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I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Truly Dreadful Film

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Four girlfriends, each in their own troubles over head, are involved in the theft of diamonds, which they are not even aware of. Movie tells four separate stories, each being close up for one of the girls. Then stories begin to intertwine and merge into a common finale. Interesting, but in every way mediocre. I'm giving one additional point because this is Noel's second directing and movie has low budget for today's standards. My secret crush in Emma Roberts did not affect my rating, I promise.7/10

Four young female friends in England (Ophelia Lovibond, Shanika Warren- Markland, Emma Roberts, Tamsin Egerton) have individual adventures, all of which end up connected to a huge diamond heist.Cassandra (Egerton), from a wealthy family, travels to New York City for an audition with an important piano teacher and also to meet her Internet boyfriend. Jo (Roberts), to help her family, has to work in a 7-11 type store at night. Kerrys (Warren-Markland) is a lesbian rebelling against her family, particularly her half-brother; and Shannon (Lovibond) is desperately unhappy, feels she has no one to talk to, abandoned by her mother, and contemplating suicide.Using the Pulp Fiction-Jackie Brown format, we see how each woman becomes involved with one another over three nights and what leads them to their involvement in a diamond heist, which during the film is being broadcast on TV in many scenes. I thought this was well done and appeals to a young crowd. The friends are beautiful and going through passages like losing virginity, trying to get accepted in an important school, parents breaking up, blended families, driving tests and the like. When Cassandra, a stunning blond, goes to New York for her audition, at one point she is walking around wearing a long sweater. That's it, a long sweater and nothing on her long, gorgeous legs. No woman walks around New York City like that. I don't mean to imply that you're "asking for it" - no - but for most women, the harassment, the men following you, and the whistling can be scary and/or annoying and not worth it, especially for someone new to the city.There are very funny as well as dramatic sections; this winds up as an entertaining film, a little longer than it needed to be, but fun.

What a load of rubbish!The only possible plus points to this film could be sexy scenes and sexy dialogue because the themes in the film constantly come back to sex, lesbianism and people in their underwear - however, even that is certainly not a positive because those sex scenes, dialogue and lesbian kisses are presented/directed so badly that they are not sexy or interesting in the slightest! There was a total lack of sexiness just a lot of boredom.In addition the rest of the film is total crap: the plot is muddled beyond belief and appallingly weak, the dialogue is pathetic and inane, the acting is bad and the direction and film making skills are lacking in all departments. Noel Clarke should stick to acting in supporting roles. Sad.

A generic and immature offering. The film is entertaining, if you can slide aside some terrible performances. It's something a teenager would write after watching Lock,Stock..., Pulp Fiction and GO!. Those fast paced crime films reveled in their daft dialogue, awesome soundtrack choices, and large ensembles. Unfortunately, 4.3.2.1 seems as though nobody read the thing before making it. The huge amount of coincidences do nothing but cheapen the film. As the four stories are revealed, some seem to have nothing to do with anything, while others have so much going on it's impossible to give a fudge. Why did I need to see the story about a girl going to New York, being tricked into sex, etc. I don't know. Other than it opening up some American locales and bizarre Kevin Smith/Mandy Patenkin roles appearances. I don't mind a few "What are the odds?" moments in my movies, but this film is dependent on them. In a true sign of incompetent writing, every time the film hits a dead end, a lucky coincidence kicks the story down the road. If you stick films on and don't intend to think about it ever again, then you should watch this. It can be a bit infuriating for others.