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Suite Française
France, 1940. In the first days of occupation, beautiful Lucile Angellier is trapped in a stifled existence with her controlling mother-in-law as they both await news of her husband: a prisoner of war. Parisian refugees start to pour into their small town, soon followed by a regiment of German soldiers who take up residence in the villagers' own homes. Lucile initially tries to ignore Bruno von Falk, the handsome and refined German officer staying with them. But soon, a powerful love draws them together and leads them into the tragedy of war.
Release : | 2015 |
Rating : | 7 |
Studio : | Canal+, Entertainment One, TF1 Droits Audiovisuels, |
Crew : | Art Direction, Assistant Art Director, |
Cast : | Michelle Williams Kristin Scott Thomas Matthias Schoenaerts Sam Riley Ruth Wilson |
Genre : | Drama Romance War |
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Reviews
Wonderful Movie
So much average
It's an amazing and heartbreaking story.
One of the worst ways to make a cult movie is to set out to make a cult movie.
Reading the synopsis already gives the directions to the movie; not much of a surprise to me, to be fairly honest. The disposition of characters and their personalities are very well known in romantic fiction.However, it is still a intriguing and beautiful movie. You can enjoy the marvelous landscapes of France and Belgium countrysides. Though predictable, the dynamic of the main couple is delicate and makes you cheer for them. It also shows the civilian point of view of war, far from the battle camps, but still a painfully one.This movie gave me exactly what I wanted and expected. A forbidden and almost cheesy romance that's not your usual WWII movie.
Now I like a floral frock and a well-pressed Nazi uniform (on screen, you understand) as much as the next gal, but I do find the nostalgic framing of WWII in the movies a little troubling – and 'Suite Francaise' is no exception. The hand of the BBC is everywhere visible in the production, from the costumes to the doughty cast of characters who could have come straight from the set of 'Poldark' or 'Lark Rise to Candleford.Michelle Williams plays 'the beautiful Lucille' (as described by the BBC) and Matthius Schoenaerts gives Ralph Fiennes a run for his money as the brooding, handsome and 'refined' (BBC again) Nazi soldier, his refinement on show for all to see via his wistful tinkling on Michelle's, erm, piano.The two, entirely predictably, fancy the pants off each other (or should that be cami-knickers) and various complications ensue, what with him being a Nazi and everything. But the moral of the story is that lurv and that old-British-chestnut 'common decency' prevail, wresting some kind of happy ending from the film and – by extension – the Nazi occupation of France.The film is based on a recently discovered manuscript. Irène Némirovsky, an ultra-nationalist Russian Jew exiled in France, wrote the stories while living under German occupation. In that context 'Suite Francaise' can perhaps be understood as an attempt to humanise an implacable enemy, the natural desire to have love triumph – at least in the imagination. The real story is remarkable and could have made an interesting film, since Irene Nemirovsky's end was not happy and neither love nor common decency prevailed: like 6 million other European Jews she was ultimately betrayed by the people she lived amongst and sent to Auschwitz, where she died.The unending nostalgia for WWII, envisaged as a time of moral simplicities and endless heroism, airbrushes the reality: that millions of 'ordinary' people in every nation in Europe collaborated with the Germans and shared their distrust and hatred of the Jews, while the wealthy admired the Nazis as a bastion against the political left.When poverty comes through the door, the saying goes, love flies out the window. Ignorant hatred of Muslims, xenophobia and anti-semitism are stalking the streets of Europe once again. We should resist these cosy fables, that reduce WWII to a lush setting for romance, and face up to the less palatable realities of our shared past – which no amount of lipstick can gloss over.For a grittier, more complex, troubling and interesting exploration of similar themes see Louis Malle's 1974 film 'Lacombe Lucien.'
Following in the genre of war-romance. This film is set in 1940 France, featuring a young girls journey through the hardships of a German invasion. Michelle Williams played character, Lucille, extraordinarily showing emotions flipping throughout the plot. With not so high a rating, I was surprised by the way the film took pleasure in diverting my mind on the expectations I had for its ending. With some parts showing a melodramatic town atmosphere, it however creates a modern twist on an unexpected love connection, during a time in which such relationships were not even thought of. A great film to watch, if you are looking for a different angle on World War 2 romances.
The movie is about WW2 drama/romance although i find the romantic part is not very convincing. The events go in a french village under the Nazi occupation. Michelle Williams did a very good job in this movie. She was very convincing and her acting was believable. On the other hand, Matthias Schoenaerts who plays the role of a German officer wasn't at the same level. The movie could've been much better if he was replaced with another more passionate actor. The overall drama is good and puts you through the suffering of the french people during WW2 but the love-story thing was not very convincing to me!. Kristin Scott Thomas also made an impressive performance. The movie has most of the elements of success, the story, actors, ...etc. But somehow, you feel that something is missing, like, the movie lack more events or a better leading actor!