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The Help
Aibileen Clark is a middle-aged African-American maid who has spent her life raising white children and has recently lost her only son; Minny Jackson is an African-American maid who has often offended her employers despite her family's struggles with money and her desperate need for jobs; and Eugenia "Skeeter" Phelan is a young white woman who has recently moved back home after graduating college to find out her childhood maid has mysteriously disappeared. These three stories intertwine to explain how life in Jackson, Mississippi revolves around "the help"; yet they are always kept at a certain distance because of racial lines.
Release : | 2011 |
Rating : | 8.1 |
Studio : | DreamWorks Pictures, 1492 Pictures, Participant, |
Crew : | Art Direction, Location Scout, |
Cast : | Emma Stone Viola Davis Octavia Spencer Bryce Dallas Howard Jessica Chastain |
Genre : | Drama |
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Reviews
I wanted to but couldn't!
Admirable film.
Wow! What a bizarre film! Unfortunately the few funny moments there were were quite overshadowed by it's completely weird and random vibe throughout.
Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
We as human often do judgement towards other. well it shown in this film that maybe on that time it was a social issue and maybe till now but not as hard as back then. The film show how a brave woman with her point of view of life, of human too , embrace it in her writing. make the society shame of what they did. I watched it back then in 2011, but just rewatch this movie recently and it remind me of my nanny when i little. Does the book really do sell ? i want to read it
THE HELP is one of those feel-good Hollywood productions that always makes me feel cold inside instead. The sentimentality is overbearing and the shrill performances extremely off-putting to this viewer, with Bryce Dallas Howard and Jessica Chastain making me want to switch off every time while they're on screen. The film seems to have been made to assuage white guilt and looks at the plight of black maids in the American South during the 1960s, where they were regularly bullied and treated as lessers during the civil rights era. Viola Davis and Octavia Spencer give well judged performances but the story feels padded out and lifeless at times; it really didn't need to be two and a half hours long. Emma Stone's grating character gets too much screen time and seems a bit dim while the decent into bad taste humour at one point is something I couldn't forgive or come back from.
One of the most moving movies of my lifetime - every living person needs to see this movie to at least ground them and make them realise that the world we live in today is not one without struggle.
Watched The Help the other night again after first seeing it a half dozen years ago and before so much of the press as of late. The Help tries to hint at the real cultural divide between the black and white communities yet in a very watered down manner, but the focus was spot on regarding where the control really was; the white women. My grandmother grew up in this crowd and played the game well. Had her own man, a grounds keeper and knew how to manage the near enslavement relationship they had at the time. We only knew the man as John; no last name or where he lived or that he even had a family. Then one day, in my home town, during my grandmother's life, a white woman got mad at a black man and over the next few days, every black-owned building and home, about a thousand, was burned to the ground with nearly the same number dead. As our main character was delivering her pie in appeasement to her master, she knew what the downside might be like and she was no fool. While the movie makes her out to be clever and brave, most of the black community of the day was deferential out of necessity for survival.Try not to think of this movie as a real reflection of the time; had it tried to be so, it would never have been released, however, it was a good attempt at starting a conversation of the over-privileged nature, and outright cruelty of the white-woman of the day, which, actually, still persists.