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Look Who's Back
When Adolf Hitler reawakens at the site of his former bunker in present-day Berlin, he is mistaken for a comedian and quickly becomes a media phenomenon.
Release : | 2015 |
Rating : | 7 |
Studio : | Constantin Film, Claussen+Wöbke Filmproduktion, Mythos Film, |
Crew : | Art Direction, Production Design, |
Cast : | Oliver Masucci Fabian Busch Katja Riemann Christoph Maria Herbst Franziska Wulf |
Genre : | Comedy |
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Reviews
I love this movie so much
It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.
It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.
A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
Just watched "Look Who's Back" which I expected to be a full-blown comedy satire, as a movie it's very smart with tons of cultural references and is very funny in general.But the movie also commented on real-life political situations or climates in Germany and Europe. going as far as mixing real people and their reactions in the movie alongside the actors and their acting.This movie was a funny, smart, thrilling, yet pretty genuinely chilling piece of cinema. So many scenes serve as mirrors and reflect on our mindsets as a society.It's better than Downfall and is probably the best movie-documentary I've ever watched.Totally recommending this movie to anyone knowledgeable of history, cultural references and socio-politics matters who wants to have a laugh, yet a very serious and surreal experience.
Emotional, funny and also a little bit historical. I love it! Hitler living in the 21th century...that is a great idea. Very good acting I am not giving any spoilers...I am just gonna tell you some stuff.The movie is great and totally worth watching and i can say i agreed with some stuff that Hitler was saying!
Recently caught this on Netflix. I like satirical comedy about taboo subjects. Got hooked by the movie's original preposterous premise, that Adolf Hitler, of all people, has been resurrected and returns to life to Berlin about 70 years after his suicide. For the first half of the movie the director has fun with this notion, although much of it is the amazement any person would have from post 20th century on in returning 70 years after their death the incredible inventions and technological breakthroughs that have come at a breakneck pace are mind boggling. There is also a similarity between "LWB" and "Borat" as this is done in a mockumentary style, as the citizenry in Germany react to the sight of a man who resembles and reacts as Hitler going through day to day like in modern Deutschland. Good enough and there are some funny and outrageous moments and Nazi Germany can be cleverly satirized, as Mel Brooks did with the "Springtime for Hitler" sequence in "The Producers" or as in the underrated 60's sit-com, "Hogan's Heroes." But "LWB" descends into a not so subtle comment into what the left perceive as racist xenophobia. That is the very real threat to Germany and virtually all of Western Europe of the invasion of Muslim refugees, who have absolutely no interest in assimilating into the prevailing culture. I might also add that if Hitler were to come back today he would find he shares a common conviction with most of the Muslim world. Absolute and complete anti-Semitism that can only be satisfied by extermination of the Jewish race.
This film is intended to be about the way modern German society deals with important issues facing them, and they way they can quickly come under the spell of a "strong leader" ETC. Unintended by the film makers I suspect, was the way the modern left exposed themselves in the way they see those who dare to disagree with their positive views on globalisation and internationalism.The main message of the film seems to be that those Germans (or Europeans in any European nation) who believe that Germany isn't some giant refugee centre for the rest of the planet, and that Germans have a right to their own indigenous land, not the rest of humanity, are just like Der Fuhrer.An example of this can be seen in real time news footage of a Swede making the suggestion that asylum seekers, heaven forbid, should actually accept the cultural and societal norms of Sweden. Oh how "Evil" of that "intolerant" man! The film is well made and funny (who'd a thought Germans had a sense of humour?) in places. But take the leftist political message with a grain of salt. Europeans have EVERY RIGHT to be concerned about their demographic integrity and migration from the developing world that never seems to cease. They have the right to be concerned about these things without being demonised as Nazis or anything else.