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The Black Hole

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The Black Hole

The explorer craft USS Palomino is returning to Earth after a fruitless 18-month search for extra-terrestrial life when the crew comes upon a supposedly lost ship, the USS Cygnus, hovering near a black hole. The ship is controlled by Dr. Hans Reinhardt and his monstrous robot companion, but the initial wonderment and awe the Palomino crew feel for the ship and its resistance to the power of the black hole turn to horror as they uncover Reinhardt's plans.

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Release : 1979
Rating : 5.9
Studio : Walt Disney Productions, 
Crew : Art Direction,  Art Direction, 
Cast : Maximilian Schell Anthony Perkins Robert Forster Joseph Bottoms Yvette Mimieux
Genre : Adventure Action Science Fiction Family

Cast List

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Reviews

LouHomey
2018/08/30

From my favorite movies..

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JinRoz
2018/08/30

For all the hype it got I was expecting a lot more!

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Freaktana
2018/08/30

A Major Disappointment

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Tymon Sutton
2018/08/30

The acting is good, and the firecracker script has some excellent ideas.

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meren
2017/04/21

The toy line from this film was great as well. The Special effects were great. also Roddy McDowell as the voice of Vincent for some reason some of the toys were only available in Canada or Italy Such as S.T.A.R. and the Crew of the Ship. The film also had some Religious aspects to it. The Idea of Heaven and Hell. I remember seeing this Film when I was a kid at the Drive in. I watched it time and time again when it would be on TV. It has a Cult following, and a Very Strong Cast. Anthony Perkins, Robert Forester, Maximillian Schell, The relationship between Dr. Reinhardt and the Robot Maximillian is a very interesting one. People always call for Remakes of Movies I see no reason to remake this film. It stands the test of Time. I am one who is tired of all the Remakes. I don't mind that George Lucas went back and added a few things in the original Star Wars films and Remastered them. You don't remake classic films. Some can be better then the original in some ways. But to me most of the remakes are busts. Some Movies have been remade 2 or 3 times over, even more in some cases. Death Wish is being remade, the Beguiled, when the originals were so good to begin with starring Charles Bronson and Clint Eastwood Respectively. This movie is highly under rated, if anything it deserves a Sequel. But its too late for that as key actors from the original have passed away. It was ahead of its time like so many other Sci Fi films from around that era before and after Star Wars a New Hope came out.

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rudge49
2017/03/20

..and 20,000 Leagues Under The Sea for special effects, cinematography, story, acting, dialog. Like those two it is an adventure movie, people who find themselves swept into something beyond their comprehension and like nothing they expected. Like the first two movies its ending is somewhat ambiguous, I still haven't figured out the end to 2001 and 20,000 Leagues ends with Vulcania going up in a mushroom shaped cloud and our heroes in a small boat in the vastness of the Pacific. IMHO the special effects hold up, I note the movie has a film noir feel to it, the blackness of space means so much of the action takes place in darkness or shadows and has a claustrophobic feel to it. Reinhardt is Captain Nemo in space-the two actors even resemble each other. Brilliant gifted men who have gone over the edge, think the rules of human conduct no longer apply to them, and have their obsession. Nemo had "that hated nation", Reinhardt the Black Hole, Nemo has his henchman the Mate, Reinhardt Maxximilian. And like Morbius in Forbidden Planet they have lived away from society so long that while they can still follow the form of civility you get the feeling they deeply resent intrusions into their private realms. The movies contains some of my favorite lines. When Harry Booth (Ernest Borgnine) is asked "Didn't you meet Dr. Reinhardt he replies "Collided with him is more like it !" And when Booth meets Reinhardt on the Cyngus, far from being awed by him he notes how Reinhardt conned the space agency into spending vast sums on what seemed to be a fiasco and a boondoggle.

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dworldeater
2016/12/27

It has been awhile since I have seen sci fi classic (since childhood) The Black Hole and I think it is a great science fiction film. The Black Hole is an unusual film and is easily the darkest and weirdest movie released by Disney. The film is, I believe one of the last films to open with an overture and has a classy score and cast. The Black Hole gets compared to Star Wars a lot (which is apt in some ways, as they both shared the same special f/x team), but in my opinion the film has more in common with Star Trek but with a darker edge. The f/x, although state of the art at the time makes the film a bit dated in some ways, but the film itself is very strong and grounded with excellent acting, dialogue and storytelling. This project has a great cast which includes Robert Foster, Anthony Perkins,Ernest Borgnine and Maximilian Schell as our main villain. Plus we have robots,(what is a sci fi adventure film without robots) that are actually cool characters like VINCENT(voice-over by Roddy McDowell) and BOB(voice-over by Slim Pickens). Plus, lets not forget about menacing robot heavy Maximilian. This was made with kids in mind, but is much more geared towards adults and as an adult, I can truthfully say The Black Hole is a great film that I enjoy immensely. Excellent old school sci fi!

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Red-Barracuda
2016/06/10

The Black Hole was one of many films that were released with the intention of cresting the sci-fi wave created by the huge success of Star Wars (1977). More specifically, this was Disney's attempt at the genre and I think it was the studio's first movie that didn't go for a U certificate. The film that it can best be compared to is Star Trek: The Motion Picture, which was also released the same year. Both movies sport fantastic special effects and production values, while both also are surprisingly - and pleasingly - slightly left-field in their approach. Neither really fall squarely into the action/adventure bracket that Star Wars so obviously did, they rely more on atmosphere, some psychological aspects and have some enigmatic qualities which seem to indicate the influence of the earlier hard sci-fi masterpiece 2001: A Space odyssey (1968). For these reasons, I find both these films to be decidedly under-appreciated and interesting. The Star Trek franchise of course went down a different, more comforting route, from the second feature The Wrath of Khan (1982) onwards, while The Black Hole remained a one off that has become more and more obscure as the years go by. So much so that it could reasonably be considered a cult movie on account of its selective appeal.From the off, this is visually a very interesting film. It has great sets and model work, which make the giant space craft where the majority of the action takes place an evocative setting. The special effects throughout are in general very impressive and still look good today. But the visuals have been constructed for more than mere spectacle as they combine to create a pretty interesting atmosphere on the whole; they ultimately are used also to set up the strange and ambiguous ending which involves visions of Hell and an alternate universe. This kind of oddness stands out these days, as most big budget sci-fi endeavours mostly avoid such ambiguity, but this is definitely a plus point for The Black Hole. Another serious asset is the really effective main theme from John Barry. This is in all honesty one of his best bits of individual music, its sweeping yet mysterious and complements events on screen extremely well.The story itself is pretty simple and boils down to a deep space crew discovering a mysterious spaceship near a black hole, they board it and events escalate. The story is perhaps oddly presented in some ways as there is material quite obviously aimed at kids, like the cartoonish robots (the main one, V.I.N.C.E.N.T., being voiced excellently by Roddy McDowell) but at the same time there are also some decidedly sinister aspects to this one too. So I guess it had a bit of a split focus in some ways, not that that is a terrible thing but it may have accounted for its marginalised position in the sci-fi cinematic pantheon. But whatever the case, I consider this to be one of the best that 70's science fiction has to offer. It's mysterious and left-of-centre nature mean that it is one of the more interesting entries in the genre to revisit.

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