Watch Modesty Blaise For Free

You won't be disappointed!

Sorry, this movie sucks

Just perfect...

A movie that not only functions as a solid scarefest but a razor-sharp satire.

I love crazy 6o's films and I adore Monica Vitti so this film has had a special place in my heart over the years. I've only seen it a handful of times and now when i got the DVD I understand why... It has Vitti, it has Stamp, it has Losey and Bogard and bright colours and op-art sets, sunshine, songs, fab clothes, yet it does go on for a while... With no understandable plot it all turns out to be rather...pointless. The film is so busy being charming! I think it's sad that it wasn't better for Monica's sake. This was her break-out film into English language cinema and it wasn't very good as a spy/Bond film because it's not an adult movie!I now understand why it was not a hit when it was released. Losey didn't take Modesty Blaise seriously enough.There was even too many wigs and clothes changes even for me. Yet I still love the film and la Monica!!!!!Tina Marquand is in it and she's good even if her part is small.

Monica Vitti as Modesty Blaise has such a thick Italian accent and such minimal acting skills you're never sure if she's inviting you to her bed or telling you she wants another helping of spaghetti. Joseph Losey, the director, has attempted a comedy thriller along the lines of a Jane Bond knock off. All he and his screenwriter, Evan Jones, have managed to wring out of such a stale idea, stale even in 1966, is lead-foot comedy dialogue, mannered characters which must have embarrassed the actors who played them, and an awkward, ham-handed, swinging style. Not only is what are supposed to be amusing send-ups not, the pace of the movie is as flaccid as a month-old cucumber Thank goodness Modesty Blaise, as Peter O'Donnell gave her to us, first in his comic strip and then in his novels, is indestructible. She don't need no Joseph Losey or Monica Vitti to bring her to life...just O'Donnell's words and our own imagination. O'Donnell was asked to write a screenplay based on his popular comic strip character. He did, turned it over to Losey, and watched while the script was re-written, changed, neutered and nudged until he, and just about everyone else, conceded that the caricature of Modesty in the film had almost no resemblance to the smart, shrewd, tough, resourceful woman O'Donnell created. The movie was made and flopped. O'Donnell took his original script, rewrote it as a novel titled Modesty Blaise and the novel was a big success. Here we have Modesty in awful Sixties styles (and with an awful Sixties soundtrack) hired by British intelligence to foil a plot by the criminal mastermind, Gabriel (Dirk Bogarde, in a performance he probably regretted for the rest of his life). A huge sum in diamonds is in play to secure a middle-east oil deal. Gabriel plans to heist the ice. It will be Modesty and her faithful friend, Willie Garvin (Terence Stamp), against the swish, effete Gabriel and his band of vicious exaggerations, ranging from a mad accountant to a collection of pretty young men. Keep an eye out for Mrs. Fothergill, played by Rosella Falk. She's another lush plate of lasagna, one with thighs of steel and the habits of a psychopathic dominatrix. That's a lotta pasta. Gabriel rather cares for her. If you're as fond of Modesty as I am, watch this movie to see for yourself the depths to which some creative types fall while confusing their talent with talent. Losey even has Modesty and Willie sing a jaunty partnership song. Vitti and Stamp are not dubbed. They are stunningly awkward. So's the song. The movie is a misbegotten product from the casting to the writing to the direction. I'm giving this movie one star, not because I'm fond of the real Modesty, but because Losey and Jones, with their screenplay and direction, made such a long (nearly two hours), confused, unconvincing and joyless film. All will not be in vain, however, if you are intrigued by Peter O'Donnell's erotic, original and often violent creation. Start your love affair with Modesty by reading his first novel, Modesty Blaise. You'd have to be a dried, stale old prune not to want Modesty to come to your aid and comfort, with Willie Garvin, her knife-wielding platonic best friend, as back-up for the aid part.

Surprisingly light work coming from a director like Joseph Losey. I guess he just wanted to make fun of the numerous agent movies of the sixties and maybe insert a little comment on the values of storytelling in them. If he does, he luckily makes it in a most entertaining way and with technical ability, that certain slackening is easy to forget. Everything is made up into ultra-light eye candy and silly fun to be enjoyed in the right frame of mind. There is not even much of a plot to be mentioned about. Stolen diamonds, secret agents, dangerous missions and nice locations all in a fine mess, like the films this kind usually have. For fans of the original Modesty Blaise comic strip this naturally is a pity, because almost nothing of its real characteristics appear here. The characters are drawn very far from how they appear as originals and everything else is just about all changed too. The Modesty Blaise most of us readers know would deserve a more appropriate movie treatment. And I'm still waiting for it.So, to enjoy this version more one should maybe forget the original Modesty Blaise completely. This is a child's play, a very cruel child's, and a play for adult children. A movie like a box of crayons, really. Scenes seem to change for the sake of sets, clothes and props. And for hair color, as it is with Modesty and Willie Garvin, his male sidekick. Monika Vitti and Terence Stamp look right for their roles, but doesn't seem to have much to act and both handle the job perfectly. Dirk Bogarde, familiar from a few other Losey's films a bit deeper than this, almost steals the show as Gabriel, the bored, neurotic, gay arch criminal. A movie best recommended for a rainless brainless day.

This movie seems to be made with the sole purpose of hurting Peter O'Donnel and insulting his fans. The entire Modesty Blaise concept is completely ignored. O'Donnel is said to have cried when he saw it, and I can believe that.The choice of Monica Vitti as the heroine is disaster #1. The long, dark, strong and mysterious Modesty is played by an average blonde bimbo. It is as if Rick Moranis had been chosen to play James Bond in the very first Bond movie. It may have been somewhat amusing but no "Bond fever" would have resulted. Modesty Blaise is the perfect character for a female Bond. This movie wasted a golden opportunity.The next shock comes when we see the actors chosen as Gabriel and Garvin. The evil, short, slimy scumbag Gabriel is played by a long and handsome man, who could have done a decent Garvin. Garvin is played by someone who could have made a decent Gabriel. Was anyone thinking when doing the movie or were they simply busy wasting O'Donnel's concept?And the coffin is put firmly into the ground by the ending, where the script writer show that they understood so little of the relationship between the heroes that they had to point it out.The plot otherwise follows the book fairly well, but without the essential magic of the heroes, it is just another B-movie. To those who don't know Modesty, it may be somewhat charming due to its age. For us who do, it is painful to watch, knowing that it is the movie that blew all chances for a series of great Modesty movies.PS: Modesty Blaise fans should watch the new movie, from 2003. That's something entirely different.