Therefore I was given no reason to care when they broke up.I was also disappointed with how little I laughed whilst watching this film; it's one of those films that contains many awkward scenes, but doesn't manage to make many of these awkward scenes funny. Therefore the film contained many awkward moments, but very few funny moments - the only scene that made me laugh was Max's drunken outbursts round the table.Nearly all the cast put in fine work; Schwartzman is excellent here and makes many of his scenes memorable. Bill Murray was also good here (even if his character is a little underwritten). The supporting cast (consisting mainly of teenagers) were all superb as well.Rushmore's 'easy to relate to' premise should have made it a winner, but to me much of it was a bit too quirky and awkward (it's almost like Anderson was so focused on these two aspects that he completely forgot about number three - HUMOUR). Rushmore deserve some praise for it being accessible to a wide audience, but for me there were way too many problems with the film and nowhere near enough laughs for me to truly be able to enjoy it.