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The Virgin Suicides
A group of male friends become obsessed with five mysterious sisters who are sheltered by their strict, religious parents.
Release : | 2000 |
Rating : | 7.2 |
Studio : | American Zoetrope, Eternity Pictures, Muse Productions, |
Crew : | Art Direction, Production Design, |
Cast : | James Woods Kathleen Turner Kirsten Dunst Josh Hartnett Michael Paré |
Genre : | Drama Romance |
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I don't have all the words right now but this film is a work of art.
best movie i've ever seen.
Good films always raise compelling questions, whether the format is fiction or documentary fact.
One of the worst ways to make a cult movie is to set out to make a cult movie.
Very sad film. I only wish that the girls would have seen that those boys were really good boys..in a way. But still I give this film a seven because it's just that sad of a film and its heartbreaking to see all five girls go through what they went through
Set in 1974, the story centres around a group of teenage boys and their fascination with five mysterious sisters known as the Lisbon girls in their final days.The story begins with the attempted, and then successful, suicide of the youngest Lisbon, Cecilia who impales herself on a metal fence during a party that was intended to cheer her up after her first suicide attempt. The family are left devastated and while the four remaining sisters, Therese, Mary, Bonnie and Lux (played perfectly by Kirsten Dunst) don't outwardly display the same self-destructive tendencies Cecilia showed, it is clear that their strict upbringing by their passive father and overly religious mother is a source of discontentment for them; most notably Lux, the youngest and easily least content of the remaining girls.A glimmer of hope appears when Trip Fontaine (Josh Hartnett), the cocky high-school heartthrob falls in love with Lux, who ignores him at first, which makes him want her more. He asks her to the homecoming dance and her parents reluctantly agree but only if he can find dates for all of the sisters so that they can all go. There are, of course, no shortage of potential dates.The evening goes well until Lux misses curfew because she is having sex with Trip on the football field. He loses interest in Lux immediately afterwards and abandons her, leaving her to make her way home the next morning by herself, causing the girls' parents to put them all on total lock down. They are taken out of school and withdrawn from the world almost entirely.Feeling dreadful for the girls, the neighbourhood boys do what they can to help them feel connected to the world, such as playing song lyrics down the phone to each other and using flashing lights to communicate Morse code across the street.The lock down seems to send Lux over the edge as she starts having sex with random boys on the roof of the house, much to the boy's amusement.One evening the boys think their luck is in when the sisters invite them over after Mr. and Mrs. Lisbon are asleep, seemingly to go for a joyride or road trip. But when they arrive Lux appears to be in a melancholy mood. In reality, the sisters have each taken their life in a different way in a different room of the house and they just wanted the boys to witness it.I must admit that I went into this movie biased towards liking it as years before viewing I had the ear candy that is the soundtrack composed by French duo, 'Air' that compliments the movie's dreamy, surreal tone perfectly.No real reason or catalyst is ever given as to why the sisters feel that suicide is the only escape from their present reality and some feel that the movie glamourizes suicide (the movie is very beautiful), but I would argue that as the story is told through the eyes of a boy who idealises the girls, many years after the events of the movie took place, he is telling the story as he remembers it, not how things actually were.
Yea, Silver Spoon and all that, but Just because doors are open and You have all the Money in the World, doesn't mean You can Create Your Own Style and Deliver the Goods. Director/Writer Sofia Coppola, in Her Directorial Debut, manages to be Taken Seriously on Her own.For a Novice Filmmaker She Impresses on a surface level with Artsy shots of Girly Things and the Film is about Girly Things and the way Girly Things Titillate Boys. It's also about Parental Oppression to the point of Abuse and Torture. The Movie is Downbeat with a Backbeat of Pop Cultural and High-School Flash. It tells its Tale of Trouble in Paradise with a Good Look and Bad Outcome in a way that is somewhat Refreshing. The Visuals in Virgin are what Shine whereas the Narration and some of the Montage can be Clunky at times.Overall, it's a bit Different where it Needs to be and is Engaging enough to make it Above Average for this Type of Teen Angst Thing. But it does feel Awkward at times and some of Her Flourishes, mostly the Writing, doesn't quite have the Impact Intended. The Ending is Clumsily Handled, but the getting there is Worth It, especially for its Targeted Teen Female Audience. It is by default a Chick-Flick, and a Good One.
I came to this film being a huge fan of Sofia Coppola's other film Lost in Translation. Lost in Translation is a 10/10 picture for me and one of my favourite films ever, so I went into her first film The Virgin Suicides with high hopes..It's about a year or so since I have seen it, and while writing this review, I must express that I was initially disappointed expecting more, even dismissing the film as a little boring....However, the film kept coming back into my thoughts afterwards and I can still recall vividly the opening shots of the film accompanied by what I now consider to be one of the greatest soundtracks ever made, by the French duo: AIR. Using their music for the film was in my view, a genius choice from Coppola.I will never underestimate the power of a soundtrack in a movie and neither should you. Take for Example: John Caprenter's Halloween. The film test screened to audiences without the infamous score and the test audiences thought it was a bad film, you know what it became with the score in place, an outright classic. Music can be just important as great cinematography..I certainly took away the soundtrack from the Virgin Suicides, I was listening to the whole album regularly. Then slowly but surely parts of the film crept back in to my thoughts, the beautiful cinematography, the great performances, the wonder. The soundtrack and the film are intrinsically linked. I look forward to seeing it again, knowing I will definitely enjoy it more than the first time round.. It's definitely a grower...