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Good story, Not enough for a whole film

Don't listen to the negative reviews

A different way of telling a story

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

Lost Highway is another Lynch film that captures the blurred line between dreams and reality. There's something about the way David Lynch's mind works that allows him to completely control the grey area that stands between normal feelings and insurmountable fear or discomfort. A lot of times he does so with the aid of using dream-like elements for the narrative. In the case of Lost Highway, the dream is really more of a nightmare, as the themes explored in this "story" can be pretty dark or just overall pretty scary. Yes, Lost Highway is definitely a horror, and an effective one at that, at least to me.Whenever I try to recount the main events of the film's plot, I really can't make out a singular cohesive story. I can read analyses for this movie and probably figure out the baseline narrative but while watching the movie, I really did feel like I was subjected to a series of anthology scenes or something. In other words, a good portion of Lost Highway is just a bunch of surrealistic events happening one after another. This is not to say that Lynch dropped the ball on storytelling for this one though. I actually think, by going for such a fragmented and irregular plot structure, he creates an even more interesting story, as he always does. For Mulholland Drive, I talked about how we're presented different parts of the narrative that eventually flips. It's not very different in Lost Highway except that the pieces of the narrative that we're given are even more of a mystery, which makes the film so good and almost satisfying. David Lynch seems to constantly play with our expectations and feelings about what is supposed to, or could happen throughout the movie.I also really love David Lynch's brand of horror. Somehow he's able to mix ambient music with artsy, still camera shots (upon given context) to create extremely unsettling scenes. The mere fact that there isn't a solid story to fall back on (while watching Lost Highway) after an intense scene can be scary in itself because the audience's expectations for what happens next could just go off the rails.

First time I watched Lynch's movie and I'd say I absolutely loved this movie. I have always loved to watch a good flick that puts my brain to the test. Maybe the film isn't suppose to make much sense, but that's what I love about it. You have to try and analyze it and make your own theories about what just happened. This movie isn't for everyone i guess but very worth watching!

This movie is only for the people that values art,..and confusion. I think this is more enigmatic than Primer

"We've met before, haven't we..."Chilling words from a stranger...made even more chilling thanks to the smiling, devilish performance from Robert Blake who plays the horrifying Mystery Man, a major piece to the brilliant puzzle that is "Lost Higway"."Highway" is one of Lynch's most accessible surrealist works, but that does not mean it is not at all challenging or mindbending or experimental, it has all of those elements firmly in place and more. It is a wild, entertaining, and enigmatic ride powered by a storm of engaging twists, dark plots, and unique visuals. The lighting gives it a glossy, exaggerated look, almost as if it were some kind of cross between a whimsical fantasy and stylized hard boil detective flick, but it is neither of these things. What is it, you may ask? It is a David Lynch film, I will respond. And that is all you need to know.It is scary and brilliant and dark, it embraces speculation and analysis while also remaining coherent, its story and characters are enough to keep the viewer engaged; the more difficult riddles and metaphors are interwoven with action and music and horror and drama, it's a non stop rocket ride through Hell, it's a plunge into the darkness of death, that everlasting, unwinding road with the power to mesmerize, confuse, and frighten. The way I see it, the film can be split into three lose parts. Part one is pure Lynchian surrealism, it is deliberately slow and yet it still keeps the viewer on the edge of their seat, always anticipating the next move a character may take, the next dramatic shift in the story. Its atmosphere is one of absolute dread and unbearable if often unexplained tension, it is Lynch doing what he does best. The second part speeds things up a bit. Sexy, funny, fast paced, and bizarre, it's easily the most digestible and coherent part of the movie, encapsulating the mood of a film noir and a 90's crime thriller peppered with heavy doses of the surreal...and it steadily inclines into the third half, where things get really weird. It's a cross between the surrealistic, blood curdling, mind blowing horror of the first half and the fun, exciting weirdness of the second, culminating in one huge avant garde masterpiece work watching over and over and over again, allowing that vision of the infinite highway to swallow whatever is left of your soul and haunt your nights for all the years to come...