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Welcome to the Dollhouse
An unattractive 7th grader struggles to cope with suburban life as the middle child with inattentive parents and bullies at school.
Release : | 1996 |
Rating : | 7.4 |
Studio : | Suburban Pictures, |
Crew : | Art Direction, Production Design, |
Cast : | Heather Matarazzo Christina Brucato Christina Vidal Brendan Sexton III Matthew Faber |
Genre : | Drama Comedy |
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Well Deserved Praise
I don't have all the words right now but this film is a work of art.
Go in cold, and you're likely to emerge with your blood boiling. This has to be seen to be believed.
There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
Right from the beginning, I thought, "Oh my god, the people that made Napoleon Dynamite" totally ripped this off!" I mean, the whole character of Napoleon, looks, affectations, everything, is just completely Dawn! What the? Even the brother seems to be the same ish! I know I might be late to the game, but is that even fair? I though N.D. was pretty cool, but now...As for the movie, well, junior high sucks, but for Dawn, it REALLY sucks! Heather Matarazzo plays her role perfectly, in this sad glimpse of teenage life. I felt so bad for her, all the way through. Sometimes, it was hard to watch, but there are moments of "lightheartedness" like the dancing sister, the awful cake, and cycloptian teacher! The end, end, is terrible, but this is a good movie, and the lyrics of "Welcome to the Dollhouse" are still rumbling around in my brain!
Many similar Dawn Weiners of the past will empathise with what Todd Solondz channels in Welcome to the Dollhouse. That terror-stricken walk in the cafeteria, clutching lunch tray and desperately trying to find a place to fit in is a cliché because it rings true - belonging is a see-sawing struggle in junior high. It's a pity because despite the intentions of Solondz to find a delicate balance and sensibility of the 11 year old girl who feels the whole world is against her, it becomes less a dark comedy and more a over-the-top caricature with a mean streak behind it. Overloading the main character with woe after woe and a barrage of insults and dumb luck is just as boring and uninspiring as the character whom has nothing go wrong for them. To signal her complete underdog status, the big-nosed Heather Matarazzo is cast, but that's not enough, we have to stick spectacles on her face too. Nerd, the bullies might jeer. And there are so, so many of them. An entire assembly chants insults in a tender moment. She is branded a lesbo almost immediately by the usual mean cheerleaders. Her parents flat out hate her, and hide this behind big, fake smiles. Even her little sister is some conniving little evil genius, undermining her in the background then putting on a angelic, beaming look of love. Ugh. It is to no surprise that its best moments are the ones that surprise Dawn, and the ones that are low key. In these brief scenes Slondz shows an actually understanding of the 11 year old besides a potty mouthed bully. Brandon lashes out in anger at her, and tells her to not be late for her 'rape', but at this age it is suggested that he does possess that kind of malice, nevertheless know what rape is. So he tries to get out of it, but still maintain his outward persona - oh you might be late to get home, so I won't rape you just yet. These are just kids, and they barely understand sexuality, but can feel it blossoming in spades and tug at their heartstrings. There's a certain sweetness in the way Dawn fawns over the older, handsomer version of Brandon, Steve, and how she attempts to impress him by feeding him jello and playing a piano piece. And Mark may the only family member who does not treat Dawn like a little pest; there's no malice or intent to intimidate as he tells his little sister that high school is just more of the same. He simply presents it as a fact of life. For all its mess, the ending is a quiet, unassuming one - there's no moment of inspired change, no resolve to fight back, but just an acceptance that things will go on their way. Unfortunately these moments of quiet contemplation are far and few. Solondz throws challenge after challenge at young Dawn; to the point that any 11 year old would collapse and rage, and then expects her to behave, to take it on the chin, to put down the hammer, because its just another day in the life of kid. Paradoxically he expects the subject matter to be taken seriously - for abuse, for drugs, for kidnappings to ring hard and true. But they don't, they hide behind a layer of comedy. Oh, he was just videotaping her doing pirouettes. The movie is funny, of course. But it goes beyond and above until it becomes absurdly dark and it becomes uncomfortable to laugh. The sneering Lolita, wearing a choker and a nasty glare, traps Dawn and waits for her to sh*t right there in the moment. The dialogue is filled to the brim with uncharacteristic profanity, as if Solondz wants to be hard hitting and genuine. "I didn't mean to be a c*nt", murmurs Dawn. This is supposed to be a sweet, subverted moment of naivety for her, a genuine instance of her attempting to act older than her age suggests. But it seems so facile.
The thing about watching a film like this at a time when the American high school genre has moved on to the much rosier visions of Napoleon Dynamite and Glee is that it strikes you how almost every character is a flawed, unlikeable person. Sure, you feel sorry and empathise with Dawn, the main character, but she's equally willing to bully, and doesn't have saving graces like the standard US school film geek - she's no brainbox.The guys in the film are portrayed as far less vindictive than the girls - bad boy Brandon has a sort of rogue honour, and the main fault of the other males in Dawn's life is that they are obsessed with doing their own thing or else following expectations laid down for them.It's a very watchable film - more so than Todd Solondz's later works. It looks like the work of an embittered outsider, but at least an outsider who, like the main character, tries to do their own thing against the odds.
If you've never heard of Todd Solondz, then I should explain that "Welcome to the Dollhouse" is probably the most watchable. His movies - at least the few that I've seen - are always complete downers, containing characters who are either sickos, helpless, or something similar. His first notable movie concerns Dawn Wiener (Heather Matarazzo), a New Jersey middle school girl ostracized by everyone around her. The only boy who gives her any good advice is totally pitiful himself. Dawn's entire life is one big FML.I recommend "WTTD", but with the caution that it IS a total downer. Hell, you might not even end up liking it. But it is worth seeing.