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Just perfect...

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

By the time the dramatic fireworks start popping off, each one feels earned.

I love martial arts movies. Always have. And there are some great ones out there: Hero, Crouching Tiger Hidden Dragon, House of Flying Daggers etc The Assassin can not in any way be classed as a great movie - only because of the ridiculous slow pace. There's slow, and then there's this. It's cringeworthy how slow it is in places. I even, on occasion, counted the number of seconds when nothing happens and it came to 5-10 seconds, when nothing, literally nothing happens. The viewer is left frustrated. I can understand that a slow pace is common in 'arthouse' movies, but even then there is usually something happening even if there is no dialogue. Frustrating, pointless, and an empty experience. Watch something else...

Directed by the Taiwanese Hou Hsiao-hsien and adapted from a ninth-century Tang Dynasty tale, this film stars Shu Qi as the eponymous, black-cloaked killer Nie Yinniang. Visually the work is sumptuous and stunning with glorious scenery, atmospheric sets, and lingering shots through mist or gauze. However, the plot is minimal, the narrative opaque, and the action sequences all too brief. In an interview with the "Guardian" newspaper, the director insisted: "I don't make films to communicate with an audience. I am the only person who I am speaking to." This indulgent style has won over most critics but is hard on the average viewer.

The director has created a spectacular view of China and the sets,costumes and actors contribute magnificently to the overall effect. The story-line is inventive and intriguing mixing macro politics with family infighting. The only sour note is that the editing has made the viewer unlikely to understand what is going on. Whole sections of film have hit the cutting room floor resulting in some characters appearing and disappearing without explanation.It is saved in no small part by the cinematography and lighting. The set decorations and costume design are masterful and create a brilliant counterpoint to the landscape.

Hou Hsiao-hsien's "The Assassin" is a very introspective, metaphorical and philosophical wuxia movie that requests a lot of patience from its audience. It's more like a slow-paced historical drama than anything else. It's comparable to Wong Kar-wai's episodic, mysterious and sophisticated "Ashes of Time". Both movies received critical acclaim by intellectual movie critics but were mostly despised by regular audiences. Since the trailers aren't very helpful, potential viewers should read a handful of critics and make themselves familiar with other works of these particular directors in cases like "Ashes of Time" and "The Assassin" before watching such a film.There are less than a handful of fighting scenes and only a few secondary murder scenes in the movie despite its title and those scenes are not necessarily spectacularly executed.The movie doesn't have a lot of continuous dialogues but the few words that are spoken are meaningful and help the audience to understand the twisted story that unfolds slowly but surely. A lot of things are explained through facial expressions, still lives and symbols of nature which aren't always obvious to understand. The movie is so slow yet precise that it requests a lot of attention and maybe even multiple viewing to fully grasp its content. The acting performances seem restricted and wooden at first sight but turn out being extremely precise and talented since the characters are all very emotional behind a veil of traditional discipline. The challenging acting performances, the calm camera work, the colourful costumes, the accurate dialogues, the diversified landscapes and the atmospheric soundtrack all add to the guiding line of this unusual film which deals with characters who are restricted in their traditional laws, rules and values but who are longing for emotions, freedom and individual fulfilment. From this point of view, the movie is more than a simple period drama and has a modern message that suggests that individual liberty is a greater good than governmental conventions. It might not come as a surprise to you that this seemingly traditional movie was made by a director who has rather identified himself with Taiwanese culture, history and values. This film seems to offer much more than meets the eye.If you are willing to look beyond the slow mood in beautiful pictures, you will discover an inspired and profound movie which offers a lot of food for thought. If you are looking for memorable entertainment, you will definitely not like this movie. I admit that this film is hard to digest and I couldn't watch this kind of cinematic art on a regular base but I appreciated the movie's hidden messages or at least my own interpretation of the ambiguous content and its coherent yet unique style. It was the director's goal to make its audience think on its own and while two of my friends who watched this movie found it dull, pointless and pretentious, I accepted, elaborated on and ultimately enjoyed its challenges.